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17 Again the Musical – Beenleigh Theatre Group Presented by: Beenleigh Theatre Group Director:  Lachlan Dodd Music Directors:  Ruby Tate and Mark Mirhan Choreographer:  Meggie Ryder Assistant Choreographer:  Kaitlyn Burton Stage Manager:  Biance Riek Lighting Design:  Bryce Delany Sound Design:  Tom O'Driscoll Set Design:  Lachlan Dodd Costume Design:  Lachlan Dodd and Meggie Ryder Photography:  Creative Street and PIF Productions I love when a guilty pleasure film of mine gets the full musical theatre treatment! When I first heard that 17 Again  was being staged by Beenleigh Theatre Group as a musical, my immediate reaction was, “Wait… what?” And then immediately after that, “I need to see this!" Based on the 2009 film 17 Again  (the one with Zac Efron and Matthew Perry), the story follows Mike O’Donnell, a 35-year-old who is magically transformed back into his 17-year-old body. No time travel. No rewinding the clock. Just suddenly back in high school, which honestly sounds like a nightmare, while trying to repair the his neglectful relationships with his wife and children. Under the direction of Lachlan Dodd , with musical direction by Ruby Tate  and Mark Mirhan  and choreography by Meggie Ryder , the creative team transform the film’s fantastical premise into a fun, fast-moving and self-aware stage experience.   The set design is smart and theatrical without overcomplicating things. Three entryways give the stage dimension, one topped with a basketball hoop that becomes both scenic feature and storytelling device from the very first number, “The Star of Kennedy High.” Rolling lockers and a trophy cabinet allow for fluid transitions, while the painted stage establishes the production visually. It all feels cohesive and purpose-built rather than decorative. A few spotlights were off on the night I attended, but honestly it added to the amusement rather than distracting from it.   Greyson Vaughn  as 17-year-old Mike, also known as Mark (excellent cover name), is a brilliant leading man. His physicality is uncannily precise. I would love to know how many times he watched the film in preparation because his mannerisms were spot on. He feels like a Zac Efron/Marty McFly hybrid, bounding around the stage with the chaotic enthusiasm of a true 35-year-old suddenly gifted teenage energy again. Vocally, he is strong and expressive, particularly in “Something So Perfect,” where real emotional sincerity shines through the comedic exterior.   Patrick Lockyer  as 35-year-old Mike provides the emotional anchor. His performance in “Time for Starting,” while unapologetically demolishing a mudcake, is wryly funny and relatable. The marriage struggle sits honestly on him, and the relief in his final scenes feels truly earned rather than exaggerated. Michelle Randall brings warmth to Scarlett with “Love You Till Forever,” revealing lovely emotion that grounds the show’s romantic stakes.   Leah Erskine perfectly captures Maggie’s sulky teenage angst and mortifying embarrassment, and her duet with Greyson, “You Deserve the Best,” becomes a melting vocal moment, even with the script’s awkward unintended-crush undertones. “Gonna Show It to You,” alongside Lachlan Bretherton-Scobie as Stan, embraces its not-so-subtle-innuendo with total commitment, the humour landing just as confidently as their vocals. Wyatt Scrimgeour  as Alex delivers my personal favourite solo of the show, “Losers Don’t Ever Win,” staged from a toilet stall and powered by serious vocal firepower as he wheels himself all around the stage. Clayton Eltis  as Ned Gold fully commits to the character’s theatrical dork energy, and I mean that as the highest compliment. His reaction to seeing Mike young again is completely justified and wonderfully over-the-top. In “Tra La La,” Clayton and Vanessa Chuah’s Principal Masterson strike a perfect balance between heightened absurdity and genuine sweetness, allowing their nerdy courtship to become one of the strongest comedic moments. Vanessa also commands the stage in “Matter of Principle,” delivering a soulful, powerful vocal performance that ranks among the strongest of the show. A special mention must go to Samantha Parker  as the secretary. The lute moment had me crying with laughter for reasons I still cannot fully explain.   Hayley Morris  as Chelsea exudes wholesome girl-next-door charm while still carrying the confident sparkle of a cheerleader, creating a character that feels both approachable and self-assured. The Brittanys, Hannah Elizabeth Grace , Olivia Van Grinsven and Sian Van Blerk , power through “#BrandNewDay” with tight three-part harmonies and fierce commitment. Mic balance in this number was noticeably loud though. The live band, Mark Mirhan, Ruby Tate, Mik Farnsworth-Sempf, Hayley Gravina, Sari Rangiwai and  Dom Nicholson , are incredibly tight. Positioned at the rear of the stage, they bring fantastic energy, with drummers Jonathan Fripp and Dom Nicholson absolutely driving the Act One finale home: “The Greatest Prize.”   Meggie Ryder’s choreography sparkles in “Take a Shot,” basketballs and all, and in the salsa-infused “Make the Most of Tonight,” where Tanisha Clarke’s  vocals fuel the intense, high-energy dance sequence. At times, the featured dancers appeared slightly cautious or restrained. The partner work is expansive and dynamic, and I would love to see them fully claim the stage space available to them. The ensemble of eight demonstrate some great character choices, giving group scenes texture and personality. Push it even further and it will truly sparkle. The impact of your collective energy on the overall picture is bigger than you think.   Under the direction of Lachlan Dodd , the show never tips into excess. It is camp, yes, and the script is on-the-nose, but the cast embrace it without irony. Greyson, Clayton, and the Brittanys in particular understand the heightened style: it never feels like they are mocking the material; they are celebrating it! I also love the smaller choices and subtle film nods sprinkled throughout; they did not go unnoticed! There are plenty of blink-and-you-miss-it moments, physical details, and background character beats that reward close attention and add so much texture to the overall picture. Is the music the most unforgettable you will ever hear? Umm.. no. But is it fun? Absolutely! This production does not pretend to be high art. Instead, it embraces the absurdity of its premise while still honouring the emotional beats beneath the surface. It captures the fantastical heart of the story, balances comedy with genuine warmth, and sends the audience out smiling. For fans of the film, it is a nostalgic, high-energy night out. For everyone else, it is two hours of joy, basketballs and belting!   I recommend it wholeheartedly to anyone wanting a genuinely joyful night at the theatre.

Cast : Maddison Burridge, Billy Fogarty, Hayden Spencer Playwright: Sophocles Co-Directors: Courtney Stewart & Nigel Poulton Dramaturgy : Courtney Stewart & Brady Watkins Set & Costume Designer: Josh McIntosh Composer & Sound Designer: Brady Watkins Lighting Designer: Teegan Kranenburg Photography: Dean Hanson Photography / Jacqueline Bawtree “No man can foretell his fate.” More than two millennia after it was first written, Sophocles’ Antigone  still speaks with unsettling timeliness. In La Boite Theatre’s striking new staging, co-directors Courtney Stewart  and Nigel Poulton  have crafted a production that explores authoritarianism , defiance, grief and the dangerous rigidity of single-minded convictions. It is theatre that asks its audience to listen carefully, think deeply, and confront the consequences directly.   The play unfolds in the immediate aftermath of a civil war. Antigone’s brothers, the princes Polyneices and Eteocles, have killed each other in battle, leaving their city of Thebes fractured. These fallen princes are henceforth embodied through cloak and helm. The newly crowned king, Creon — Antigone’s uncle — declares one a hero deserving burial and the other a traitor condemned to rot unburied as a warning to the state. What follows is not merely a family dispute, but a collision of principles. Even for audiences unfamiliar with Greek tragedy, the central conflicts are immediately clear and strikingly recognisable today: loyalty versus law, conscience versus authority, the will of the people against the pride of the ruler. The directors frame this ancient dilemma through a highly physical theatrical language that draws on Poulton's action-based performance practice. In this world, the body is never neutral. Characters move continuously through the roundhouse space in shifting choreographic patterns. Bodies crouch, crawl, bow, rise and fall across the levels of the set, embodying the forces that constrain and compel them. The visual world of the production is striking in its clarity and symbolism. At the centre of the stage sits a circular platform carved with a shallow, sunken grave. Josh McIntosh’s set design features a pale stone surface etched with fissures that evoke ancient marble, while the vertical layers glow with warm clay tones. The design creates the impression of an arena — part burial site, part civic forum — where private grief and public judgement collide. A raised walkway and stepped platforms extend from the circle, allowing characters to ascend above the action or descend toward the grave. From a narrow opening above, dusty pebbles periodically rain down into the pit. The roundhouse seating reinforces the production’s themes of public debate, with characters frequently addressing the audience directly as though speaking before a civic assembly. The audience becomes witness, jury and citizen all at once. Suspended above the stage, a ring of lighting reflects the circular shape below, casting cool blue washes and sharp spotlights that isolate characters in moments of confrontation or reflection. Teegan Kranenburg’s  lighting design heightens this effect, especially in the electrifying appearance of the blind prophet Teiresias, where sharp strobe moments fracture the space in flashes of foreboding. The costumes, also designed by Josh McIntosh , perfectly align with the production’s “modern myth” aesthetic — one particularly committed audience member even arriving in a toga on opening night. The flowing silhouettes and soft, neutral fabrics reflect the drapery of ancient Greece, yet maintain a contemporary style in their cut and transparency. Hayden Spencer’s Creon sports a tailored vest decorated with a medal, evoking modern military authority and political clout. The soundscape by Brady Watkins  is particularly effective, layering heartbeats, rumblings, distant screams and choral textures that echo through the theatre. These moments often feel like the pulse of the story itself, amplifying the tension between the human and the mythic. Transitions are underscored by voiceovers of Sophocles’ words, grounding the production firmly in its classical origins even as the staging speaks in a contemporary theatrical language. The ensemble of three is a mighty force. At the forefront stands the sensational Maddison Burridge  as Antigone. She brings composure and emotional depth to Antigone’s grief, love, and fierce moral conviction. Antigone’s defiance does not stem from stubbornness but from an unwavering sense of justice, and Burridge allows that humanity to shine through the text’s formal language. Her declaration, “Our work is never finished. Our tears never dry,” resonates with a haunting impact.   Billy Fogarty  moves fluidly between roles as Ismene, Haimon, Teiresias and the Sentry, demonstrating remarkable versatility. As Ismene, they convey the tension between loyalty and fear with sensitivity, while their turn as the bumbling Sentry provides flashes of comic relief. The Sentry's nervous, long-winded attempts to report to the king are played with deliberate hilarity. As Haimon, however, Fogarty delivers one of the evening’s most compelling exchanges opposite Creon, arguing passionately for logic and the voice of the people. Their confrontation becomes a heated debate between generational reason and authoritarian certainty. Hayden Spencer commands the stage with a Creon whose authority and pride are felt in every word. He knows he does not need to overplay dominance; it is embedded in his person and vocal precision. He spits out the words “woman” or “girl” with palpable disdain; you can almost see the misogyny dripping off his tongue. Antigone in turn responds with equal bitterness when mentioning “men,” underlining the play’s inherent battle of the sexes. Spencer also finds flashes of dark humour within Creon’s demeanour, often in a mocking tone. The production’s dramaturgy, credited to Courtney Stewart  and Brady Watkins , draws thoughtful connections between Sophocles’ text and the contemporary world. At one point Antigone sheds her mythical origins to speak directly to our modern challenges, naming women across the globe who continue to pursue justice and dignity today. It is a reminder that Antigone is not a singular figure of the past but one voice in a long line of resistance since. The language of Sophocles is intricate and philosophical, and the production refrains from simplifying its intellectual complexity. Instead, it trusts the audience to engage. For seventy focused minutes, the play asks for attention, patience and thoughtfulness, and rewards it with moments of startling stagecraft. The questions posed by Antigone remain painfully familiar. What happens when leaders equate disagreement with disloyalty? When pride outweighs compassion? As one line reminds us, “All men make mistakes, but a good man yields when he knows his course is wrong… the only crime is pride.”   La Boite’s production does not offer easy answers. Instead, it invites audiences to sit within the complexity of opposing truths. In doing so, it demonstrates why this ancient tragedy continues to resonate across millennia: because the struggle between authority and conscience is never truly resolved. In this powerful staging, Sophocles’ tragic story feels less like a relic of the past and more like a mirror held up to the present.

Title:  Frozen Presented By:  Cope Creative Genre:  Musical Theatre Synopsis: Inspired by the beloved Disney story, Frozen – The Broadway Musical transports audiences to the kingdom of Arendelle, where sisters Elsa and Anna must navigate love, fear, and the power of family. When Elsa’s magical powers spiral out of control, she isolates herself from the world, leaving Anna to embark on a dangerous journey to bring her sister home. Filled with spectacular theatrical moments and unforgettable music, this production celebrates adventure, heart, and the magic of storytelling. Audition Date: Video auditions open Thursday 5th March 2026 and close Thursday 26th March 2026. Callbacks: Sunday 29th March 2026 Audition Time: Callbacks 10AM - 4PM Audition Location and Address: Callbacks held in person (location provided to successful applicants). Audition Self-Tape Due: Thursday 26th March 2026 Audition Registration: Submit via the Audition Form HERE Audition Pack: Audition materials (dance, sheet music, and backing tracks) HERE Performance Dates: 5th –7th June 2026 Performance Times: Friday - 6PM Saturday – 1PM & 6PM Sunday – 1PM Performance Location: The Events Centre Caloundra, 20 Minchinton St, Caloundra QLD 4551 Rehearsal Dates: 29th March – 5th June 2026 Rehearsal Times: Sundays 10AM - 4PM Thursdays 6PM - 9PM Tech Week: 3rd June 2026 – 9AM – 9PM 4th June 2026 – 11AM – 9PM 5th June 2026 – 11AM – 9PM Rehearsal Location: Sunshine Coast (venue details provided to cast). Warnings: This production includes theatrical haze, strobe lighting effects, loud music, and pyrotechnics. Performer Age: Main cast - 18+ Youth roles - Ages 8–13 (Young Elsa and Young Anna; double cast). Creative Team: Director - Riley Cope Production Website: Cope Creative - Frozen Other Information: This production is presented under a community theatre model and is a voluntary performance opportunity. Callbacks will include singing, acting, and dancing. Performers must be available for rehearsals, tech week, and performances. The show runs approximately 2.5 hours with a 20-minute interval. Contact - producer@copecreative.com.au Available Roles / Character Breakdown: Elsa (Female) – Future Queen of Arendelle and Anna’s older sister, born with magical powers she fears she cannot control. Vocal Range: E3–Eb5. Anna (Female) – Princess of Arendelle; optimistic, warm-hearted, and determined to reconnect with her sister. Vocal Range: G3–E5. Kristoff (Male) – A hardworking ice harvester with a tough exterior and a loyal heart. Vocal Range: A2–Bb4. Prince Hans (Male) – Charming and ambitious prince of the Southern Isles. Vocal Range: A2–A4. Olaf – A magical snowman with childlike innocence and boundless enthusiasm. Vocal Range: E3–Eb5. Sven – Kristoff’s loyal reindeer companion. Oaken (Male) – Cheerful shopkeeper and champion of hygge. Vocal Range: A2–Bb4. Weselton (Male) – Duke from a neighboring kingdom; judgmental and opportunistic. Vocal Range: F3–A4. Queen Iduna (Female) – Elsa and Anna’s compassionate mother. Vocal Range: F3–E5. King Agnarr (Male) – Protective father of Elsa and Anna. Vocal Range: B2–C4. Pabbie (Male) – Wise shaman and patriarch of the Hidden Folk. Vocal Range: Ab2–Gb4. Bulda (Female) – Warm and nurturing matriarch of the Hidden Folk. Vocal Range: Bb3–D5. Young Elsa (Female, 8–12) – Elsa as a child discovering her magical powers. Vocal Range: A3–E5. Young Anna (Female, 8–12) – Anna as a child, energetic and fascinated by Elsa’s magic. Vocal Range: Bb3–E5. Ensemble – Townspeople, guards, palace staff, Hidden Folk, Oaken’s family and friends, and other featured roles. Ensemble members sing, dance, and portray multiple characters throughout the show.

Upcoming Performances 28 Mar 2026 CABARET: The Ultimate Vegas Show - Boyd Productions, The Star Gold Coast Season: March 28th, 2026 Read More 28 Mar 2026 BURLESQUE: Roullesque 2 - Abadon Productions Season: March 28th, 2026 Read More 28 Mar 2026 CABARET: Birthday Bash -Play on Stage Season: March 28th, 2026 Read More 28 Mar 2026 BURLESQUE: Edge of Her - Burlesque L'Amour Season: March 28th, 2026 Read More 28 Mar 2026 SOCIAL EVENT: Murder at the Manor - Cluedunnit Season: March 28th, 2026 Read More 28 Mar 2026 YOUTH CONCERT: Musical Trails - Fusion Arts Inc. Season: March 28th, 2026 Read More 28 Mar 2026 MUSICAL REVUE: Ovation - Events Centre, Empire Theatre, QPAC Season: March 28th, March 29th & May 1st, 2026 Read More 28 Mar 2026 MUSICAL: Alice the Musical Season: March 28th, 2026 Read More 28 Mar 2026 CONCERT: Peter in the Wild - Redlands Sinfonia, RPAC Season: March 28th, 2026 Read More 27 Mar 2026 MUSICAL: MJ the Musical - QPAC, Michael Cassel Group Season: March 27th - May 24th, 2026 Read More 27 Mar 2026 OPERA: Opera in the Chapel - - Underground Opera Company Season: March 27th - 29th, 2026 Read More 27 Mar 2026 BALLET: Messa da Requiem - Queensland Ballet, QPAC Season: March 27th - April 4th, 2026 Read More 27 Mar 2026 MUSICAL: Kinky Boots - Swich Up Productions Season: March 27th - 29th, 2026 Read More 27 Mar 2026 THEATRE: The Generation Game - 6 Mangrove Productions Season: March 27th - 28th, 2026 Read More 27 Mar 2026 OPERA: Agony and Ecstasy - Brisbane Lyric Opera Season: March 27th, 2026 Read More 27 Mar 2026 OPERA: undead. - Opera Queensland Season: March 27th - 28th, 2026 Read More 26 Mar 2026 COMEDY: Speed: The Movie, The Play Season: March 26th - April 19th, 2026 Read More 26 Mar 2026 CIRCUS: La Clique - HOTA Season: March 26th - April 19th, 2026 Read More 25 Mar 2026 CABARET: Your Song - The Little Red Company, Brisbane Powerhouse Season: March 25th - 29th, 2026 Read More 25 Mar 2026 THEATRE: Crossing the Divide - Shock Therapy Arts, Empire Theatre Season: March 25th - 26th, 2026 Read More 25 Mar 2026 YOUTH SHOWCASE: Muse Anticipate - Queensland Academy of Creative Industries Season: March 25th - 26th, 2026 Read More 25 Mar 2026 THEATRE: Die, Mommie Die - A Midnight Social, PIP Theatre Season: March 25th - April 11th, 2026 Read More 24 Mar 2026 CHILDREN'S THEATRE: Where is the Green Sheep - Monkey Baa Theatre Season: March 24th - April 18th, 2026 Read More 21 Mar 2026 CABARET: Frenzy - Galore Season: March 21st, 2026 Read More 21 Mar 2026 YOUTH MUSICAL: Freaky Friday - Shine Performing Arts Academy Season: March 21st - 22nd, 2026 Read More 21 Mar 2026 MUSICAL: Legally Blonde - Vargo Studios Theatrical, Events Centre Season: March 21st, 2026 Read More 20 Mar 2026 THEATRE: Amadeus - Beenleigh Theatre Group Season: March 20th - 28th, 2026 Read More 20 Mar 2026 THEATRE: Almost, Maine - Villanova Theatre Players Season: March 20th - 22nd, 2026 Read More 20 Mar 2026 THEATRE: The Taming of the Shrew - Coolum Theatre Players Season: March 20th - 29th, 2026 Read More 20 Mar 2026 THEATRE: No Exit - Maleny Players Season: March 20th - 22nd, 2026 Read More 20 Mar 2026 THEATRE: Home in the Sun - Backdock Arts Season: March 20th - 29th, 2026 Read More 19 Mar 2026 THEATRE: Brisbane - Ad Astra Theatre Season: March 19th - April 11th, 2026 Read More 19 Mar 2026 THEATRE: Steel Magnolias - Noosa Arts Theatre Season: March 19th - 28th, 2026 Read More 19 Mar 2026 SOCIAL EVENT: FEMIOKE - Metro Arts Season: March 19th, 2026 Read More 19 Mar 2026 DANCE: Code of Conduct - Australasian Dance Collective Season: March 19th - 28th, 2026 Read More 18 Mar 2026 CHILDREN'S THEATRE: What's in the Woods? - Brymore Productions, Backbone Youth Arts Season: March 19th, 2026 Read More 18 Mar 2026 THEATRE: Sunny Tribe District - Salad Days Collective, PIP Theatre Season: March 18th - 28th, 2026 Read More 18 Mar 2026 CABARET: Marvelous: A Risqué Parody - Fever, Twelfth Night Theatre Season: March 18th - April 4th 2026 Read More 18 Mar 2026 BALLET: Giselle - Brisbane Ballet Season: March 18th - 21st, 2026 Read More 13 Mar 2026 MUSICAL: & Juliet - Empire Theatre Season: March 13th - 22nd, 2026 Read More 13 Mar 2026 THEATRE: Amigos - Mercury Theatre Wynnum Season: March 13th - 29th, 2026 Read More 13 Mar 2026 THEATRE: Rumors - Spotlight Theatrical Company Season: March 13th - 28th, 2026 Read More 13 Mar 2026 THEATRE: Romeo & Juliet - St Luke's Theatre Society Season: March 13th - 28th, 2026 Read More 13 Mar 2026 THEATRE: The Woman Who Cooked Her Husband - Sandgate Theatre Season: March 13th - 28th, 2026 Read More 11 Mar 2026 THEATRE: ART - QPAC, Marriner Group Season: March 11th - 22nd, 2026 Read More 10 Mar 2026 THEATRE: Torch the Place - Queensland Theatre Company Season: March 10th - 29th, 2026 Read More 10 Mar 2026 CHILDREN'S THEATRE: The Riddle of Washpool Gully - Dead Puppet Society Season: March 10th - 21st, 2026 Read More 7 Mar 2026 MUSICAL: RENT - Javeenbah Theatre Season: March 7th - 21st, 2026 Read More 6 Mar 2026 THEATRE: Blackadder II - Upstage Theatre Season: March 6th - 28th, 2026 Read More 5 Mar 2026 THEATRE: Antigone - La Boite Theatre Season: March 5th - 21st, 2026 Read More 21 Feb 2026 BALLET: Sleeping Beauty - Fever, QUT Gardens Theatre Season: February 21st - August 1st, 2026 Read More 14 Feb 2026 MAGIC: Theatre of Magic - Empire Theatre Season: February 14th - December 5th, 2026 Read More 9 Feb 2026 PLAY READING: Playground - 7th Floor Theatre, PIP Theatre Season: Monthly from February 9th, 2026 Read More 31 Jan 2026 BALLET: Ballet of Lights: Cinderella - Fever Season: January 31st - July 18th, 2026 Read More 10 Jan 2026 THEATRE: The Jury Experience - Fever Season: January 10th - June 25th, 2026 Read More 18 Sept 2025 BALLET: Tchaikovsky’s Swan Lake, Nutcracker & More - Fever Candlelight Concerts Season: September 18th, 2025 - January 17th, 2026 Read More 14 Nov 2024 CABARET: Blanc de Blanc Encore - Strut and Fret, West End Electric Season: November 14th, 2024 - March 15th, 2026 Read More

< Back CABARET: Marvelous: A Risqué Parody - Fever, Twelfth Night Theatre 18 Mar 2026 Season: March 18th - April 4th 2026 Title: MARVELous: A Risqué Parody Presented By: Fever & Twelfth Night Theatre, Brisbane Genre: Live Show / Cabaret / Parody Theatre Synopsis: MARVELous: A Risqué Parody flips the Marvel Universe on its head with outrageous comedy, jaw‑dropping stunts, live vocals, aerial performance, dance, and irreverent twists on iconic superhero moments. This adult‑oriented variety show blends circus‑style spectacle, cabaret energy, and musical parody into an over‑the‑top theatrical experience guaranteed to entertain and surprise. Performance Dates: March 18th - April 4th, 2026 Performance Times: Wednesday - Friday & Sunday 7:30PM Saturday 2:30PM & 7:30PM Performance Location and Address: Twelfth Night Theatre, 4 Cintra Road, Bowen Hills QLD 4006, Australia Ticket Costs: $99 - $139 Ticket Link: Buy Tickets - MARVELous Warnings: Adult‑themed content, risqué humour, and material unsuitable for young children. Recommended Age: 15 + (Anyone under 18 must be accompanied by an adult) Duration: Approximately 80 minutes, no interval Production Website: Fever - MARVELous Other Information: Twelfth Night Theatre is a well‑established live performance venue in Bowen Hills with wheelchair‑accessible seating available (bookable via the ticket options). A companion seat is included for guests requiring assistance (proof may be requested onsite). Contact the theatre directly for accessibility needs beyond standard wheelchair width limits. Previous Next

Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical, from audition alerts and performance reviews to exclusive spotlights on local talents and invaluable theatre tips. Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact