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- REVIEW: Home in the Sun - Backdock Arts
Home in the Sun – Backdock Arts Writers: Aimee Tacon, Joe Lord, Ethan Irvine Composers: Bridie Middleton, Veronica Netya Dramaturg: Harrison Port Photography: Ronan Leahy (ClubEleven Media) and Felix Smith Cast & Musicians: Ethan Irvine – The Gardener Aimee Tacon – The Agent Harrison Port – Edmund / The Son (piano) Veronica Netya – Maggie / The Writer (guitar) Alisha Milne – The Bug Collector / Edith (thumb piano + more) Ellie Johnson – Alice / Rose (ukulele + more) “May our roots support and sustain us, and may we see new light with each passing day.” Home in the Sun is a lovingly crafted, collaborative project by writers Aimee Tacon, Joe Lord, and Ethan Irvine. First developed for the QUT Potentia Festival, this piece blends live music with group storytelling to create something truly special. In the yard of an old Queenslander, a gentle gardener is tending to his bulbs, deeply attuned to the sounds of the land he cherishes. But when a real estate agent shows up to assess the property's value, that harmony is disrupted. As the two gradually warm up to each other, the house begins to reveal its past. Home in the Sun welcomes everyone past the front gate, where history comes alive, and the love for people, places, and memories bloom. As soon as I walked into the space at Backdock Arts, I noticed how thoughtfully everything was put together. The whole space had this inviting warmth as you walked through the set and past the picket fence to reach your seat. The warm lamps cast a cozy glow on the rusted tin walls, a wheelbarrow filled with soil and plants sat waiting. It perfectly set the mood for a show that encourages you to slow down and really soak it all in. It felt less like entering a theatre and more like stepping into someone else’s memory. We meet the gardener (Ethan Irvine), a gentle figure who is always humming softly. Then the agent (Aimee Tacon) arrives with her brisk, transactional demeanor cutting straight through that tranquility. And their debate on the 'value' of the place begins. The house starts telling its story through a series of beautifully woven vignettes. We are transported through time, spanning from the 1840s to now, meeting the inhabitants who once filled its walls with life: a passionate girl guide, a young couple finding their rhythm in marriage and poverty, a theatrical outsider observing the world from the street, a writer searching for a purpose, and a group of laundry girls finding connection in routine. Each story feels like a memory that's been unearthed and tenderly placed in our hands. What really elevates this piece is how integrated the music and sound are within the storytelling, Composed by Bridie Middleton and Veronica Netya. Veronica's guitar is impossibly soothing, and Harrison Port’s piano threads emotion through every scene, particularly in the delicate arpeggios that carry us between moments. The live foley creates an ASMR-like, transportive soundscape: A phone ring, a small rain stick, the layering of thumb piano, ukulele, and subtle percussion all combine to create something handcrafted and intimate. Visually, the world is just as evocative in sensory richness. The ensemble moves through time with subtle costume additions over their white base, while the set remains constant, like a steady witness to decades of life. Twinkle lights glow softly overhead, a picket fence frames the space, and every prop appears aged and well-used. Performance-wise, the cast works with beautiful cohesion, constantly observing and reacting from their upstage positions, never dropping their connection to the story. Ethan's gardener is sincere, anchoring the piece with a grounded, patient presence. Aimee's agent is a standout, beginning brisk, disconnected, and bound by time. Their scenes carry some of the work’s strongest ideas, particularly around the “luxury of time.” When she admits, “my day doesn’t belong to me,” it lands with a quiet weight. Watching him guide her, not just through the garden but towards stillness, becomes one of the most satisfying threads of the piece. The bug collector (Alisha Milne) brings a burst of energy and childlike curiosity, drawing clever parallels between family structures and ant colonies with vivid enthusiasm. Harrison shifts convincingly between two very different character portrayals, while also anchoring the musical landscape at the piano. Veronica easily juggles being a musician and performer, her presence steady and calming within the world. Ellie Johnson is particularly sweet as the young wife, capturing the quiet care and tenderness of those domestic moments with simplicity. There is something in this piece that reaches beyond the space it’s currently in. The sensory detail is already strong, but I would be very curious to see this work in a more open, natural environment, perhaps an outdoor setting with the audience seated on picnic blankets to lean further into the connection with land, smell, and atmosphere. The cast are well suited to this material, and the piece sits comfortably in its one-act length, allowing each scene the space it needs without dragging on. It is a thoughtful, cohesive work with a clear sense of care behind it, making it a lovely fit for a festival setting like Anywhere Festival. Home in the Sun is about the value we place on spaces and the lives lived within them. It suggests that true worth isn’t found in market price, but the memories, the time spent, and the experiences we gather there. As someone constantly rushing between shows, rehearsals, and work, this was a nice reminder to slow down, to listen, and actually enjoy the spaces that matter most. For me, it lands as a peaceful exhale. Thank you to the team for allowing me to attend your final performance.
- YOUTH AUDITION NOTICE: Frozen Jr - Second Star Youth Theatre
Title: Disney’s Frozen JR Presented By: Second Star Youth Theatre Genre: Musical Theatre / Youth Theatre Synopsis: Based on the beloved Disney film and Broadway musical, Frozen JR tells the story of sisters Anna and Elsa as they navigate love, fear, family and self-acceptance in the kingdom of Arendelle. Featuring iconic songs, magical storytelling and a large ensemble, this 60-minute adaptation is designed especially for young performers. Audition Date: Sunday 14 June 2026 Audition Time: 1:00pm – 5:00pm Audition Location and Address: Faith Works Norman Park, 177 Bennetts Road, Norman Park QLD Audition Self-Tape Due (if applicable): Video auditions accepted for performers unavailable for the in-person audition workshop. Audition Requirements: No preparation required Auditions are run as an audition workshop using the iTheatrics method Participants will learn ensemble material on the day and perform for the creative team Auditions focus on singing, acting, movement, collaboration and responsiveness to direction All who audition will be cast Audition Registration: Register here: https://docs.google.com/forms/d/e/1FAIpQLScg681atzNS5VbY2Ma3uhBLCM9qyPsShXlq404lTs_srRrQjg/viewform Performance Dates: Saturday 11 July 2026 Performance Times: 3:00pm and 6:00pm Performance Location: Marjorie Godfrey Theatre, Cavendish Road State High School, Holland Park QLD Rehearsal Dates: Monday 6 July – Friday 10 July 2026 Rehearsal Times: 9:00am – 4:00pm daily Performer Age: 10–18 years old (as of 11 July 2026) Creative Team: Director & Music Director – Lauren McNamara, Choreographer – Sonya Wyer Production Website: https://www.secondstaryouththeatre.com.au/frozenjr Other information: Participation fee: $450 (incl. GST) Includes audition workshop, rehearsals, production t-shirt, script, dinner on performance day and costume hire Most costumes provided by the company Limited cast places available Payment due prior to audition submission date All performers who audition are guaranteed a place in the cast Video auditions available for those unable to attend in person Participation subject to company policies including Code of Conduct and Child & Youth Risk Management policies Available Roles/Character Breakdown: Anna - Warm, optimistic and energetic princess with strong comedic and emotional range. Vocal range: G3–D5. Elsa - Reserved and powerful queen struggling to control her magic. Requires emotional maturity and strong vocals. Vocal range: F#3–D5. Kristoff - Lovable ice harvester with dry humour and warmth. Strong acting and scene partner work required. Vocal range: G2–A3. Olaf - Joyful magical snowman with excellent comedic timing and physicality. Vocal range: F#2–D4 (or F#3–D5). Hans - Charming prince with a darker side. Strong singer and actor. Vocal range: G2–B3. Sven - Kristoff’s loyal reindeer companion. Strong physical performer role with minimal singing. Young Anna / Middle Anna - Playful and excitable younger versions of Anna. Young Elsa / Middle Elsa - Gentle and protective younger versions of Elsa requiring emotional restraint. Oaken - Larger-than-life comedic shopkeeper. Pabbie & Bulda - Warm and quirky Hidden Folk guardians with featured singing and movement. Featured Roles: Weselton King Agnarr Queen Iduna Bishop / Palace Staff Ensemble - Includes townspeople, castle staff, hidden folk, snow chorus, coronation guests and more. Many opportunities for featured moments and solo lines.
- YOUTH AUDITION NOTICE: 13 The Musical - Passion Productions
Title: 13 The Musical Presented By: Passion Productions Genre: Musical Theatre Synopsis:13 The Musical is the heartfelt and hilarious pop-rock musical by Jason Robert Brown that follows Evan Goldman, a New York teen whose life is turned upside down after his parents’ divorce forces him to move to small-town Indiana just before his Bar Mitzvah. As Evan navigates friendship groups, crushes, bullying and social drama, he discovers what truly matters when everything begins to fall apart. The production features an entirely teenage cast and band. Audition Date: Saturday 27 June 2026 Audition Time: 10:00am – 6:00pm Audition Location and Address: Northgate Hall (Address available through audition registration) Audition Requirements: Prepare two contrasting musical theatre songs (30–45 seconds each): One upbeat song One ballad Dance component will be taught briefly on the day, but auditionees are encouraged to familiarise themselves with the provided videos beforehand Cold reads may be requested during auditions or callbacks Auditions will be held in group sessions of approximately 60 minutes. Registration is essential Audition Registration: https://airtable.com/appdAz6BKXZweUC7h/pagjNGQvWnBKa3bJe/form Audition Pack: https://www.passionproductions.com.au/_files/ugd/ac9999_da382c6a33d948cdaf8e279efaf71d1e.pdf Performance Dates: 25 September – 3 October 2026 Rehearsal Dates: Beginning 11 July 2026 Rehearsal Times: Tuesdays: 6:30pm – 10:00pm Thursdays: 6:30pm – 10:00pm Saturdays: 10:00am – 4:00pm Rehearsal Location: Strathpine Community Centre and Petrie School of Arts Performer Age: 12-17 Production Website: https://www.passionproductions.com.au/auditions Other information: Callbacks: Sunday 28 June 2026 from 6:00pm at Northgate Hall (if required) Some performers may be cast without callbacks This is a community theatre production No performer payment No production fees All cast members over 18 must hold or obtain a Blue Card before rehearsals begin Cast members are expected to assist with social media promotion Passion Productions strongly encourages performers of all backgrounds, identities and abilities to audition Available Roles/Character Breakdown: Evan Goldman – Tenor (Bb2–Bb4) Bright, charming and good-hearted New York teen navigating a new town, family upheaval and his upcoming Bar Mitzvah. Patrice – Mezzo Belter (Eb3–E5) Shy, intelligent and grounded. A loyal friend with strong convictions and a crush on Evan. Archie – Tenor (Ab2–Bb4) Funny, insightful and theatrical. Lives with muscular dystrophy and uses crutches. Brett – Tenor + Falsetto (Bb2–C5) The arrogant and popular football star who bullies outsiders. Lucy – Mezzo (F#3–D5) Manipulative cheerleader determined to steal Brett from Kendra. Kendra – Mezzo (Bb3–D5) Popular, bubbly head cheerleader struggling with social pressures. Malcolm – Baritenor + Falsetto (F#3–C5) Brett’s eager sidekick and football team member. Eddie – Baritone + Falsetto (Bb2–C5) Another of Brett’s sidekicks, loving his social status. Cassie – Soprano Belter (F#3–F5) Fashion-forward cheerleader and gossip enthusiast. Charlotte – Mezzo Belter (A#3–F5) Loveable and gullible cheerleader. Molly – Mezzo Belter (F#3–C#5) Confident rumour-starter who enjoys chaos. Richie – High Tenor + Falsetto (A2–C5) Explosive, goofy and highly social class clown. Simon – Tenor (C2–C5) Quiet football team member often caught in the middle. Ensemble - Strong vocal and movement ability required.
Other Pages (609)
- Stage Buzz Brisbane | Local Performing Arts
Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical: upcoming performances adult audition alerts youth auditions performance reviews exclusive spotlight interviews with local talents rehearsal/performance venue database Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact
- MUSICAL REVUE: Music of the Night - World Class Entertainment, HOTA, RPAC | Stage Buzz Brisbane
< Back MUSICAL REVUE: Music of the Night - World Class Entertainment, HOTA, RPAC 17 May 2026 Season: May 17th - June 26th, 2026 Title: Music of the Night Presented By: World Class Entertainment Australia Genre: Musical Theatre / Tribute Show Synopsis: Music of the Night is a large-scale tribute concert celebrating the music of Andrew Lloyd Webber and iconic West End and Broadway musicals. The show features highlights from The Phantom of the Opera , Jesus Christ Superstar , and Joseph and the Amazing Technicolor Dreamcoat , alongside selections from Les Misérables , The Sound of Music , Mary Poppins , and Jersey Boys . Led by award-winning performer Joey Fimmano, the production brings together a cast of acclaimed vocalists and musicians to deliver a polished concert-style theatre experience showcasing some of the most recognisable musical theatre songs of all time. HOTA Season: Performance Date: May 17th, 2026 Performance Time: 1:30PM Performance Location and Address: Theatre 1, HOTA, 135 Bundall Rd, Surfers Paradise QLD 4217 Ticket Costs: Adult – $79.95 Pension – $74.95 Student – $69.95 Child – $54.95 Group (6+) – $74.95 per person HOTA Member – $72.95 Ticket Link: Buy Tickets - Music of the Night HOTA RPAC Season: Performance Date: June 26th, 2026 Performance Time: 7:30PM Performance Location and Address: Concert Hall, Redlands Performing Arts Centre, 2-16 Middle Street, Cleveland, QLD 4163 Ticket Costs: $54.95 - $79.95 Ticket Link: Buy Tickets - Music of the Night RPAC Recommended Age: All ages Duration: 2 hours 45 minutes (includes interval) Cast: Joey Fimmano Dexter Villahermosa Michaela Hodgson Katelyn Vella Live band ensemble Creative Team: Produced by World Class Entertainment Australia Other information: This is a concert-style musical theatre tribute performance featuring a live band and professional vocalists performing iconic songs from major West End and Broadway productions. Both venues are accessible - please contact the box office for specific accessibility requirements. Previous Next
- THEATRE: Half Hour Hamlet - Queensland Shakespeare Ensemble, Anywhere Festival | Stage Buzz Brisbane
< Back THEATRE: Half Hour Hamlet - Queensland Shakespeare Ensemble, Anywhere Festival 17 May 2026 Season: May 17th - 22nd, 2026 Title: Half Hour Hamlet Presented By: Queensland Shakespeare Ensemble (as part of Anywhere Festival) Genre: Theatre / Shakespeare / Comedy / Physical Theatre Synopsis: Half Hour Hamlet is a fast-paced, comedic reimagining of Shakespeare’s Hamlet , condensed into a rapid theatrical sprint. Performed by five classically trained actors, the production distils the original tragedy into an energetic, accessible, and humorous performance that focuses on the core story of betrayal, revenge, and existential chaos. Designed as part of the Shakespeare’s Shorts series, the show is intentionally playful and highly physical, making Shakespeare approachable for audiences of all ages—no prior knowledge of the play is required. Performance Dates: May 17th - 22nd, 2026 Performance Times: May 17th - 1:30PM May 22nd - 7PM Performance Location and Address: Hip Hops Brewers, The Sheds at Brendale264 S Pine Road, Brendale QLD 4500 Ticket Costs: Adult - $18 Child - $10 Ticket Link: Buy Tickets - Half Hour Hamlet Warnings: May include loud physical performance, comedic violence, and audience interaction. Recommended Age: All ages (children under 16 should be accompanied by an adult) Duration: Approximately 45 minutes Cast: Queensland Shakespeare Ensemble Production Website: Anywhere Festival - Half Hour Hamlet Other information: Part of the Anywhere Festival, which presents theatre in non-traditional venues across Brisbane. This production is a shortened Shakespeare adaptation designed to be fast, accessible, and comedic, performed in an informal venue setting. Previous Next




