Title: Wolf Lullaby Presented By: VOX Productions Genre: Australian Psychological Drama / Thriller Synopsis: A small boy is found dead in a popular children’s play area, and suspicion quickly falls on nine-year-old Lizzie Gael. As evidence mounts, Lizzie’s mother, Angela, must confront the possibility that her daughter may be responsible and decide whether protecting her child is more important than revealing the truth. Written by Australian playwright Hilary Bell, Wolf Lullaby explores parental responsibility, childhood violence, guilt, morality and the unsettling question of whether evil is innate or created. Audition Date: By appointment on the 25th of October 2026 Audition Location and Address: Applications are being accepted electronically. Applications close at 5:00pm on Sunday 27 September 2026. Audition Requirements: Applicants should request the audition pack from VOX Productions. The publicly available notices do not specify the required monologues, scenes, self-tape length, slate information or other audition materials. The role of Lizzie requires exceptional naturalism, emotional maturity and restraint. The role of Toby is voice-only and must be applied for by a parent or guardian. Applicants should consult the audition pack for the complete audition and submission requirements. Audition Registration: Apply through the StarNow casting listing or contact VOX Productions at hello@vox-productions.com to request the audition pack and application instructions. Audition Pack: Audition packs are currently available by emailing hello@vox-productions.com. Performance Dates: Wednesday 3 February 2027 Thursday 4 February 2027 Friday 5 February 2027 Saturday 6 February 2027 Performance Location: PIP Theatre, 20 Park Road, Milton QLD 4064. Rehearsal Dates: Rehearsals begin 28th of October, 2026. These are on Wednesdays (6:30pm-9:30pm) and Sundays (12pm-4pm). Rehearsals will also occur in January (dates TBC). Rehearsal Location: Lavalla Centre, 8 Fernberg Road, Paddington, 4064 and PIP Theatre Warnings: Contains themes involving: The death and suspected murder of a young child Childhood violence Discussions of evil and criminal responsibility Police investigation Parental separation and family conflict Psychological distress, fear and nightmares Guilt, grief and moral conflict Performer Age: Lizzie Gael: Character age 9; performer must be 16 or older Angela Gael: Playing age 25–40 Warren Gael: Playing age 25–40 Sergeant Ray Armstrong: Playing age 45–60 Toby: Performer age 8–10; voice-only role (parent must apply) Creative Team: Playwright – Hilary Bell Director – Susan O’Toole Cridland Producer – VOX Productions Production Website: Wolf Lullaby – StarNow Casting Listing Other information: Roles are offered on a profit-share basis Applicants should request the audition pack for all submission, rehearsal and production commitments. Enquiries can be directed to hello@vox-productions.com. VOX Productions’ official audition announcement is available on Instagram. Available Roles/Character Breakdown: Lizzie Gael Female-presenting Character age: 9 Performer must be aged 16 or older Bright, imaginative, inquisitive and difficult to categorise. Lizzie becomes the principal suspect after a young boy is found dead. A demanding lead role requiring exceptional naturalism, emotional maturity and restraint. The performer must convincingly portray a nine-year-old without presenting a caricature of childhood. Angela Gael Female-presenting Playing age: 25–40 Lizzie’s mother. Angela is forced to confront the possibility that her daughter may be responsible for a child’s death and faces an agonising conflict between maternal loyalty and moral responsibility. Requires considerable emotional range and the ability to portray fear, grief, doubt and parental love. Warren Gael Male-presenting Playing age: 25–40 Lizzie’s father and Angela’s former partner. Warren struggles to understand Lizzie’s behaviour and the implications of the accusations against her. Requires a grounded dramatic performer capable of exploring parental guilt, denial and uncertainty. Sergeant Ray Armstrong Male-presenting Playing age: 45–60 An experienced police officer accustomed to clear distinctions between right and wrong. The investigation and his interactions with Lizzie challenge his confidence in those categories. Requires a strong, authoritative presence balanced with empathy and moral uncertainty. Toby Open presenting gender Performer age: 8–10 Voice-only role A parent or guardian must apply on the child performer’s behalf. No further character or recording requirements have been publicly provided.

Title: Disney’s Frozen: The Broadway Musical Presented By: Swich Up Productions (SUP) Genre: Musical / Family Fantasy Synopsis: In the kingdom of Arendelle, sisters Elsa and Anna are inseparable until Elsa’s magical ice powers accidentally injure Anna. To protect them both, their parents isolate Elsa and close the castle gates, leaving the sisters to grow up separated from one another. Years later, Elsa’s powers are accidentally revealed during her coronation, and she flees Arendelle, unintentionally plunging the kingdom into an eternal winter. Anna sets out to find her sister, joined by ice harvester Kristoff, his loyal reindeer Sven, and the magical snowman Olaf. When Elsa accidentally freezes Anna’s heart, the sisters ultimately discover that an act of true love may not mean what they first imagined. Audition Dates: Adults: Sunday 15, Friday 20, Saturday 21 & Sunday 22 November 2026 Youth: First-round video auditions due Sunday 1 November 2026; callback workshop Sunday 22 November 2026 at 2:00pm, approximately three hours, by invitation only. Audition Time: Adults: Individual 8-minute audition slots selected during registration. Compulsory dance calls: Sunday 15 November – 12:30pm Friday 20 November – 7:00pm Saturday 21 November – 12:30pm Sunday 22 November – 12:30pm Adult callbacks – Tuesday 24 November, 7:00pm–10:00pm, by invitation only. Audition Location and Address: Adult auditions & youth callbacks: Fire Station 101,101 Limestone Street, Ipswich QLD Audition Requirements: Adults prepare: Two contrasting 32-bar musical theatre selections in the style of the show, approximately one minute each. The panel may only hear one. Songs should showcase vocal ability, storytelling, and connection to character. Bring backing tracks on a Bluetooth-compatible device. No a cappella auditions. Learn one of the supplied short harmony tracks appropriate to your voice type. The audition will assess your ability to independently hold a harmony while singing with others. Prepare one of the supplied acting excerpts. Choose whichever excerpt you connect with most strongly. Acting material does not need to be memorised. Scenes should be performed in a General American accent, unless otherwise specified for a character. Attend the compulsory dance call, with choreography taught during the session. Wear appropriate clothing and footwear. Adult applicants must upload a CV and headshot and disclose all potential and confirmed rehearsal conflicts, including involvement in overlapping productions. Youth – Young Anna & Young Elsa: Submit one continuous, unedited video containing a brief introduction stating the performer’s name, age, height, and character they would like to play. The first 1 minute 30 seconds of “Do You Want to Build a Snowman?”, ending at “Tick Tock Tick Tock.” Perform with an instrumental/karaoke backing track. No a cappella singing or lead vocals on the track. Film horizontally in a well-lit, quiet space with an uncluttered background. Frame approximately mid-torso to just above the head. Ensure the performer’s voice is louder than the backing track. No autotune, reverb filters, or heavy editing. Shortlisted youth performers will attend a supportive group callback/workshop exploring acting, singing, learning material, taking direction, and potential Anna/Elsa pairings. Audition Registration: Adult Audition Registration Youth Audition Registration Youth video links should also be emailed to auditions@swichupproductions.com.au. Videos may be supplied via Google Drive, Dropbox, unlisted YouTube, or Vimeo, with link permissions tested before submission. Audition Pack: Harmony Tracks Audition Scripts Performance Dates: Saturday 29 May 2027 Sunday 30 May 2027 Friday 4 June 2027 Saturday 5 June 2027 Sunday 6 June 2027 Potential additional performances/hold dates: Wednesday 2 June, Thursday 3 June and/or Sunday 6 June evening. Performance Location: Ipswich Civic Centre, Nicholas Street, Ipswich QLD600-seat venue Rehearsal Dates: Rehearsals commence Sunday 7 February 2027. Compulsory production week: Wednesday 26 May – Technical Rehearsal, Thursday 27 May – Dress Rehearsal, Friday 28 May – Dress Rehearsal Rehearsal Times: Sundays – 9:00am–5:00pm, Tuesdays – 7:00pm–10:00pm Youth performers will not be required at every rehearsal or for the full duration of each rehearsal. Their calls will be scheduled in advance and kept appropriate to their involvement. Warnings: The production also includes staged romantic intimacy. Anna/Hans and Anna/Kristoff involve physical closeness and a kiss. An intimacy coordinator will be engaged for the production. Performer Age: Adult cast – minimum 18 years old as at 7 February 2027. Youth applicants for Young Anna and Young Elsa – 9–15 years old. Individual character playing ages and approximate height requirements apply. Creative Team: Director – Hayley Gervais Musical Director – Sally Faint Choreographer – Jennifer B. Ashley Production Website: Frozen Adult Auditions Frozen Youth Auditions Other information: This is an adult production with two youth roles, Young Anna and Young Elsa. Both youth roles will be double-cast, with two Young Annas and two Young Elsas, and performances divided between them. Each youth performer will perform in at least four shows. No roles are paid. The production welcomes performers of all ethnicities, cultural backgrounds, abilities, and levels of experience. For youth rehearsals, a parent, legal guardian, or nominated adult must remain on site to supervise the child. During production week and performances, a dedicated accredited Blue Card chaperone will supervise Young Anna and Young Elsa backstage. Youth casting decisions will be announced by Sunday 29 November 2026. Available Roles/Character Breakdown: Elsa | Female-presenting | Playing age 20s–30s | Mezzo-Soprano/Belt, E3–E5 | The heir to Arendelle’s throne, burdened by magical powers she cannot control. Poised and regal but living with considerable fear and internal conflict. Requires emotional vulnerability and a powerful contemporary musical theatre belt. Anna | Female-presenting | Playing age 20s–30s | Mezzo-Soprano/Belt, F3–E5 | Optimistic, energetic, socially awkward, and driven by a deep desire for connection. Anna has an indomitable spirit despite years of isolation. Requires strong comedic timing and a bright, youthful vocal quality. Kristoff | Male-presenting | Playing age 20s–30s | Baritone/Tenor, A2–Bb4 | A rugged and blunt ice harvester who is more comfortable with his reindeer than people. Beneath his gruff exterior is a loyal and sensitive heart. Requires a grounded folk-rock vocal quality and strong chemistry with Anna. Hans | Male-presenting | Playing age 20s–30s | Baritone/Tenor, A2–A4 | The youngest of thirteen princes from the Southern Isles. Charming, intelligent, and seemingly Anna’s ideal romantic match, but conceals calculated ambitions. Requires leading-man charisma with the ability to transition into a darker, more commanding presence. Olaf | Open gender | Playing age open | Alto/Tenor, approximately E3–Eb5 | The magical snowman created by Elsa and an embodiment of the sisters’ childhood bond. Innocent, warm, optimistic, and funny. Played by a puppeteer, requiring strong physical comedy and a character-driven voice. Previous puppetry experience is useful but not essential. Weselton | Male-presenting | Playing age 40s–60s | Baritone/Tenor, F3–A4 | A Duke from a neighbouring kingdom who is chauvinistic, impolite, and judgemental. Requires strong comic character acting and authoritative bluster. British Received Pronunciation accent. Oaken | Playing age 30s–50s | Baritone/Tenor, A2–Bb4 | The eccentric and jovial owner of Wandering Oaken’s Trading Post and Sauna. Requires high-energy character acting and strong comedic instincts/improvisation. Danish accent. Sven | Open gender | Adult | Non-singing physical role | Kristoff’s loyal reindeer companion. Playful, expressive, gentle, and full of personality, communicating through movement and physical comedy rather than speech. Performed in a full-body costume and requires considerable physical stamina, body control, endurance, and confidence with animal-inspired movement. Puppetry, gymnastics, or acrobatic experience is useful but not essential. Queen Iduna | Female-presenting | Playing age 30s–40s | Soprano/Mezzo-Soprano, F3–C5 | Mother of Elsa and Anna. Compassionate and regal, while concealing her mysterious connection to the Hidden Folk in an attempt to protect her family. Requires strong acting and the ability to convey maternal longing and secrecy. King Agnarr | Male-presenting | Playing age 35–50 | Baritone, B2–C4 | Father of Elsa and Anna. A stern but well-meaning ruler who believes isolation is the safest way to protect his daughters. Requires a commanding presence and authoritative stage demeanour. Pabbie | Male-presenting | Adult/open playing age | Ab2–Gb4 | One of the leaders of the Hidden Folk. Mystical, wise, and deeply connected to the earth’s magic. Requires strong choral blending and soulful solo work. Bulda | Female-presenting | Adult/open playing age | Bb3–D5 | One of the leaders of the Hidden Folk. Mystical, wise, and deeply connected to the earth’s magic. Requires strong choral blending and soulful solo work. Young Elsa | Female-presenting | Playing age 9–12 | A3–E5 | Typically around 145cm or shorter | The elder princess as a child. Bright and poised but already struggling with the expectation to be perfect while suppressing her dangerous magical abilities. Two performers will be cast. Young Anna | Female-presenting | Playing age 7–10 | Bb3–E5 | Typically around 130cm or shorter | The younger princess as a child. Free-spirited, energetic, and devoted to her older sister. She is heartbroken when their close relationship is abruptly severed. Two performers will be cast. Ensemble / Multiple Roles | 18+ | All genders | All vocal types | Versatile singer-actor-dancers portraying the Townspeople of Arendelle, Hidden Folk, Castle Staff, Guards, Coronation Guests, Oaken’s Family, and other featured characters throughout the production.

Title: Newsies Presented By: Communication in Action Genre: Musical Theatre / Youth Production Synopsis: Inspired by the true story of the Newsboys’ Strike of 1899, Newsies follows a group of young newspaper sellers in New York City who take on the city’s powerful publishers. Communication in Action describes the show as a true ensemble production with a large cast, numerous characters, and plenty of featured roles for both girls and boys. Audition Date: Sunday 25 October 2026 Audition Time: Individual audition times are selected after enrolment. Audition Location and Address: Thomas Dixon Centre, 406 Montague Road, West End QLD 4101 Audition Self-Tape Due (if applicable): Alternative times or video auditions can be arranged for students unable to attend the available audition sessions. Contact Jules via the email provided on the Communication in Action website. Audition Requirements: Students must be enrolled and have paid for the Newsies program before auditioning. After enrolment and payment, the receipt includes a link allowing families to select an audition time for Sunday 25 October. An optional two-day Newsies Audition Masterclass is available on Sunday 11 and Sunday 18 October, 9:00am–11:30am at the Thomas Dixon Centre. It covers singing and vocal performance, dance and movement, acting and characterisation, audition technique, confidence, and stage presence. Attendance at the masterclass is not required to audition. Audition Registration: Newsies Enrolment & Audition Information Performance Dates: Saturday 16 January 2027 Performance Times: 2:00pm & 5:00pm Performance Location: Talbot Theatre, Thomas Dixon Centre, West End Rehearsal Dates: Sunday 13 December 2026 Monday 14 December 2026 Tuesday 15 December 2026 Monday 11 – Saturday 16 January 2027 Rehearsal Times: December rehearsals – 9:00am–3:00pm January rehearsal/performance week – 9:00am–3:00pm Some cast members may be required until 5:00pm, with individual call times advised after casting. Students are asked to attend all December rehearsals wherever possible, although Communication in Action can accommodate pre-existing December holidays or commitments if these are disclosed. The 11–16 January rehearsal and performance week is compulsory for all cast members. Performer Age: Open to students in Year 4 and above in the 2027 school year. Creative Team: Director – Tim Hill Choreographer – Justin Anderson Vocal Coaches – Jacqui Devereux & Sophie Moman Production Website: Communication in Action – Newsies Summer Holiday Production Other information: The participation fee is $600 + GST ($660 total). This covers the complete nine-day program, specialist musical theatre tuition/rehearsals, and two performances. Families can pay $660 in full on enrolment or two instalments of $330, with the second payment due by 11 December 2026. The optional audition masterclass costs $150 for both sessions or $75 for one session. Available Roles/Character Breakdown: Jack Kelly - The charismatic leader of the Manhattan newsies. Jack is a streetwise, fiercely loyal dreamer who longs to leave New York for a better life out West. Protective of his fellow newsies, particularly Crutchie, he combines confidence and toughness with considerable vulnerability. A major singing, acting, and movement role requiring strong stage presence and a contemporary/pop musical theatre sound. Katherine Plumber - An ambitious young reporter determined to establish herself as a serious journalist. Katherine is intelligent, quick-witted, resourceful, and confident, and becomes both an important supporter of the strike and Jack's romantic interest. Requires strong vocals, clear diction, comic timing, and chemistry with Jack. Crutchie - Jack's best friend and one of the Manhattan newsies. Crutchie uses a crutch and lives with a physical disability but is defined much more by optimism, humour, resilience, and loyalty. Davey - A bright, responsible newcomer to the newsies who begins selling papers with his younger brother Les to help support their family. Strong singing and acting role with movement. Les - Davey's cheeky younger sibling. Clever, charming, confident, and immediately fascinated by the newsies' independent lifestyle, Les quickly discovers a natural talent for selling papers. The performer should read noticeably younger than the other newsies. Joseph Pulitzer - The powerful publisher of the New York World whose decision to increase the price the newsies pay for their papers sparks the strike. An imposing businessman and Katherine's father who becomes Jack and the newsies' principal adversary. Medda Larkin - A successful Bowery performer and friend of Jack who provides the newsies with support and a safe haven. Warm, confident, astute, and larger than life, Medda is a strong singer with plenty of personality and comic flair. Spot Conlon - The formidable leader of the Brooklyn newsies. Spot has a big reputation despite limited stage time and arrives as an important ally during the strike. Requires confidence and strong stage presence. Wiesel ("Weasel") - Runs newspaper distribution for Pulitzer and has little sympathy or patience for the newsies. He relies on the Delancey brothers as his muscle. Oscar & Morris Delancey - Brothers who work for Wiesel and act as intimidating enforcers against the newsies. Physical character roles that function as antagonists throughout the story. Snyder - The intimidating warden of the Refuge, the juvenile detention centre from which Jack has escaped. Primarily an acting role. Governor Theodore Roosevelt - The Governor of New York and an important figure in the resolution of the newsies' struggle. A featured acting role. Ensemble - Energetic ensemble roles with extensive singing and movement, with opportunities for featured lines, solos, dance, and individual characterisation.

Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical: upcoming performances adult audition alerts youth auditions performance reviews exclusive spotlight interviews with local talents rehearsal/performance venue database Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact

< Back MUSICAL THEATRE: Calamity Jane - Queensland Theatre Company 23 Sept 2026 Season: September 23rd - 25th, 2026 Title: Calamity Jane — Encore Season Presented By: Queensland Theatre Genre: Musical comedy, Western and immersive theatre Synopsis: In the rough-and-tumble town of Deadwood, swaggering sharpshooter Calamity Jane is admired and mocked in equal measure. Although deadly with both a whip and a quick remark, her bravado conceals a longing for something deeper. Naomi Price leads this stripped-back, piano-driven reimagining of the classic musical, which combines frontier grit, comedy, romance and familiar songs including “Secret Love” and “The Black Hills of Dakota.” Performance Dates and Times: Wednesday 23 September 2026 — 2:00 PM Wednesday 23 September 2026 — 7:30 PM Thursday 24 September 2026 — 7:30 PM Friday 25 September 2026 — 7:30 PM Performance Location and Address: Bille Brown Theatre, Queensland Theatre, 78 Montague Road, South Brisbane QLD 4101 For direct access to the theatre entrance, the recommended navigation address is 12 Boundary Street, South Brisbane. Ticket Costs: Adult — from $85 Concession — from $80 Youth aged 30 and under — from $36 Final prices depend on the performance and seating selected. Ticket Link: Book through Queensland Theatre Warnings: Mild adult themes Historical cultural references Herbal cigarettes or e-cigarettes Theatrical haze Strobe effects Possible audience interaction for patrons seated at the onstage saloon tables Recommended Age: Ages 13+ Duration: Approximately 2 hours and 30 minutes, including an interval Cast: Naomi Price — Calamity Jane Andrew Buchanan — Henry Miller David Butler — Rattlesnake Juliette Coates — Susan Miller/Adelaide Adams Dash Kruck — Francis Fryer Aurélie Roque — Katie Brown/Flo Sean Sinclair — Lieutenant Danny Gilmartin Jeremiah Wray — Wild Bill Hickock Creative Team: Director — Richard Carroll Set and Costume Designer — Lauren Peters Lighting Designer — Trent Suidgeest Musical Director — David Butler Choreographer — Cameron Mitchell Music Supervisor — Nigel Ubrihien Stage Manager — Leila Marsden Assistant Stage Manager — Shania Manning Adaptation — Ronald Hanmer and Phil Park Original Stage Play — Charles K. Freeman Based on the Warner Bros. Film Written by — James O’Hanlon Lyrics — Paul Francis Webster Music — Sammy Fain Production Website: Queensland Theatre – Calamity Jane Other Information: Naomi Price appears courtesy of The Little Red Company. Onstage saloon-table seating places audience members inside the Golden Garter Saloon and may involve interaction with the performers. Large bags, oversized packages and bulky outerwear are not permitted in the onstage saloon-table section. Photography and audio or video recording are prohibited. The Queensland Theatre Box Office and foyer bar open 90 minutes before each performance. The foyer bar is cashless. Accessibility: Wheelchair-accessible seating is available in the Bille Brown Theatre’s main seating bank, but not at the onstage saloon tables. No-step and limited-step seating options are available. Companion seating is available beside designated wheelchair spaces. ListenTech assistive-listening devices can be borrowed from the Box Office. Assistance animals are welcome throughout the venue. An accessible bathroom and lift access are available. Queensland Theatre participates in the Companion Card program and provides a complimentary companion ticket to eligible cardholders. Accessible tickets and Companion Card bookings can be arranged by calling 1800 355 528 or emailing sales@queenslandtheatre.com.au . Previous Next

< Back MUSICAL THEATRE: Community Choir: The Musical - Brisbane Festival, Cheep Trill 23 Sept 2026 Season: September 23rd - 26th, 2026 Title: Community Choir: The Musical Presented By: Cheep Trill and Emma Dean; produced by Cheep Trill Ltd in association with Brisbane Festival Genre: Musical comedy, community theatre and family entertainment Synopsis: A quirky Brisbane community choir is accidentally invited to compete in Sydney’s prestigious National Choral Competition. Initial excitement soon gives way to rivalries, secrets and personal dilemmas. Matters become even more unusual when the flamboyant “Spirit of the Song”—a magical figure visible to only one unlikely choir member—arrives with the power to reveal everyone’s deepest fears and truths. Featuring original music, humour and heart, the musical explores unity, love and self-discovery as the misfit singers attempt to find harmony both onstage and off. Inspired by real people and stories from the Cheep Trill community, the musical returns for its second season with new staging and a new song. Performance Dates and Times: Wednesday 23 September 2026 — 7:00 PM — Northside Cast Thursday 24 September 2026 — 6:30 PM — Southside Cast Friday 25 September 2026 — 1:00 PM — Northside Cast Friday 25 September 2026 — 6:30 PM — Northside Cast Saturday 26 September 2026 — 1:00 PM — Southside Cast Saturday 26 September 2026 — 6:30 PM — Southside Cast Performance Location and Address: Roundhouse Theatre, La Boite Theatre, 6–8 Musk Avenue, Kelvin Grove QLD 4059 Ticket Costs: Adult — $59.90 Concession — $49.90 MobTix — $39.90 A booking fee of up to $5 applies. Ticket Link: Book through Brisbane Festival Warnings: Sound-pressure effects Haze Smoke-machine effects Duration: 90 minutes, without an interval Production Website: Brisbane Festival – Community Choir: The Musical Other Information: Accessibility: The venue is wheelchair accessible. The performance on Friday 25 September at 6:30 PM will be Auslan interpreted and Audio Described. Brisbane Festival identifies the production as containing approximately 50% visual content . The Roundhouse Theatre provides wheelchair and no-stairs seating, a hearing loop in selected seats, accessible toilets and indoor and outdoor quiet spaces. Assistance animals are welcome. Accessible tickets can be arranged through the La Boite Box Office on (07) 3007 8600 or at ticketing@laboite.com.au . Previous Next