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Title: Arcadia Presented By: Centenary Theatre Group Genre: Drama / Comedy Synopsis: Written by Tom Stoppard, Arcadia  is widely regarded as one of the greatest plays of the 20th century. Set in a stately English country home across two time periods - 1809 and the present day - it weaves together romance, intellectual discovery, and mystery. As past and present collide, characters explore love, literature, science, and truth, uncovering secrets through fragments of history. Featuring duels, affairs, academic rivalries, and even a tortoise, the play is a rich blend of wit, beauty, and complexity. Audition Date: Sunday April 26th, 2026 Audition Time: From 12:30PM Audition Location and Address: Chelmer Community Centre, 15 Queenscroft Street, Chelmer QLD Audition Requirements: Prepare a short monologue (approximately one minute) from any play, performed in a posh British accent (Received Pronunciation). You will also participate in cold readings from the script. Strong accent work is essential. Audition Registration: Contact Director Michael Beh ( stagemike30@gmail.com ) or Production Manager Rhyll Bucknell ( enquiry@centenarytheatre.com.au ) to register. Performance Dates: October 31st – November 22nd, 2026 Performance Times: Friday and Saturday evenings with some Saturday and Sunday matinees Performance Location: Chelmer Community Centre, 15 Queenscroft Street, Chelmer QLD Rehearsal Dates: Commencing early August 2026 Rehearsal Times: All cast will rehears on Sundays, plus one weekday evening (split between Old Romantics and New Romantics; exact nights TBC) Rehearsal Location: Chelmer Community Centre, 15 Queenscroft Street, Chelmer QLD Warnings: Adult themes including romantic relationships and period-typical behaviour Performer Age: 18+ (some characters portray younger ages) Creative Team: Director - Michael Beh Production Manager - Rhyll Bucknell Production Website: Centenary Theatre Group - Arcadia Other Information: All roles require strong British accents, including Received Pronunciation and upper-class dialects. The production spans two time periods (1809 and modern day), with one shared set and stylistic contrast between “Old Romantics” and “New Romantics.” Available Roles/Character Breakdown: Septimus Hodge – Male, early to mid-20s; charismatic, intelligent, tutor and friend of Byron Thomasina Coverly – Female, appears 14–16 (actor 18+); highly intelligent, curious, emotionally perceptive Lady Croom – Female, 40s–50s; elegant, commanding, fashionable aristocrat Hannah Jarvis – Female, 40s–50s; witty, intellectual writer and researcher Bernard Nightingale – Male, 40s–50s; ambitious academic, confident but flawed Valentine Coverly – Male, early to mid-20s; thoughtful, slightly dishevelled aristocrat Ezra Chater – Male, 30s–40s; comedic, bombastic poet Richard Noakes – Male, 40s–60s; landscape gardener, practical and traditional Captain Brice – Male, 40s; naval officer, romantic Jellaby – Male, 80s–90s; long-serving butler, observant and knowing Chloe Coverly – Female, early 20s; charming, fashionable, romantic Gus/Augustus Coverly – Male, dual role; Augustus (speaking, ~16), Gus (non-speaking); actor 18+

Title: You’re A Good Man, Charlie Brown Presented By: Noosa Arts Theatre Genre: Musical Theatre Synopsis: Step into the world of the Peanuts gang in this heartwarming and humorous musical following Charlie Brown and his friends as they navigate friendship, love, and life’s little challenges. Through a series of vignettes filled with charm, wit, and catchy songs, the show captures the innocence and optimism of childhood. Audition Date: April 22nd & 29th, 2026 Audition Time: 6:30PM – 9:30PM Audition Location and Address: Noosa Arts Theatre, 163 Weyba Road, Noosaville, QLD 4566 Audition Requirements: Auditions will consist of singing and dancing, with possible line readings from provided materials. Prepare a musical theatre song in the style of the show, or use the provided audition cuts. If bringing your own song, you must supply your own accompaniment. Please indicate your preferred audition date and desired character when booking. Audition cuts found HERE . Audition Registration: Email jordanj.stagemanager@gmail.com  with your preferred audition date and the character you wish to audition for. Audition Pack: Noosa Arts Theatre Audition Page Performance Dates: September 10th - 27th, 2026 Performance Times: Thursdays & Fridays - 7:30PM Saturdays & Sundays - 2PM Performance Location: Noosa Arts Theatre, 163 Weyba Road, Noosaville, QLD 4566 Rehearsal Dates: Starting May 13th 2026, Saturday rehearsals begin 13 June 2026 Rehearsal Location: Noosa Arts Theatre, 163 Weyba Road, Noosaville, QLD 4566 Performer Age: 12+ Creative Team: Director and Choreographer - Jordan J Production Website: Noosa Arts Theatre - You're A Good Man Charlie Brown Other Information: This production accommodates performers involved in other shows (e.g. Cope Creative’s Frozen ) by delaying Saturday rehearsals. Enquiries can be directed to jordanj.stagemanager@gmail.com . Available Roles/Character Breakdown: Charlie Brown – Baritone (Bb3 to F4); kind, patient, loyal and determined, but struggles with self-confidence Lucy Van Pelt – Mezzo-Soprano (G3 to F5); bossy yet caring, confident, and secretly in love with Schroeder Linus Van Pelt – Baritone (Bb3 to E4); thoughtful, philosophical, and often the voice of reason Schroeder – Tenor (Bb3 to Ab4); a moody musical genius devoted to Beethoven Snoopy – Tenor (C3 to A5); imaginative, playful, and far from an ordinary dog Sally Brown – Soprano (B4 to Ab5); curious, inquisitive, and reliant on her brother Charlie Brown Ensemble – Mixed vocal parts; performers who will play multiple roles, assist with scene changes, and require strong movement/dance ability

Title: The Vicar of Dibley Christmas Presented By: MATES Theatre Genesis Genre: Comedy / British Sitcom Adaptation Synopsis: Based on the beloved British TV series The Vicar of Dibley , the story follows Geraldine Granger, a progressive female vicar assigned to a quirky rural parish. This stage adaptation brings together episodes including “Radio Dibley” and a festive Christmas special, as the eccentric villagers navigate relationships, traditions, and chaos in their own unique way. Audition Date: April 19th, 2026 Audition Time: 10AM - 2PM Audition Location and Address: Birkdale School of Arts, 101 Birkdale Rd, Birkdale QLD 4159 Audition Requirements: Audition will be via cold read of the script. No learning of lines required. Please note an attempt of the English accent would be preferred. Audition Registration: Email audition form (in Audition Pack) and headshot to info@matesstg.org.au Audition Pack: A Vicar of Dibley Christmas Audition Pack Performance Dates: July 17th - 26th, 2026 Performance Times: Friday - 7:30PM Saturdays - 2PM & 7:30PM Sunday - 2PM Performance Location: Birkdale School of Arts, 101 Birkdale Rd, Birkdale QLD 4159 Rehearsal Dates: Commencing April 28th, 2026 Rehearsal Times: Mondays & Tuesdays - 7PM - 9:30PM Saturdays - 10AM - 4PM Rehearsal Location: Birkdale School of Arts, 101 Birkdale Rd, Birkdale QLD 4159 Warnings: Mild coarse language and adult humour consistent with British comedy. Performer Age: 18+ Creative Team: Director - Karen Neale Production Website: Mates Genesis Theatre - A Vicar of Dibley Christmas Other Information: This is a community theatre production welcoming performers of varying experience levels, with a strong emphasis on character work and comedic timing. Available Roles/Character Breakdown: Geraldine Granger – Female, 30–50; warm, witty, modern vicar with strong presence Alice Tinker – Female, 30–40; sweet, naïve, excellent comedic timing David Horton – Male, 55–70; pompous council chairman Hugo Horton – Male, 30–40; awkward and kind-hearted Jim Trott – Male, 50+; known for saying “No, no, no…” Owen Newitt – Male, 40–60; blunt farmer with dry humour Frank Pickle – Male, 50+; eccentric and verbose Letitia Cropley – Female, 60+; enthusiastic but a terrible cook

Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical, from audition alerts and performance reviews to exclusive spotlights on local talents and invaluable theatre tips. Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact

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The Stage Buzzie Awards About the Buzzies The Stage Buzzie Awards honour the vibrant creativity of Queensland’s independent and community theatre scene, recognising exceptional productions staged between 1 January and 20 December 2025. The Buzzies recognise work across the broader South-East Queensland region, including: Brisbane, Gold Coast, Sunshine Coast, Redlands, Logan, Ipswich, Moreton Bay, Redcliffe, Toowoomba, Lockyer Valley, and surrounding areas. How the Awards Work Nominations are submitted by objective members of the arts community, including reviewers from a variety of platforms and publications. Nominees for all categories will be announced on 20 December 2025. All nominations are assessed with the following overarching criteria: Craft and execution Impact and emotional resonance Technical merit Storytelling clarity Overall cohesion of the work Award Categories & Criteria Below is a streamlined overview of the criteria used to assess each category. All performer categories are gender-neutral. Best Lead Performer – Independent Musical Best Lead Performer – Mainstage Musical Vocal technique and range Stylistic appropriateness Acting depth and emotional delivery Connection with scene partners Stage presence Consistency throughout the show Best Lead Performer – Independent Play Best Lead Performer – Mainstage Play Emotional truth and believability Vocal clarity and projection Character development Physicality and stagecraft Dramatic nuance Overall impact Best Supporting Performer – Independent Musical Best Supporting Performer – Mainstage Musical Support for lead performers (acting and vocal) Enhancing scenes without overshadowing Character commitment Harmony and ensemble contribution Professionalism and cohesion Best Supporting Performer – Independent Play Best Supporting Performer – Mainstage Play Character consistency Purpose within the narrative Contribution to dramatic or comedic moments Effective performance in smaller scenes Ensemble balance Best Junior Performer – Independent Production Technique relative to age Confidence and presence Growth and potential Storytelling clarity Emotional awareness Best Ensemble – Independent Musical Best Ensemble – Independent Play Best Ensemble – Mainstage Production Unity and cohesion Shared group intention Vocal or physical synchrony (if applicable) Ensemble chemistry Effectiveness of group moments Best Comedic Performance – Independent Production Comedic timing Physical comedy Character commitment Audience rapport Cleverness and humour Best Dramatic Performance – Independent Production Emotional intensity Nuance and control Authenticity Character complexity Contribution to dramatic arc Best Director – Independent Musical Best Director – Mainstage Musical Cohesive storytelling Pacing and flow Integration of design, movement, and music Ensemble strength Clarity of artistic vision Best Director – Independent Play Best Director – Mainstage Play Character work Dramatic tension or comedic structure Effective staging Ensemble cohesion Artistic intention Best Musical Director – Independent Production Best Musical Director – Mainstage Production Musical blend and balance Vocal preparation Score interpretation Ensemble sound Musical storytelling Best Orchestration / Band – Independent Production Best Orchestration / Band – Mainstage Production Cohesion and tightness Dynamics and tone Sensitivity to performers Creativity within the score Best Choreography – Independent Production Best Choreography – Mainstage Production Musicality Originality and intention Clean execution Ensemble unity Support of storytelling or atmosphere Best Set Design / Props – Independent Production Best Set Design / Props – Mainstage Production Creativity and aesthetic Functionality Cohesion with direction and story Detail and craft Best Lighting Design – Independent Production Best Lighting Design – Mainstage Production Mood and atmosphere Precision Focus and visibility Creative enhancement Best Costume Design – Independent Production Best Costume Design – Mainstage Production Character suitability Palette and cohesion Craftsmanship Practicality for movement Creativity Best Makeup / Hair Design – Independent Production Best Makeup / Hair Design – Mainstage Production Suitability to character Polish and consistency Durability during performance Technical skill Best Sound Design – Independent Production Best Sound Design – Mainstage Production Clarity and balance Effective use of effects Microphone management (where applicable) Creative choices Consistency Best Effects Design (Visual or Physical) – Independent Production Best Effects Design (Visual or Physical) – Mainstage Production Creativity Safety and practicality Visual impact Integration into the production Best Original Book – Independent Production Structure and flow Character development Dialogue quality Thematic clarity Originality Best Original Score – Independent Production Melodic and harmonic quality Musical structure Narrative support Emotional impact Suitability to performers Best Audience Engagement – Independent Production Best Audience Engagement – Mainstage Production Connection with the audience Use of interaction or immersion Energy and atmosphere Responsiveness Creative choices that enhance audience experience Audience Favourite - Independent Production Nominated and voted by peers from the community