Title: Jesus Christ Superstar Presented By: Gold Coast Little Theatre (GCLT) Genre: Rock Opera / Musical Theatre / Biblical Drama Synopsis: Featuring music by Andrew Lloyd Webber and lyrics by Tim Rice, Jesus Christ Superstar reimagines the final week of Jesus Christ's life through the eyes of Judas Iscariot. Set against the backdrop of political unrest in Roman-occupied Judea, the musical explores the increasingly complicated relationships between Jesus, Judas, Mary Magdalene, the apostles and the Roman authorities. As Jesus' popularity grows, Judas becomes concerned about the consequences of his influence, leading to betrayal, arrest and ultimately crucifixion. Told entirely through song, this iconic rock opera features a powerful 1970s-inspired score. Audition Date: First Round: Vocal video submissions close 23 October 2026. Second Round: Thursday 29 October 2026 (in-person callbacks and dance call). Audition Location and Address: Gold Coast Little Theatre, 21a Scarborough St, Southport Audition Requirements: The first round consists of a vocal video submission. Audition material depends on the role. Jesus, Judas and Mary Magdalene: Prepare the specified character excerpt using the supplied sheet music and backing track. Role Required Song Starting Point Jesus Gethsemane 1:43 Judas Judas' Death 0:57 Mary Magdalene I Don't Know How to Love Him 2:40 All other named roles and ensemble: Prepare a 1–2-minute excerpt of a 1970s rock or pop song in the style of the production. Instrumentalists: Applicants indicating instrumental ability must also prepare a 30–60-second demonstration of their skills, such as chord progressions, riffs, strumming or plucking. Performers may accompany themselves during their vocal audition. Audition Registration: Register via Google Forms Audition Pack: Jesus Christ Superstar Audition Information (PDF) Performance Dates: 29 January – 20 February 2027. Performance Location: Gold Coast Little Theatre, Gold Coast, Queensland. Rehearsal Dates: Begin Sunday 1 November 2026, late afternoon/evening. Christmas Break: 22 December 2026 – 3 January 2027. Rehearsals Resume / Sitzprobe: Monday 4 January 2027. Rehearsal Times: Primarily Monday and Wednesday evenings and Saturdays during the day. A full rehearsal schedule will be provided at the first rehearsal. Warnings: The production depicts religious persecution, betrayal, suicide, physical violence and crucifixion, with emotionally intense themes surrounding faith, sacrifice, power and death. Creative Team: Director: Andrew Kassab Musical Director: Michelle Watkins Vocal Director / Assistant Director: Ruby Tate Production Website: Gold Coast Little Theatre Auditions Other information: Understudies will be cast for Jesus, Judas and Mary Magdalene, with dedicated performances. Intermediate guitar or bass skills are preferred, but not essential, for Jesus, Judas, Mary Magdalene and Simon. The production is also seeking instrumentalists who can sing and perform as part of the ensemble. Some ensemble performers will double as apostles and priests. Applicants should indicate any instrumental skills when registering. Audition Enquiries: JCS@gclt.com.au Available Roles/Character Breakdown: Jesus Any gender | Rock Tenor | Optional high G5 The central figure of the story and leader of the twelve apostles. Regarded by his followers as the Son of God and King of the Jews, Jesus struggles with the enormous expectations placed upon him and the consequences of his growing influence. Requires a powerful rock tenor voice capable of conveying emotional intensity and vulnerability. Intermediate guitar or bass skills preferred but not essential. Judas Iscariot Any gender | Rock Tenor One of Jesus' twelve apostles and arguably the antagonist of the musical. Judas becomes increasingly concerned about Jesus' fame, the welfare of the poor and the political consequences of his followers' devotion. A complex, conflicted character who drives much of the story. Requires a strong rock tenor capable of delivering emotionally charged material. Intermediate guitar or bass skills preferred but not essential. Mary Magdalene Female-presenting | Mezzo Belter A devoted follower of Jesus who finds herself developing romantic feelings for him. Mary provides a compassionate and stabilising presence amid the escalating conflict. Requires an actress capable of portraying grace, strength, vulnerability and compassion, alongside a strong contemporary musical theatre belt. Intermediate guitar or bass skills preferred but not essential. Pontius Pilate Any gender | Rock Baritone / Rock Alto The Roman governor of Judea who dreams of Jesus' crucifixion before finding himself responsible for determining his fate. Pilate struggles with the political and moral implications of his decisions. Requires a commanding presence and the ability to communicate internal conflict. King Herod Male-presenting | High Baritone The flamboyant King of Galilee, to whom Jesus is brought for judgment. The production describes the character as a David Bowie type, suggesting a theatrical, charismatic and larger-than-life stage presence. Requires strong character acting and confident rock vocals. Peter - Male-presenting | Tenor One of Jesus' twelve apostles. Despite his loyalty, Peter denies knowing Jesus three times on the night of his arrest in an attempt to protect himself. Requires the ability to convey loyalty, fear and remorse. Simon Any gender | High Baritone One of Jesus' twelve apostles who passionately encourages Jesus to lead his followers into battle against Roman rule. An energetic, politically motivated character requiring strong rock vocals and stage presence. Intermediate guitar or bass skills preferred but not essential. Caiaphas Male | Low Bass with Rocky Top The high priest who regards Jesus' growing influence as a threat to the nation and its stability. The production describes Caiaphas as a Mick Jagger type, suggesting a distinctive rock-inspired performance style and strong stage presence. Requires an exceptionally low bass voice with the ability to access a contrasting rock sound. Annas Male | High Baritone A priest who is persuaded by Caiaphas that Jesus represents a threat. Works alongside Caiaphas in the effort to bring Jesus before the authorities. Requires strong character acting and rock vocal ability. Ensemble Rol Seeking versatile performers with strong rock/pop vocals and confident movement skills. Ensemble members will portray a variety of characters throughout the production, with some doubling as apostles and priests. Seeking strong instrumentalists who also possess good rock/pop singing abilities. Some performers will double as apostles and priests. Preferred instruments include: Guitar Electric bass Piano Brass: trumpet and trombone Woodwind: flute and saxophone Violin Auxiliary percussion Instrumentalists must prepare a 30–60-second demonstration of their musical ability as part of their audition.

Title: Annie JR. Presented By: RMT Youth and ROAR Academy Genre: Musical Theatre / Family / Comedy-Drama Synopsis: Based on the beloved comic strip Little Orphan Annie and adapted from the Tony Award-winning Broadway musical, Annie JR. follows a spirited young orphan determined to find the parents who abandoned her on the doorstep of a New York City orphanage. Set during the Great Depression of the 1930s, Annie's optimism and determination help her navigate life under the cruel Miss Hannigan. When she is invited to spend Christmas with billionaire Oliver Warbucks, her life takes an unexpected turn. With help from Warbucks, his secretary Grace Farrell and her loyal canine companion Sandy, Annie discovers that family can be found in the most unexpected places. Audition Date: Saturday 17 October 2026 Audition Time: Three audition sessions available. Each session is limited to 25 auditionees. 10:00am–12:00pm 12:30pm–2:30pm 3:00pm–5:00pm Audition Location and Address: Redcliffe Showgrounds, Bicentennial Room, Scarborough Road, Redcliffe Audition Requirements: Auditionees should prepare the song associated with their preferred character or role category. Auditionees should also be prepared to participate in a dance audition Audition Registration: Register for your preferred audition session through the ROAR Academy Annie JR. webpage. Audition Pack: Annie JR. Audition Pack (PDF) Role Audition Song Annie Tomorrow Other Orphans It's the Hard Knock Life Grace Farrell I Think I'm Gonna Like It Here Rooster Hannigan / Lily St. Regis Easy Street Miss Hannigan Little Girls Older Ensemble NYC Performance Dates: Saturday 6 February 2027 Sunday 7 February 2027 Performance Times: 11:00am and 3:00pm on both days (four performances). Performance Location: Redcliffe Entertainment Centre (REC), Redcliffe QLD. Rehearsal Dates: November: Thursdays 5, 12, 19 and 26 November 2026 December: 14–16 December 2026 January: 20–22, 28 and 30 January 2027 February: 2, 4 and 5 February 2027 Rehearsal Location: All rehearsals take place at the Redcliffe Showgrounds, Bicentennial Pavilion, except the final dress rehearsal on 5 February, which takes place at the Redcliffe Entertainment Centre. Performer Age: ROAR Academy caters to young performers aged 5–18. Specific character playing ages are listed below. Other information: Optional Audition Preparation Workshops: Saturday 10 October 2026 at Redcliffe Showgrounds: 10:30am–12:30pm or 1:00pm–3:00pm These workshops cover vocal preparation and the audition dance routine. Cost: $50, deducted from the production workshop fee if the performer accepts a role in Annie JR. Production Participation Fee: Early Bird: $325 if paid in full by 1 November 2026. Standard Fee: $395, due by 1 December 2026. Instalment Option: Three payments of $140, due 1 November, 1 December and 1 January (total $420). The fee includes costumes, script and score, show shirt, pizza party and an after-show party at the Showgrounds following the final performance, including a visit from an ice cream van. ROAR Academy encourages culturally diverse casting. Performers do not need to physically resemble traditional portrayals of the characters, provided they can communicate the character's personality and intentions. Enquiries: Madeleine Johns — 0488 103 759 Available Roles/Character Breakdown Annie Female character | Playing age: 11 A tough, streetwise orphan who is also surprisingly vulnerable. Independent, resourceful, spirited and occasionally aggressive, Annie longs to find a family who will love her. Despite her difficult circumstances, she remains compassionate and optimistic. Requires strong singing and acting abilities, with the confidence to carry the production. Oliver Warbucks Male character | Performer age sought: 15–18 A wealthy, middle-aged billionaire who initially appears confident, authoritative and businesslike. His relationship with Annie gradually reveals a warmer, more affectionate side as he becomes completely charmed by her personality. Requires maturity and a commanding stage presence. Miss Hannigan Female character | Mature character role The cruel, flamboyant director of the orphanage. Manipulative, selfish and convinced of her own glamour, Miss Hannigan can switch instantly between genuine nastiness and exaggerated affection when it suits her. Requires a strong comedic actress with excellent timing, a mature singing voice and the ability to create a larger-than-life character. Grace Farrell Female character | Older youth role Oliver Warbucks' elegant and capable private secretary. Calm, composed, well-dressed and compassionate, Grace becomes an important source of kindness and stability in Annie's life. Requires a strong singer with a more traditional or legitimate musical theatre vocal style. Rooster Hannigan Male character | Older youth role | Brooklyn accent Miss Hannigan's scheming brother. Flashy, confident and dishonest, Rooster moves with the swagger of a gangster and works closely with his girlfriend Lily to swindle Warbucks. Requires strong comedic acting, a wide vocal range and excellent chemistry with Lily. Lily St. Regis Female character | Older youth role | Brooklyn accent Rooster's glamorous but dim-witted girlfriend. Lily is obsessed with appearances, wealth and personal gain. A confident comedic performer is needed, with a strong singing voice and the ability to play off Rooster's schemes. Molly Female character | Playing age: 6 The youngest and smallest orphan. Easily frightened and vulnerable, Molly looks to Annie for comfort and motherly reassurance. Kate Female character | Playing age: 7 One of the youngest orphans, second only to Molly in size. A member of the mischievous orphanage group. Tessie Female character | Playing age: 10 The most emotional orphan, quick to laugh, cry or become overwhelmed. Known for her repeated exclamation, "Oh, my goodness!" Pepper Female character | Playing age: 12 The toughest orphan. Outspoken, strong-willed and defensive, Pepper stands up for herself and the other girls. July Female character | Playing age: 13 The quietest orphan. A more reserved member of the group. Duffy Female character | Playing age: 13 The tallest and most mature orphan, often displaying an older, more confident presence. Supporting and Featured Roles Bundles McCloskey - The orphanage laundry man who enjoys flirting with Miss Hannigan. A character acting role. Apple Seller / Dog Catcher - Small featured roles with dialogue alongside Annie. No solo singing required. Sandy - Annie's lovable stray dog. This production is auditioning a performer to portray Sandy rather than using a live dog. Lieutenant Ward - A police officer who encounters Annie. A featured cameo with dialogue but no solo singing. Drake - Oliver Warbucks' English butler and head servant. Ideally, the performer should be tall or strong enough to carry Annie. Cecille and Annette - French maids employed at the Warbucks mansion. Strong singing ability required, with dance skills an advantage. Mrs. Greer - The head housekeeper at the Warbucks mansion. Part of the mansion staff ensemble. Mrs. Pugh - The Warbucks household cook. Her surname is pronounced "Pew." Star-to-Be - A glamorous aspiring Broadway star with a featured solo in "NYC". A strong singing and performance opportunity. Usherettes - Featured performers with small vocal solos in "NYC". Bert Healy - The charismatic host of the Oxydent radio show. A natural scene-stealer who loves being the centre of attention. Requires a big voice, comic confidence and strong stage presence. Bert Healy's Girls - Three radio show singers who perform close vocal harmonies. Strong ensemble singing and blending required. Radio Announcer - A featured speaking role requiring a polished, professional announcer's voice and manner. Sound Effects Man - A comedic radio performer responsible for operating old-fashioned sound effects props. May be combined with the Radio Announcer role. President Franklin D. Roosevelt - The President of the United States. Requires a performer who can convincingly portray an older, authoritative character, use a wheelchair onstage and imitate Roosevelt's distinctive voice and mannerisms. Louis Howe - President Roosevelt's trusted assistant. A featured supporting role. Ensemble - Additional performers will portray orphans, New Yorkers, tourists, servants, radio performers and other featured characters throughout the production.

Title: Finding Neverland Presented By: Spotlight Theatrical Company Genre: Musical / Fantasy / Drama Synopsis: Based on the Academy Award-winning film and the play The Man Who Was Peter Pan, Finding Neverland follows the relationship between playwright J.M. Barrie and the family that inspired his beloved creation, Peter Pan. Struggling to find inspiration, Barrie encounters recently widowed Sylvia Llewelyn Davies and her four sons in Kensington Park. As he becomes increasingly involved in their lives, he discovers the extraordinary power of imagination, particularly through Peter, a young boy struggling with grief after losing his father. Together, they rediscover the magic of childhood and inspire Barrie to create a theatrical world where children can fly, pirates roam, and nobody has to grow up. Audition Date: Saturday 10 October 2026. Online audition submissions close at 5:00pm on Friday 9 October 2026. Audition Time: Individual audition times allocated through registration. Callbacks, if required, Wednesday 14 October 2026. Audition Location and Address: 4/50 Johnston Street, Southport QLD Audition Requirements: Lead roles: Prepare two contrasting 90-second musical theatre excerpts that demonstrate vocal ability and suitability for the character. Ensemble and youth roles: Prepare one 60–90-second musical theatre song demonstrating vocal ability. Backing tracks: Provide your own accompaniment via USB, AUX or Bluetooth. No rehearsal pianist will be available. Dance/movement: All auditionees must attend a compulsory movement and dance call, except those auditioning exclusively for Mrs. du Maurier. The combination caters to all experience levels, with opportunities for advanced dancers to demonstrate technique. Audition Registration: Register via Jotform Audition Pack: Finding Neverland Audition Brief (PDF) Performance Dates: 4–27 February 2027. Performance Location: Spotlight Theatre Complex, Halpin Auditorium, 185–187 Ashmore Road, Benowa QLD 4217. Rehearsal Dates: Commencing Tuesday 3 November 2026 for approximately 12 weeks, with a break over Christmas and New Year. Rehearsal Times: Sundays during the day, Tuesday and Thursday evenings. Additional filming, photoshoot and marketing calls will be scheduled with advance notice. Warnings: The production explores mature emotional themes, particularly grief, bereavement and family loss. Specific performance requirements include: J.M. Barrie and Sylvia: Onstage romantic intimacy, including hugging, close dancing and kissing. Youth roles: Emotionally challenging scenes involving grief and loss, physical lifting during fantasy/flying sequences, and platonic familial contact such as comforting hugs. Adult cast and ensemble: High-energy movement, theatrical play-fighting and partner lifting. Aerial flying: Selected ensemble performers must be comfortable with heights and professional harness flying. Live animal: Principal and ensemble performers must be comfortable working onstage with a dog. Performer Age: 17+ for adult roles and ensemble, with exceptions for the four child roles. Character ages are suggested playing ages rather than strict performer ages. Applicants outside the listed playing ages may still audition if they can convincingly portray the character. Creative Team: Director/Choreographer: Clay English Musical Director: Shari Willner Creative Producer: Laura English Production Website: Spotlight Theatre Auditions Other information: This is the Queensland premiere of Finding Neverland and an unpaid amateur production. All successful performers must become financial members of Spotlight Theatrical Company and be locally available on the Gold Coast throughout the engagement. All adult cast and crew aged 18+ must hold a current Queensland Blue Card before rehearsals begin. Audition enquiries: findingneverlandgc@gmail.com Available Roles/Character Breakdown: J.M. Barrie Male identifying | Playing age: 30–40 | Vocal range: Ab2–A4 | Scottish accent A successful Scottish playwright with a rebellious, childlike spirit. Barrie struggles against the restrained expectations of society while maintaining a generous, imaginative outlook. Requires excellent comic timing alongside emotional vulnerability, a strong pop/rock tenor voice and confident movement ability. Dance training is not essential. Specific requirements: Romantic intimacy with Sylvia and interaction with a live dog. Sylvia Llewelyn Davies Female identifying | Playing age: 25–35 | Vocal range: F#3–F5 | English RP accent A recently widowed mother of four boys who encourages creativity and independent thinking. Sylvia is warm, playful and spirited but must also navigate serious emotional circumstances. Requires a strong pop/rock belt and mix with confident soprano notes. Specific requirements: Romantic intimacy with Barrie and interaction with a live dog. Charles Frohman / Captain Hook Male identifying | Playing age: 50–60 | Vocal range: B2–G4 | Standard American accent A wealthy American theatrical impresario who has supported Barrie throughout much of his career. Also portrays Captain Hook, representing Barrie's darker alter ego, with a mischievous and wicked sense of humour. Requires a strong character actor with an excellent pop/rock baritenor sound. Strong movement skills are important, although formal dance ability is not essential. Mrs. du Maurier Female identifying | Playing age: 50–60 | Vocal range: C#4–F5 | English RP accent Sylvia's mother, a socially conscious woman who values etiquette, propriety and tradition. Stern and occasionally overbearing, she genuinely wants the best for her daughter and grandchildren. Requires dry comic timing and a strong alto voice with pop/rock sensibility. This is the only role exempt from the compulsory dance/movement audition when auditioning exclusively for the character. Peter Llewelyn Davies Male identifying | Playing age: 8–10 | Vocal range: Ab3–E5 | English RP accent The second youngest Davies boy, Peter is deeply affected by his father's death. Initially withdrawn, angry and reluctant to embrace imagination, he gradually learns to believe in magic and rediscover the joy of childhood through his friendship with Barrie. Requires a pop/rock singing voice and strong emotional acting ability. Specific requirements: Emotionally demanding scenes involving grief, physical lifting and familial contact. George Llewelyn Davies Male identifying | Playing age: 12–14 | Vocal range: G3–E5 | English RP accent The eldest Davies boy. Sensible, mature and responsible, George naturally assumes a leadership role among his brothers while retaining his capacity for imagination and play. His character develops into a more responsible young man during Act Two. Specific requirements: Emotionally demanding scenes involving grief, physical lifting and familial contact. Jack Llewelyn Davies Male identifying | Playing age: 10–12 | Vocal range: A3–Eb5 | English RP accent The second eldest Davies boy. Mischievous, adventurous and outspoken, Jack is often the naughtiest of the brothers, although his cheekiness comes from a good heart. Requires a pop/rock singing voice. Specific requirements: Emotionally demanding scenes involving grief, physical lifting and familial contact. Michael Llewelyn Davies Male identifying | Playing age: 6–8 | Vocal range: A3–Eb5 | English RP accent The youngest Davies boy. Loud, confident and enthusiastic, Michael is unafraid to express himself and embraces the imaginative adventures around him. Requires a pop/rock singing voice. Specific requirements: Emotionally demanding scenes involving grief, physical lifting and familial contact. Mary Barrie Female identifying | Playing age: 25–35 | Vocal range: E4–D5 | English RP accent Barrie's wife and a former actress. Serious, proper and concerned with social appearances, Mary increasingly struggles to connect with her husband's unconventional interests and imagination. Their differences gradually drive them apart. Requires a strong pop/rock sound with soprano ability. The performer will also appear in the ensemble. Minor Roles / Ensemble Any gender | Ages 17+ A versatile, physically expressive ensemble portraying multiple characters, including townspeople, actors, maids, butlers and characters from Barrie's plays, including Peter Pan. Movement and/or dance experience is desirable. Ensemble members will participate in energetic theatrical sequences, with selected performers undertaking aerial flying using professional harness equipment. Some roles also involve interaction with a live dog.

Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical: upcoming performances adult audition alerts youth auditions performance reviews exclusive spotlight interviews with local talents rehearsal/performance venue database Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact

< Back BALLET: Bespoke - Queensland Ballet 2 Oct 2026 Season: October 2nd - 17th, 2026 Title: Bespoke Presented By: Queensland Ballet Genre: Contemporary Ballet / Dance Synopsis: Queensland Ballet’s contemporary series returns with three world premiere works exploring identity, belonging, climate change and rebellion. Choreographers Claire Voss, Victor Zarallo and Paul Knobloch collaborate with composers and designers to create new works combining movement, music and design. Written By: Original works by Claire Voss, Victor Zarallo and Paul Knobloch Performance Dates: 2–17 October 2026 Performance Times: 2 October – 7:30pm 3 October – 1:30pm & 7:30pm 7 October – 6:30pm 8–9 October – 7:30pm 10 October – 1:30pm & 7:30pm 11 October – 1:30pm 15–16 October – 7:30pm 17 October – 1:30pm & 7:30pm Performance Location and Address: Talbot Theatre, Thomas Dixon Centre, 406 Montague Road, West End QLD 4101 Ticket Costs: Adult $89 | Concession $76 | 30 & Under $72 | Child $45 | Group 6+ $76 | School Group $35 Ticket Link: Book Tickets – Queensland Ballet Warnings: Likely to contain strobe lighting, theatrical haze and smoke effects. Recommended Age: All ages Duration: 2 hours, including one 20-minute interval and one 25-minute interval. Creative Team: Claire Voss, Victor Zarallo & Paul Knobloch – Choreographers | Connor D’Netto, Brady Watkins & Matej Perunicic – Composers | Michelle Potts & Bethany Cordwell – Costume Designers | Anthony Lee & Matthew Allan – Lighting Designers Production Website: Queensland Ballet – Bespoke Other information: The season comprises three new works: Where the Water Once Was , What Remains and Between the Line . The 17 October 1:30pm performance includes an Auslan-interpreted post-performance Q&A. Previous Next

< Back THEATRE: Picnic at Hanging Rock - Act1 Theatre 2 Oct 2026 Season: October 2nd - 18th, 2026 Title: Picnic at Hanging Rock Presented By: Act 1 Theatre Genre: Drama / Mystery / Australian Gothic Synopsis: On Valentine’s Day 1900, three schoolgirls and their teacher mysteriously disappear during a picnic at Hanging Rock. Years later, the unanswered questions surrounding their disappearance continue to haunt those left behind in this atmospheric adaptation of the iconic Australian novel. Written By: Tom Wright, adapted from the novel by Joan Lindsay Performance Dates: 2–18 October 2026 Performance Times: Fridays & Saturdays – 7:30pm | Sundays – 2:00pm Performance Location and Address: Act 1 Theatre, 238 Gympie Road, Strathpine QLD 4500 Ticket Costs: Adult $30 | Concession $25 | Member $20 Ticket Link: Book Tickets – Humanitix Warnings: Mature themes and references to death and disappearance Duration: Approximately 90 minutes, no interval Production Website: Act 1 Theatre Previous Next