Search Results

Giselle – Brisbane Ballet Conservatorium Theatre, Brisbane Choreography:  Emrys Goldsworthy (original by Jean Coralli, Jules Perrot, Marius Petipa) Dramaturgy:  Tahlia Goldsworthy Music:  Adolphe Adam, Friedrich Burgmüller Set Design:  Paul Jones Costume Design:  Emrys Goldsworthy & Nethini Gomes Photography : Alisa Poturaeva   I love getting to experience a ballet I have never seen before. Thanks to my incredible seat (shoutout to Emrys!), I got an amazing view of everything in Brisbane Ballet's Giselle . Every reaction, every flicker of emotion, every slightly panicked moment in Act 2 stamina… all of it right there. And in a story built on love, lies, and a full emotional breakdown, that kind of proximity makes a huge difference. Picture this: a sunny village where Giselle, our delightful peasant girl with a love for dance, falls head over heels for Loys. He’s got the charm, the romance... basically the whole boyfriend starter pack. Unfortunately, he is also lying. Loys is actually Albrecht, a nobleman in disguise, and already involved with another woman. When the truth comes out, Giselle’s heartbreak sends her into madness and ultimately, death. In Act 2, she returns as a Wili, one of the ghostly spirits of jilted brides who died before their wedding day. These spirits haunt the forest, condemning men to dance until they drop. So when Albrecht finds Giselle’s grave… he becomes their next target.   Act 1 opens in a soft wash of cream, peach, and baby pink dresses, with fluttering skirts and a gentle, springtime feel. The set is minimal, just a simple house structure grounding the upstage and letting the dancers do the storytelling. There’s a lightness to everything here. Playful, airy, deceptively simple. The featured dancers in the cream-coloured dresses bring moments of real beauty, grace, and athleticism, and the corps move cleanly and uniformly throughout. I especially loved how often the solos, duos, and trios are performed directly to us . It creates a real sense of inclusion. We’re not just watching the village, we’re part of it. Rafaela Morel is exactly what you want Giselle to be. A perfect demure smile, a long swan neck, effortless grace. Dressed in sky blue, she stands out immediately, not just visually, but in presence. There’s an innocence to her that feels completely genuine. As the narrative shifts, so too does her performance. Her spiral into madness is genuinely mesmerising. Up close, the detail in Rafaela's anguish captures Giselle’s psychological disintegration. She pulls at her hair, disassociating as drifts in and out of reality, dancing as if someone is still there. Reaching, turning, responding to nothing. And the most striking part is her deliberate loss of refinement in her movement that disrupts the classical aesthetic. Her technique is still there, but the control slips enough to become dangerous. The moment that stayed with me is that unpredictability, the audience (and even the dancers holding their breath), unsure what she’ll do next. Then there are the men, and the messes they create. Ivan Tarakanov as Albrecht really leans into the charm, which makes the deception all the more frustrating to watch unfold. The early pas de deux has that unmistakable sense of seduction, and you can already tell this is not going to end well. Ivan’s face is almost as entertaining as his dancing, his reactions are constantly alive, giving you little moments to watch even when he’s not the focus.   Peter Harris as Hilarion goes all in emotionally, fully committing to that “I pine, I perish” energy of his unrequited love. By Act 2, he is absolutely not holding back, dancing himself into complete exhaustion. It’s relentless, physical, and just a bit brutal to watch. Matthew Maxwell is one to keep an eye on. Leading man energy, clean execution, and beautifully controlled stillness. Act 2 is a complete tonal shift. The backdrop drops into black, and a grave marked by a glowing neon cross cuts through the fog. The palette cools instantly into blues and shadow, with golden lighting from the wings adding depth. The costumes shift to white bridal silhouettes, and the world becomes something else entirely. The Wilis are ethereal, and they no longer perform to us. We don’t exist to them. The audience disappears, and we become observers rather than participants. Imogen Walters performs as Myrtha, taking clear command of Act 2. She leads the Wilis with authority, guiding Giselle into their world while maintaining an undercurrent of menace when confronting the men who cross their path. Her presence is poised and controlled, creating a compelling balance between beauty and threat. She did seem a little fatigued on this particular performance (I hope she’s okay), but the strength of her portrayal still came shining through. The choreography (Emrys Goldsworthy)  sits firmly in classical language, but with a strong sensitivity to musicality. It feels like it’s actually listening to the score rather than just sitting on top of it. You can see the attention to shifts in tempo and tone, and the phrasing has a natural breath to it. The choreography is demanding and unrelenting. Continuous jumps, constant traveling. Ivan’s entrechats just keep going, one after the other, like he was bouncing on a trampoline. I could only imagine how much his legs were burning!   Rafaela’s ghost Giselle is beautifully restrained. She circles Albrecht, dances toward him, but rarely looks directly at him, creating an intentional and quietly devastating emotional distance. Peter and Ivan fully commit to the “dance until death” fate, and it’s clear this production takes that concept seriously across the board. Lighting is beautiful, shifting from warm daylight tones in Act 1 to deep blues, gold, and fog in Act 2. Costumes support the storytelling well overall, though Bathilde’s red dress could benefit from a quick steam. If possible, real flowers would make a difference in those quieter moments where the plastic sound is noticeable. And if the grave structure is hollo, it would be lovely to see Giselle disappear through it on her exit, creating a more ethereal transition than the current bourrée into the wings.   By the end, it’s not the spectacle you remember. It’s the details. The breath between movements, the way Giselle holds or avoids one's gaze, and the sheer stamina of it all. It’s romantic. It’s tragic. And suddenly you’re emotionally invested in whether this man deserves forgiveness. For the record, I’m not convinced.

Title: Daffodil Presented By: Ipswich Little Theatre Genre: Psychological Drama Synopsis: According to John, Cecilia is unwell. She needs rest, she needs air, she needs to be less of – herself. Plagued with what is perceived to be hysterics and “temporary nervous depression”, they retreat to a summer house on the New England coast in hopes of allowing her to find the peace needed to get better (be a better wife, mother, citizen). What she finds instead is a small room with deceitfully foul yellow wallpaper and a story told far too many times. Audition Date: Monday April 20th, 2026 Audition Time: from 7:30PM Audition Location and Address: Ipswich Little Theatre, Burley Griffin Drive, Ipswich QLD 4305 Audition Requirements: Auditionees will be asked to familiarise themselves with three sides from the script. Full memorisation is not required, but performers should have a strong understanding of the text and its emotional context. Auditions will involve reading from the provided sides, both individually and with other performers. Chemistry reads will also be conducted to explore relationships between characters. Audition Registration: Please complete the audition form HERE Audition Pack: Audition sides available HERE Performance Dates: Preview (ILT) - July 2026 Beenleigh - July 31st – August 2nd 2026 Ipswich - August 7th - 9th, 2026 Toowoomba - August 22nd - 23rd, 2026 KSP - August 28th - 30th, 2026 Nanango - September 4th - 6th, 2026 Performance Times: To be confirmed closer to festival dates Performance Location: Multiple venues as part of the South East QLD Drama Festival Circuit, including Ipswich Little Theatre. Warnings: Depictions of mental illness and psychiatric malpractice, grief, suggestion of domestic abuse, brief violence Performer Age: 18+ Creative Team: Director - Kate Hoepner Assistant Director - Brittany Evans Production Website: Ipswich Little Theatre - Daffodil Other information: The play is set in the late 1800s and requires performers to use a stage English (RP) accent. Accuracy is not expected at audition stage, but a willingness to develop the accent is essential. This is an emotionally intense and psychologically heavy work exploring themes of isolation, control, and mental health. Performers should approach the process with care, maturity, and emotional depth. For further information or full scripts, contact the director at kate.hoepner@gmail.com . Available Roles/Character Breakdown: Cecilia – A woman experiencing psychological distress, intelligent and introspective, central to the narrative. Requires strong emotional range and stamina. John – Cecilia’s husband, a physician whose authoritative and controlling nature contrasts with his belief that he is acting in her best interest. Narrator – A guiding presence within the story, offering perspective and shaping the audience’s understanding of Cecilia’s experience.

Title:  She Loves Me Presented By:  Phoenix Ensemble  Genre:  Musical Theatre   Synopsis:   The sweetest love story they never saw coming. Amalia Balash and Georg Nowack are constantly at odds by day, trading sharp words across the shop counter of Maraczek’s. Yet after hours, each pours their heart into anonymous letters to a cherished pen pal, never suspecting they’ve already met. As romance blossoms on paper and misunderstandings grow in person, the two must navigate pride, vulnerability, and the risk of truly being seen. From the beloved songwriting team of Jerry Bock and Sheldon Harnick, She Loves Me is a witty, warm, and elegant musical comedy based on the play Parfumerie. With soaring songs, heartfelt humour, and old-world charm, this intimate gem invites audiences to believe in the magic of connection, and the possibility that love may be closer than we think.   Audition Dates:  April 17th & 18th (Callbacks on April 19th if required) Audition Time:   Friday from 6PM Saturday from 10AM Sunday from 7PM (Invitation only if required)  Audition Location and Address:   Beenleigh Show Grounds, James St, Beenleigh QLD 4207 Audition Self-Tape Due: If you are unable to attend our auditions in person, video submissions will be accepted. Please email auditions@phoenixensemble.com.au for information regarding video submission requirements.     Audition Requirements:   All auditionees are required to complete an individual audition, where the creative team will see all singing, acting and dancing components of your audition. Music - Please prepare two contrasting musical theatre songs in the style of the show. Each selection should be approximately one minute in length. We recommend that at least one piece be in a legit style, however, we are not committed to a purely classical vocal approach for this production. To keep the audition process open and inclusive of all voice types, we encourage you to audition whether or not you have formal classical training. When choosing your material, please consider contrast not only musically (such as range, genre, and vocal style) but also emotionally and dramatically. For example, you might pair a ballad with an up-tempo number, or a comedic piece with something more heartfelt or dramatic. Acting - Please prepare and memorise one monologue from the document linked HERE . Use your own accent but be prepared to deliver one with a Modern RP/Standard Southern British accent as well. Be ‘familiar’ with the other monologues as you may be asked to cold read one of them. Dance - The dance component of your audition will also be presented in the individual auditions. Choreography video will be made available on the 3rd of April HERE . Audition Registration:   Please visit www.phoenixensemble.com.au and click the AUDITION tab at the top. This will take you to the interface to book your audition, either for the group call or an individual audition. If you have any issues please email: auditions@phoenixensemble.com.au and we will gladly help you through the process. Audition Pack:   She Loves Me Audition Pack    Performance Dates:  August 7th - 29th, 2026 Performance Times:  Friday evenings Saturday matinee & evenings  Performance Location:  Phoneix Ensemble, Beenleigh Show Grounds, James St, Beenleigh QLD   Rehearsal Dates: Monday, Wednesday & Sunday commencing May 3rd. Rehearsal Times:  Monday & Wednesday - 7AM - 10PM Sunday - 1PM - 6PM  Rehearsal Location:  Phoneix Ensemble, Beenleigh Show Grounds, James St, Beenleigh QLD   Performer Age:  18+ Creative Team:   Director - Sherryl-Lee Secomb Musical Director - Emma Erdis Choreographer - Jamie O'Donoghue Production Website:  Phoenix Ensemble - She Loves Me   Other Information: Your commitment to the rehearsal process is a commitment to everyone involved in the production and is imperative for its success. We expect all cast, crew, and creative members to: Attend all call times and rehearsals with ample time. Rehearsals will start promptly; arrive a few minutes early to be ready. If you are running late and the production team is not already aware, please contact us using the designated contact provided at the start of rehearsals. Keep up to date with the rehearsal schedule. Your presence at called rehearsals shows respect for your fellow cast and production members. Provide all known scheduling conflicts at the time of auditioning. Accepting a role indicates your availability for all rehearsal days and times provided, except for previously declared conflicts. Committing to another role or production after accepting ours may breach this commitment and affect your continued involvement. Notify the production team promptly of any last-minute absences due to emergencies or illness. This allows the team to adjust the schedule. Uncommunicated absences are not acceptable and will be addressed directly. Come to rehearsals with required materials, in appropriate clothing and footwear, and with a positive attitude. A professional, focused, and collaborative rehearsal environment is key to the success of the production. Support and encourage those around you to help create a positive and enjoyable experience for everyone. Upon accepting a role, you will be required to become a financial member of Phoenix Ensemble on or before the first rehearsal. All members must hold or be willing to obtain a valid Blue Card. Further information will be provided upon acceptance. Phoenix Ensemble is dedicated to providing a positive, valuable, and nurturing experience for everyone. This commitment is supported by these guidelines, our Respectful Workplace Policy, and our Code of Conduct.   Available Roles/Character Breakdown: Amalia Balish - The eager new employee at Maraczek's Parfumerie. Bright, charming, and energetic but can be exasperating. Intelligent, loves literature and art. Kind and a romantic at heart, searching for a man who shares her interests. Can be competitive, which may blind her in romantic relationships. Presenting Gender: Female | Playing Age: 25–35 | Vocal Range: Soprano C4–B5 | Dance Requirements: Light Mover Georg Nowack (pronounced Novach) - Employee at Maraczek's Parfumerie. Assertive, kind, intelligent, and a hopeless romantic who enjoys literature and art. Seeks a kind woman to share his interests. His interactions with Amalia exasperate him. Presenting Gender: Male | Playing Age: 30–40 | Vocal Range: Baritone B2–F4 | Dance Requirements: Light Mover Ilona Ritter - Employee at Maraczek's Parfumerie. Experienced in life and love, world-weary, and tired of relationships with men she knows are wrong for her. Ready for something more in love. Intelligent, sure of her sexuality, strong woman seeking change. Presenting Gender: Female | Playing Age: 30–50 | Vocal Range: Mezzo-Soprano F#3–E5 | Dance Requirements: Moderate–Strong Dancer Steven Kodaly (pronounced Kodie) - Employee at Maraczek's Parfumerie. Stylish but shallow, totally self-absorbed. Annoyingly likeable, which makes him attractive to women—and he knows it. Presenting Gender: Male | Playing Age: 30–50 | Vocal Range: High Baritone/Tenor B2–A4 | Dance Requirements: Moderate–Strong Dancer Mr. Maraczek (pronounced Maracheck) - Owner of Maraczek's Parfumerie. Has a commanding presence, dedicated to his business. Quick-tempered but kind and fair. Presenting Gender: Male | Playing Age: 50+ | Vocal Range: Baritone B2–C4 | Dance Requirements: Basic Mover Ladislav Sipos (pronounced Seeposs) - Employee at Maraczek's Parfumerie. Lovable family man, always afraid of losing his job. Very agreeable to everyone, believes himself to be insignificant in the world. Totally likeable; the sort of person you want to comfort and encourage. Presenting Gender: Male | Playing Age: 40+ | Vocal Range: Baritone A2–E4 | Dance Requirements: Basic Mover Arpad Laszlo - Delivery boy at Maraczek's Parfumerie. A clear joy for life with infectious exuberance and commitment to his job. Ambitious and adorable. Presenting Gender: Male | Playing Age: 18–25 | Vocal Range: B♭2–E4 | Dance Requirements: Light–Moderate Mover Ensemble (Playing Multiple Roles) - A small group of male and female performers arranged by the score’s vocal requirements. All ensemble members must sing. Presenting Genders: Mixed | Playing Ages: Mixed | Vocal Ranges: Mixed | Dance Requirements: Moderate–Strong Dancers Ensemble Roles Include: Head Waiter – eccentric and over-zealous restaurant manager Mr. Keller – private investigator Customers of Maraczek’s Parfumerie Restaurant Patrons Christmas Carolers

< Back MUSICAL SHOWCASE: An Evening in Concert - QAEMT, QPAC 25 Mar 2026 Season: March 25th - 28th, 2026 Title: An Evening in Concert – 3rd Year Musical Theatre Students Presented By: Queensland Academy of Excellence in Musical Theatre, Griffith University, QPAC Genre: Musical Theatre Showcase Synopsis: Experience an unforgettable evening of music with the talented third year students from the Queensland Academy of Excellence in Musical Theatre as they embark on their professional year. This dynamic concert of personal storytelling offers a rare opportunity to witness the next generation of musical theatre performers at the brink of their careers. Performance Dates: March 25th - 28th, 2026 Performance Times: Wednesday, Thursday & Friday - 7PM Saturday - 2PM & 7PM Performance Location and Address: Tony Gould Gallery, Queensland Performing Arts Centre (QPAC), Corner of Melbourne Street & Grey Street, South Brisbane QLD 4101, Australia Ticket Costs: $55 (plus transaction fee); concessions, student, group and school discounts available Ticket Link: Buy Tickets - An Evening in Concert Duration: 1 hour (no interval) Cast: Performers are the third year students of the Queensland Academy of Excellence in Musical Theatre Production Website: QPAC - An Evening in Concert Other Information: QPAC provides accessibility support including dedicated seating options for wheelchair users and Companion Card holders; bookings for accessibility seating can be made by calling QPAC’s ticketing centre. Discounts are available for concession card holders, students, groups and schools. Previous Next

Discover the latest in Brisbane theatre auditions and reviews on Stage Buzz Brisbane. Your go-to source for all things theatre in the Queensland capital. WELCOME TO STAGE BUZZ BRISBANE This dynamic hub for South-East Queensland thespians is your go-to source for audition updates, performance reviews, and engaging content that celebrates the vibrant local theatre scene. From spotlighting talented actors to providing valuable tips, it's a community-driven platform that brings the magic of the stage to the forefront, fostering connection and celebration among theatre enthusiasts in the region. NICE TO MEET YOU Embrace the enchanting world of South-East Queensland's theatre scene right here on Stage Buzz Brisbane! We're your go-to hub for all things theatrical, from audition alerts and performance reviews to exclusive spotlights on local talents and invaluable theatre tips. Whether you're a seasoned thespian or a passionate supporter of the arts, join us on this exciting journey as we celebrate the magic that unfolds on our local stages. At Stage Buzz Brisbane, we believe every production deserves its moment in the spotlight. If you know of any upcoming productions or hidden gems that have slipped under the radar, don't hesitate to reach out and share your insights or let us know about the productions that deserve extra applause. Together, let's shine a light on the vibrant and thriving community theatre culture in South-East Queensland. Let the curtains rise, and let the show begin! Contact

Upcoming Performances 9 Apr 2026 MUSICAL: The Last Ship - QPAC Season: April 9th - May 3rd, 2026 Read More 9 Apr 2026 CHILDREN'S THEATRE: Detective Grimm: The Spell of Stealing Season: April 9th - 18th, 2026 Read More 9 Apr 2026 CHILDREN'S THEATRE: The Great Beach Adventure - LoganARTS Season: April 9th, 2026 Read More 8 Apr 2026 CHILDREN'S THEATRE: The Magnificent Bubble Show - Redcliffe Entertainment Centre Season: April 8th, 2026 Read More 4 Apr 2026 IMPROV: Drag Queen Musical Story Hour - Big Fork Theatre Season: April 4th, 2026 Read More 4 Apr 2026 CIRCUS: The PROPRO Show - Seiryou Process & PIP Theatre Season: April 4th, 2026 Read More 4 Apr 2026 BURLESQUE: The Bombshell's Ball - Bombshell Burlesque Season: April 4th, 2026 Read More 4 Apr 2026 CHILDREN'S THEATRE: The Owl's Apprentice - Little Wing Puppets & Ipswich Civic Centre Season: April 4th, 2026 Read More 28 Mar 2026 CABARET: The Ultimate Vegas Show - Boyd Productions, The Star Gold Coast Season: March 28th, 2026 Read More 28 Mar 2026 BURLESQUE: Roullesque 2 - Abadon Productions Season: March 28th, 2026 Read More 28 Mar 2026 CABARET: Birthday Bash -Play on Stage Season: March 28th, 2026 Read More 28 Mar 2026 BURLESQUE: Edge of Her - Burlesque L'Amour Season: March 28th, 2026 Read More 28 Mar 2026 SOCIAL EVENT: Murder at the Manor - Cluedunnit Season: March 28th, 2026 Read More 28 Mar 2026 YOUTH CONCERT: Musical Trails - Fusion Arts Inc. Season: March 28th, 2026 Read More 28 Mar 2026 MUSICAL REVUE: Ovation - Events Centre, Empire Theatre, QPAC Season: March 28th, March 29th & May 1st, 2026 Read More 28 Mar 2026 MUSICAL: Alice the Musical Season: March 28th, 2026 Read More 28 Mar 2026 CONCERT: Peter in the Wild - Redlands Sinfonia, RPAC Season: March 28th, 2026 Read More 27 Mar 2026 MUSICAL: MJ the Musical - QPAC, Michael Cassel Group Season: March 27th - May 24th, 2026 Read More 27 Mar 2026 OPERA: Opera in the Chapel - - Underground Opera Company Season: March 27th - 29th, 2026 Read More 27 Mar 2026 BALLET: Messa da Requiem - Queensland Ballet, QPAC Season: March 27th - April 4th, 2026 Read More 27 Mar 2026 MUSICAL: Kinky Boots - Swich Up Productions Season: March 27th - 29th, 2026 Read More 27 Mar 2026 THEATRE: The Generation Game - 6 Mangrove Productions Season: March 27th - 28th, 2026 Read More 27 Mar 2026 OPERA: Agony and Ecstasy - Brisbane Lyric Opera Season: March 27th, 2026 Read More 27 Mar 2026 OPERA: undead. - Opera Queensland Season: March 27th - 28th, 2026 Read More 26 Mar 2026 COMEDY: Speed: The Movie, The Play Season: March 26th - April 19th, 2026 Read More 26 Mar 2026 CIRCUS: La Clique - HOTA Season: March 26th - April 19th, 2026 Read More 25 Mar 2026 CABARET: Your Song - The Little Red Company, Brisbane Powerhouse Season: March 25th - 29th, 2026 Read More 25 Mar 2026 THEATRE: Crossing the Divide - Shock Therapy Arts, Empire Theatre Season: March 25th - 26th, 2026 Read More 25 Mar 2026 MUSICAL SHOWCASE: An Evening in Concert - QAEMT, QPAC Season: March 25th - 28th, 2026 Read More 25 Mar 2026 YOUTH SHOWCASE: Muse Anticipate - Queensland Academy of Creative Industries Season: March 25th - 26th, 2026 Read More 25 Mar 2026 THEATRE: Die, Mommie Die - A Midnight Social, PIP Theatre Season: March 25th - April 11th, 2026 Read More 24 Mar 2026 CHILDREN'S THEATRE: Where is the Green Sheep - Monkey Baa Theatre Season: March 24th - April 18th, 2026 Read More 20 Mar 2026 THEATRE: Amadeus - Beenleigh Theatre Group Season: March 20th - 28th, 2026 Read More 20 Mar 2026 THEATRE: The Taming of the Shrew - Coolum Theatre Players Season: March 20th - 29th, 2026 Read More 20 Mar 2026 THEATRE: Home in the Sun - Backdock Arts Season: March 20th - 29th, 2026 Read More 19 Mar 2026 THEATRE: Brisbane - Ad Astra Theatre Season: March 19th - April 11th, 2026 Read More 19 Mar 2026 THEATRE: Steel Magnolias - Noosa Arts Theatre Season: March 19th - 28th, 2026 Read More 19 Mar 2026 DANCE: Code of Conduct - Australasian Dance Collective Season: March 19th - 28th, 2026 Read More 18 Mar 2026 THEATRE: Sunny Tribe District - Salad Days Collective, PIP Theatre Season: March 18th - 28th, 2026 Read More 18 Mar 2026 CABARET: Marvelous: A Risqué Parody - Fever, Twelfth Night Theatre Season: March 18th - April 4th 2026 Read More 13 Mar 2026 THEATRE: Amigos - Mercury Theatre Wynnum Season: March 13th - 29th, 2026 Read More 13 Mar 2026 THEATRE: Rumors - Spotlight Theatrical Company Season: March 13th - 28th, 2026 Read More 13 Mar 2026 THEATRE: Romeo & Juliet - St Luke's Theatre Society Season: March 13th - 28th, 2026 Read More 13 Mar 2026 THEATRE: The Woman Who Cooked Her Husband - Sandgate Theatre Season: March 13th - 28th, 2026 Read More 10 Mar 2026 THEATRE: Torch the Place - Queensland Theatre Company Season: March 10th - 29th, 2026 Read More 6 Mar 2026 THEATRE: Blackadder II - Upstage Theatre Season: March 6th - 28th, 2026 Read More 21 Feb 2026 BALLET: Sleeping Beauty - Fever, QUT Gardens Theatre Season: February 21st - August 1st, 2026 Read More 14 Feb 2026 MAGIC: Theatre of Magic - Empire Theatre Season: February 14th - December 5th, 2026 Read More 9 Feb 2026 PLAY READING: Playground - 7th Floor Theatre, PIP Theatre Season: Monthly from February 9th, 2026 Read More 31 Jan 2026 BALLET: Ballet of Lights: Cinderella - Fever Season: January 31st - July 18th, 2026 Read More 10 Jan 2026 THEATRE: The Jury Experience - Fever Season: January 10th - June 25th, 2026 Read More 18 Sept 2025 BALLET: Tchaikovsky’s Swan Lake, Nutcracker & More - Fever Candlelight Concerts Season: September 18th, 2025 - January 17th, 2026 Read More 14 Nov 2024 CABARET: Blanc de Blanc Encore - Strut and Fret, West End Electric Season: November 14th, 2024 - March 15th, 2026 Read More