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Home in the Sun – Backdock Arts Writers: Aimee Tacon, Joe Lord, Ethan Irvine Composers: Bridie Middleton, Veronica Netya Dramaturg: Harrison Port Photography: Ronan Leahy (ClubEleven Media) and Felix Smith Cast & Musicians: Ethan Irvine – The Gardener Aimee Tacon – The Agent Harrison Port – Edmund / The Son (piano) Veronica Netya – Maggie / The Writer (guitar) Alisha Milne – The Bug Collector / Edith (thumb piano + more) Ellie Johnson – Alice / Rose (ukulele + more) “May our roots support and sustain us, and may we see new light with each passing day.” Home in the Sun is a lovingly crafted, collaborative project by writers Aimee Tacon, Joe Lord, and Ethan Irvine. First developed for the QUT Potentia Festival, this piece blends live music with group storytelling to create something truly special. In the yard of an old Queenslander, a gentle gardener is tending to his bulbs, deeply attuned to the sounds of the land he cherishes. But when a real estate agent shows up to assess the property's value, that harmony is disrupted. As the two gradually warm up to each other, the house begins to reveal its past. Home in the Sun welcomes everyone past the front gate, where history comes alive, and the love for people, places, and memories bloom. As soon as I walked into the space at Backdock Arts, I noticed how thoughtfully everything was put together. The whole space had this inviting warmth as you walked through the set and past the picket fence to reach your seat. The warm lamps cast a cozy glow on the rusted tin walls, a wheelbarrow filled with soil and plants sat waiting. It perfectly set the mood for a show that encourages you to slow down and really soak it all in. It felt less like entering a theatre and more like stepping into someone else’s memory. We meet the gardener (Ethan Irvine), a gentle figure who is always humming softly. Then the agent (Aimee Tacon) arrives with her brisk, transactional demeanor cutting straight through that tranquility. And their debate on the 'value' of the place begins. The house starts telling its story through a series of beautifully woven vignettes. We are transported through time, spanning from the 1840s to now, meeting the inhabitants who once filled its walls with life: a passionate girl guide, a young couple finding their rhythm in marriage and poverty, a theatrical outsider observing the world from the street, a writer searching for a purpose, and a group of laundry girls finding connection in routine. Each story feels like a memory that's been unearthed and tenderly placed in our hands. What really elevates this piece is how integrated the music and sound are within the storytelling, Composed by Bridie Middleton and Veronica Netya. Veronica's guitar is impossibly soothing, and Harrison Port’s piano threads emotion through every scene, particularly in the delicate arpeggios that carry us between moments. The live foley creates an ASMR-like, transportive soundscape: A phone ring, a small rain stick, the layering of thumb piano, ukulele, and subtle percussion all combine to create something handcrafted and intimate. Visually, the world is just as evocative in sensory richness. The ensemble moves through time with subtle costume additions over their white base, while the set remains constant, like a steady witness to decades of life. Twinkle lights glow softly overhead, a picket fence frames the space, and every prop appears aged and well-used. Performance-wise, the cast works with beautiful cohesion, constantly observing and reacting from their upstage positions, never dropping their connection to the story. Ethan's gardener is sincere, anchoring the piece with a grounded, patient presence. Aimee's agent is a standout, beginning brisk, disconnected, and bound by time. Their scenes carry some of the work’s strongest ideas, particularly around the “luxury of time.” When she admits, “my day doesn’t belong to me,” it lands with a quiet weight. Watching him guide her, not just through the garden but towards stillness, becomes one of the most satisfying threads of the piece. The bug collector (Alisha Milne) brings a burst of energy and childlike curiosity, drawing clever parallels between family structures and ant colonies with vivid enthusiasm. Harrison shifts convincingly between two very different character portrayals, while also anchoring the musical landscape at the piano. Veronica easily juggles being a musician and performer, her presence steady and calming within the world. Ellie Johnson is particularly sweet as the young wife, capturing the quiet care and tenderness of those domestic moments with simplicity. There is something in this piece that reaches beyond the space it’s currently in. The sensory detail is already strong, but I would be very curious to see this work in a more open, natural environment, perhaps an outdoor setting with the audience seated on picnic blankets to lean further into the connection with land, smell, and atmosphere. The cast are well suited to this material, and the piece sits comfortably in its one-act length, allowing each scene the space it needs without dragging on. It is a thoughtful, cohesive work with a clear sense of care behind it, making it a lovely fit for a festival setting like Anywhere Festival. Home in the Sun is about the value we place on spaces and the lives lived within them. It suggests that true worth isn’t found in market price, but the memories, the time spent, and the experiences we gather there. As someone constantly rushing between shows, rehearsals, and work, this was a nice reminder to slow down, to listen, and actually enjoy the spaces that matter most. For me, it lands as a peaceful exhale. Thank you to the team for allowing me to attend your final performance.

Title: Disney’s Frozen JR Presented By: Second Star Youth Theatre Genre: Musical Theatre / Youth Theatre Synopsis: Based on the beloved Disney film and Broadway musical, Frozen JR tells the story of sisters Anna and Elsa as they navigate love, fear, family and self-acceptance in the kingdom of Arendelle. Featuring iconic songs, magical storytelling and a large ensemble, this 60-minute adaptation is designed especially for young performers. Audition Date: Sunday 14 June 2026 Audition Time: 1:00pm – 5:00pm Audition Location and Address: Faith Works Norman Park, 177 Bennetts Road, Norman Park QLD Audition Self-Tape Due (if applicable): Video auditions accepted for performers unavailable for the in-person audition workshop. Audition Requirements: No preparation required Auditions are run as an audition workshop using the iTheatrics method Participants will learn ensemble material on the day and perform for the creative team Auditions focus on singing, acting, movement, collaboration and responsiveness to direction All who audition will be cast Audition Registration: Register here: https://docs.google.com/forms/d/e/1FAIpQLScg681atzNS5VbY2Ma3uhBLCM9qyPsShXlq404lTs_srRrQjg/viewform Performance Dates: Saturday 11 July 2026 Performance Times: 3:00pm and 6:00pm Performance Location: Marjorie Godfrey Theatre, Cavendish Road State High School, Holland Park QLD Rehearsal Dates: Monday 6 July – Friday 10 July 2026 Rehearsal Times: 9:00am – 4:00pm daily Performer Age: 10–18 years old (as of 11 July 2026) Creative Team: Director & Music Director – Lauren McNamara, Choreographer – Sonya Wyer Production Website: https://www.secondstaryouththeatre.com.au/frozenjr Other information: Participation fee: $450 (incl. GST) Includes audition workshop, rehearsals, production t-shirt, script, dinner on performance day and costume hire Most costumes provided by the company Limited cast places available Payment due prior to audition submission date All performers who audition are guaranteed a place in the cast Video auditions available for those unable to attend in person Participation subject to company policies including Code of Conduct and Child & Youth Risk Management policies Available Roles/Character Breakdown: Anna - Warm, optimistic and energetic princess with strong comedic and emotional range. Vocal range: G3–D5. Elsa - Reserved and powerful queen struggling to control her magic. Requires emotional maturity and strong vocals. Vocal range: F#3–D5. Kristoff - Lovable ice harvester with dry humour and warmth. Strong acting and scene partner work required. Vocal range: G2–A3. Olaf - Joyful magical snowman with excellent comedic timing and physicality. Vocal range: F#2–D4 (or F#3–D5). Hans - Charming prince with a darker side. Strong singer and actor. Vocal range: G2–B3. Sven - Kristoff’s loyal reindeer companion. Strong physical performer role with minimal singing. Young Anna / Middle Anna - Playful and excitable younger versions of Anna. Young Elsa / Middle Elsa - Gentle and protective younger versions of Elsa requiring emotional restraint. Oaken - Larger-than-life comedic shopkeeper. Pabbie & Bulda - Warm and quirky Hidden Folk guardians with featured singing and movement. Featured Roles: Weselton King Agnarr Queen Iduna Bishop / Palace Staff Ensemble - Includes townspeople, castle staff, hidden folk, snow chorus, coronation guests and more. Many opportunities for featured moments and solo lines.

Title: 13 The Musical Presented By: Passion Productions Genre: Musical Theatre Synopsis:13 The Musical is the heartfelt and hilarious pop-rock musical by Jason Robert Brown that follows Evan Goldman, a New York teen whose life is turned upside down after his parents’ divorce forces him to move to small-town Indiana just before his Bar Mitzvah. As Evan navigates friendship groups, crushes, bullying and social drama, he discovers what truly matters when everything begins to fall apart. The production features an entirely teenage cast and band. Audition Date: Saturday 27 June 2026 Audition Time: 10:00am – 6:00pm Audition Location and Address: Northgate Hall (Address available through audition registration) Audition Requirements: Prepare two contrasting musical theatre songs (30–45 seconds each): One upbeat song One ballad Dance component will be taught briefly on the day, but auditionees are encouraged to familiarise themselves with the provided videos beforehand Cold reads may be requested during auditions or callbacks Auditions will be held in group sessions of approximately 60 minutes. Registration is essential Audition Registration: https://airtable.com/appdAz6BKXZweUC7h/pagjNGQvWnBKa3bJe/form Audition Pack: https://www.passionproductions.com.au/_files/ugd/ac9999_da382c6a33d948cdaf8e279efaf71d1e.pdf Performance Dates: 25 September – 3 October 2026 Rehearsal Dates: Beginning 11 July 2026 Rehearsal Times: Tuesdays: 6:30pm – 10:00pm Thursdays: 6:30pm – 10:00pm Saturdays: 10:00am – 4:00pm Rehearsal Location: Strathpine Community Centre and Petrie School of Arts Performer Age: 12-17 Production Website: https://www.passionproductions.com.au/auditions Other information: Callbacks: Sunday 28 June 2026 from 6:00pm at Northgate Hall (if required) Some performers may be cast without callbacks This is a community theatre production No performer payment No production fees All cast members over 18 must hold or obtain a Blue Card before rehearsals begin Cast members are expected to assist with social media promotion Passion Productions strongly encourages performers of all backgrounds, identities and abilities to audition Available Roles/Character Breakdown: Evan Goldman – Tenor (Bb2–Bb4) Bright, charming and good-hearted New York teen navigating a new town, family upheaval and his upcoming Bar Mitzvah. Patrice – Mezzo Belter (Eb3–E5) Shy, intelligent and grounded. A loyal friend with strong convictions and a crush on Evan. Archie – Tenor (Ab2–Bb4) Funny, insightful and theatrical. Lives with muscular dystrophy and uses crutches. Brett – Tenor + Falsetto (Bb2–C5) The arrogant and popular football star who bullies outsiders. Lucy – Mezzo (F#3–D5) Manipulative cheerleader determined to steal Brett from Kendra. Kendra – Mezzo (Bb3–D5) Popular, bubbly head cheerleader struggling with social pressures. Malcolm – Baritenor + Falsetto (F#3–C5) Brett’s eager sidekick and football team member. Eddie – Baritone + Falsetto (Bb2–C5) Another of Brett’s sidekicks, loving his social status. Cassie – Soprano Belter (F#3–F5) Fashion-forward cheerleader and gossip enthusiast. Charlotte – Mezzo Belter (A#3–F5) Loveable and gullible cheerleader. Molly – Mezzo Belter (F#3–C#5) Confident rumour-starter who enjoys chaos. Richie – High Tenor + Falsetto (A2–C5) Explosive, goofy and highly social class clown. Simon – Tenor (C2–C5) Quiet football team member often caught in the middle. Ensemble - Strong vocal and movement ability required.

< Back CIRCUS: Mythical Creatures - Euphoric Flow, Anywhere Festival 19 May 2026 Season: May 19th - 21st, 2026 Title: Mythical Creatures Presented By: Anywhere Festivals and Euphoric Flow Genre: Immersive circus and fire performance Synopsis: Step into an enchanted garden where mythical creatures come to life. Guided by a mystical host, audiences journey through a magical world featuring fairies, dragons, mermaids and other legendary beings through aerial artistry, acrobatics, fire performance, flow arts, circus and immersive storytelling. Performance Dates: May 19th - 21st, 2026 Performance Times: 7PM Performance Location and Address: Superordinary, 175 MacArthur Ave, Hamilton QLD 4007, Hamilton, 4007 Ticket Costs: $45 pp Ticket Link: Buy Tickets - Mythical Creatures Warnings: Features fire performance and immersive theatrical elements. Recommended Age: Suitable for all ages. Duration: Approximately 1 hour. Production Website: Euphoric Flow - Mythical Creatures Other information: This performance is part of the 2026 Anywhere Festival program in Brisbane. The venue is wheelchair accessible and includes family-friendly facilities. Bookings are recommended. Previous Next

< Back THEATRE: Brace Brace - PIP Theatre 20 May 2026 Season: May 20th - 30th, 2026 Title: Brace Brace Presented By: PIP Theatre Genre: Drama / Thriller Synopsis: Ray and Sylvia meet across a crowded room and fall instantly in love. Within a year, they are married and heading off on the honeymoon of a lifetime. But somewhere between take-off and landing, everything changes when the plane they are travelling on falls from the sky. Written by Oli Forsyth, Brace Brace is an intimate and suspenseful exploration of love, survival and human connection. Performance Dates: May 20th - 30th, 2026 Performance Times: Wednesdays - 6:30PM Thursdays & Fridays - 7:30PM Saturdays - 2:30PM & 7:30PM Performance Location and Address: PIP Theatre, 20 Park Road, Milton, Queensland 4064, Australia Ticket Costs: Adult - $50 Concession - $40 Group - $35 pp Companion Card Holder - $0 Ticket Link: Buy Tickets - Brace Brace Warnings: Themes of trauma and aviation disaster. Recommended Age: Recommended for ages 15+ Duration: Approximately 75 minutes. Cast: Ray - Henry Solomon The Man - Matthew Filkins Sylvia - Amelia Slatter Creative Team: Written by Oli Forsyth Production Website: PIP Theatre - Brace Brace Other information: PIP Theatre is fully accessible via lift access from the foyer, with wheelchair seating, accessible bathrooms and Companion Card support available. Audience members requiring accessibility assistance are encouraged to contact the venue in advance. Nearby parking and public transport options are available in Milton. Previous Next

< Back COMEDY: Rob Anderson: Are You Afraid of the 90s? - QPAC 20 May 2026 Season: May 20th, 2026 Title: Rob Anderson: Are You Afraid of the ‘90s? Presented By: TEG Dainty Pty Ltd, QPAC Genre: Comedy / Musical Comedy Synopsis: A solo musical comedy show celebrating — and roasting — the 1990s. American comedian Rob Anderson dives into the TV shows, movies, books and pop culture moments that shaped a generation, exploring everything from teenage pregnancy storylines to bizarre relationship dynamics through humour, music and commentary. Performance Dates: May 20th, 2026 Performance Times: 7:30PM Performance Location and Address: Queensland Performing Arts Centre, Concert Hall, Corner of Grey and Melbourne Street, South Brisbane, QLD, 4101 Ticket Costs: $59.90–$129.90 plus transaction fee Ticket Link: Buy Tickets - Rob Anderson Warnings: Contains mature themes and adult humour. Recommended Age: Recommended for ages 16 years and older. Cast: Rob Anderson Creative Team: Written and performed by Rob Anderson. Production Website: QPAC - Rob Anderson Other information: The performance is part of Rob Anderson’s first Australian and New Zealand tour. QPAC offers accessible seating options for wheelchair users, Companion Card holders and patrons requiring assistance. Accessibility bookings can be made through the QPAC Call Centre. A Concert Hall Visual and Sensory Guide is also available for patrons requiring additional access information. Previous Next