Search Results

🌟 Shine bright in VOX’s debut show! 🌟 Are you a performer longing to tackle a role you never thought possible? Look no further than VOX Theatre Arts' inaugural production, "Broadway Your Way: Roles We'll Never Play." We're seeking diverse, inspiring performers to star in this glittery and vibrant musical adventure. Show Description: "Broadway Your Way" invites performers to break free from traditional casting limitations. We envision a beautifully diverse cast of six to twelve performers, each tackling songs and characters they've never had the chance to play before. This is a story of empowerment, breaking down barriers of gender, age, sexuality, culture, and race through beloved musical numbers. Audition Details: Audition Submissions Due: March 31, 2024 (5 pm deadline) Audition Form: Click Here Audition Pack: View Here Requirements: Prepare two 1-minute excerpts from contrasting musical theatre songs showcasing your unique talents. Additionally, include a 45-second to 1-minute introduction about yourself and your dream role (that you will probably never play). For those interested in dance-heavy pieces, provide a recent video showcasing your Broadway-style dance ability. Key Dates: Tech/Dress Rehearsal: Wed 28 May Performance Dates: 29 May - 1 June Rehearsals: Tuesdays & Thursdays from 7 pm - 10 pm, some Sundays 2 pm - 5 pm. Detailed schedule to be released post-casting. Rehearsals Commence: Sun 7th April at 2 pm Location: Rehearsals: 29 Cremin Street, Upper Mount Gravatt Performances: Nosferatu Gin Distillery, Bowen Hills Don't miss this chance to shine on stage and make a role your own! Apply now and join us on this sparkling journey. For inquiries, reach out to info@voxtheatrearts.com. About Us: VOX Theatre Arts is where your voice matters! Derived from the Latin for 'voice,' we provide a platform for creatives to speak, sing, act, and tell their stories authentically. Based in South Brisbane, our community fosters fresh ideas and colourful opportunities in various theatre styles.

La Boite Theatre, The Little Red Company, and Brisbane Festival are seeking four talented performers for the roles of Fancy and their friends in the upcoming musical adventure, "Fancy Long Legs", adapted for the stage by Naomi Price and featuring original songs by Waveney Yasso, directed by Courtney Stewart. Audition Details: Applications close Friday 5 April. Creative Developments: 29 April – 3 May 2024 and 15 – 19 July 2024 Rehearsals/Tech: 12 August – 7 September 2024 Performance Dates: 12 – 22 September 2024 Show Description: "Fancy Long Legs" follows Fancy, a lively young arachnid who struggles to stay focused on her creative task of web-building. With the support of her friends, Fancy embarks on a journey of self-discovery to find her own style and make something unique. This uplifting story takes a glittery look at neurodivergence, offering an adventure of acceptance, self-expression, and friendship. Character Descriptions: Fancy: The hero of the story, neuro-sparkly, artistic, and creative. Charismatic dreamer, easily distracted. Busy: The eldest child, overachiever, organised, and confident. Talented perfectionist, thrives on structure. Incy: The perfect ally, empathetic, cosy, and kind. Grounded, collaborative, and accommodating. Charlotte: Risk-averse, anxious, and nervous. Talkative, with extraordinary knowledge about spiders. Requirements: Performers aged 20-30 of all gender identities, cultural backgrounds, and access requirements are welcome. Strong singing, acting, movement, and dance skills preferred. Performers without auditory sensitivity preferred, but the team is open to working with actors to find accessible solutions. Application Details: Submit online application here: Application Link Include: Professional CV Headshot Self-tape containing: 60 seconds of a pop/contemporary song A short contemporary monologue If you encounter any issues with the application link, please email programming@laboite.com.au for assistance. Join us in bringing this bright and bold family work to life, celebrating inclusivity, self-expression, and friendship!

CAST APPLICATIONS NOW OPEN: Vena Cava Productions - The QUT Student Theatre Company Vena Cava Productions is excited to offer the opportunity to be a part of our Main House 2 show - "The Vera Watson Wellness Centre" written by Tony Brumpton and directed by Shari Indriani Irwin and Tony Brumpton. Application Details: Application deadline: April 5th Interviews: April 8th, 9th, & 10th Callbacks: April 23rd and 24th Rehearsal period: April 29th - May 26th Tech/Performance Dates: Late June/Early July (subject to change) Show Description: "The Vera Watson Wellness Centre" follows Adam, a naive new employee, as he begins his job as a service technician at the centre. Surrounded by a surly manager, compulsive clients, and enigmatic "Caregivers", Adam finds himself in complicated and compromising situations. As time passes, he discovers there's more to the Centre than advertised, leading him to question morality, mortality, and the meaning of life. Important Information: We strongly encourage individuals from diverse backgrounds, including people with disabilities, neurodiverse individuals, and those from racially diverse and queer identities, to apply. The script contains adult themes, offensive language, and scenes of a sexual nature. Applicants are encouraged to read the script before auditioning. Rehearsals will occur three times per week. Audition Details: Prepare one of the provided audition materials attached to the casting information. Availability for all rehearsals, tech days, and performances is expected. Contact Information: Email: venacavaproductionsqut@gmail.com Apply now for the chance to be part of this exciting production! Check out our linktree for more information: Vena Cava Productions Linktree

Bent Productions is excited to announce auditions for "Motherhood the Musical" by Sue Fabisch. Join us for a heartwarming and humorous exploration of the joys and challenges of motherhood. AUDITION DETAILS: Date: Saturday, April 13th Location: Paddington Hall Annexe, 10 Moreton St, Paddington Time: Slots available from 10am to 5pm Registration: Email bentproductions24@gmail.com to reserve your slot Call-backs: Sunday, April 14th, 1pm - 5pm (by invitation) AUDITION REQUIREMENTS (WOMEN 18+): Prepare a comedic musical theatre song (with backing track) Prepare a short comedic monologue (no more than 2 minutes) Visit the following links for monologue suggestions: Stagemilk Comedic Monologues Theatre Nerds Comedic Monologues CHARACTER BREAKDOWNS: Barb (30-45 years): Dry, sarcastic mother of five Brooke (40+ years): Sophisticated attorney and mother of two Tina (30-40 years): Soccer mom adjusting to single life Amy (25-35): Meticulous mom-to-be REHEARSAL AND PERFORMANCE DETAILS: Rehearsals: Wednesdays, Thursdays (7pm - 10pm), Sundays (12pm - 4pm) Rehearsals start: Wednesday, April 17th, 2024 Technical rehearsal: Thursday, July 26th, 2024 Production season: Friday, July 27th - Saturday, August 3rd, 2024 (at The Gap State High School and Holy Trinity Church Hall, Fortitude Valley) CONTACT INFORMATION: Email: bentproductions24@gmail.com TECHNICAL INFORMATION: Bring backing tracks in MP3 format on a USB Audition forms provided on the day Headshots and CVs not required Photo taken for casting recognition Don't miss your chance to be part of this wonderful production! Reserve your audition slot now and join us for a memorable journey into motherhood.

STUDIO EMPIRE PERFORMING ARTS CENTRE (SEPAC) - 35/38 Kendor Street Arundel, Gold Coast, QLD, Australia 4214 MUSICAL THEATRE PROGRAM Sign up now for the 2024 Musical Theatre Program! Experience dynamic training in vocal performance, dance, and acting led by talented professionals. Whether you're aiming for the stage or seeking personal growth, SEPAC's program provides guidance and support to help you excel in theatre and beyond. Heathers The Musical - High School Edition Performance Date: September 26th, 2024 Venue: Broadbeach Cultural Centre The Spongebob Musical - Youth Edition Performance Date: September 19th, 2024 Venue: Broadbeach Cultural Centre Meet the Team: Director and Musical Director: Hannah Rigby Choreographer: Shannon Hatchman Program Details: Petites & Teens Class (7-14 Years Old): SpongeBob The Musical Youth Class (15 Years and Over): Heathers The Musical Rehearsals Start: Week 1 of Term 2, 2024 Apply Here: Musical Theatre Program Don't miss your chance to be part of these incredible productions and unleash your talent on stage! Sign up now and let your star shine bright!

Can you tell us a bit about yourself and how you got started in theatre? Sophora: I got into theatre from a young age after being cast in my first ever role i na professional Christmas production of Toad of Toad Hall in the New Vic Theatre (in the round) in the UK when I was in primary school. It meant getting time off school and spending time with the adult cast; experiencing the scale of such a show cemented for me at that age that this is what I wanted to pursue! Did you undergo any formal or informal training? Sophora: Most of my days after school were taken up with choir, singing lessons, LAMDA acting lessons, and piano! I studied performing arts up to the age of 18 and then went to university to complete a Bachelor of Musical Theatre, Drama and Film. Can you share a particularly special or challenging project from your theatre career so far? Sophora: The first show I produced and performed during my time at university was particularly special. I won a grant to create the show, which meant that meant that once we had performed it in the university theatre, we could transfer into the City of Bath Theatre, which was incredibly challenging due to the scale, but also very rewarding! Are you working on any shows at the moment? Sophora: I am working on our upcoming A Night at the Musicals, which is the end of April at the Ron Hurley Theatre, with my amazing team! And our wonderful cast will start rehearsing in the upcoming weeks. I am really looking forward to seeing everything we have planned come into fruition. Are there specific types of roles or theatre genres you find most rewarding or challenging? Sophora: I often think comedy is more challenging to pull off in a production than dramatic. It is also really rewarding when you get the laughs and know the choices you or the show made have landed well and have given people that enjoyment! How do you approach collaboration with directors, fellow actors, and the production team? Can you share a positive collaboration experience that stood out to you? Sophora: Producing the first A Night at the Musicals by myself was a lot to take on when I also work a full time corporate job. So when I knew I wanted to continue this venture, I brought in a more permanent team to help me grow the show. That experience of getting to bounce ideas and to have back-up in the decision-making has been so much more enjoyable and has elevated the show beyond what I could have done solo. Are there specific goals or roles you aspire to achieve in the future? Sophora: I would love to continue working on growing A Night at the Musicals. There is a lot more we can do with the formula of this concert and see how far we can take it! What advice do you have for individuals aspiring to gain a role in a stage show? Sophora: I heavily thought for many years that performing, whether it be stage or screen, was going to be my full-time career, and it was all I dreamt about. The reality of graduating and getting a job, then stressing about where the next paycheck would come from, hit me harder than I thought. After a particularly big letdown that I had my heart set on, I decided to travel! Fast forward to now and I work a full-time corporate job in Australia. I had lost some of my passion for the industry, but then doing some community theatre shows reignited that passion and led to me bringing A Night at the Musicals to Brisbane, 13 years after I did it at university! There aren't many paid performing opportunities if you decide to take another career path as your income, or if you are in your 30s and enter the realm of being too old for some roles and too young for others... or if you are a terrible dancer... So my advice is, it is more than achievable to create a platform so that you and others can do what you love while letting it fit into whatever path your day to day life leads you!

Embarking on my first venture into the realm of radio theatre, I felt like a curious explorer discovering a forgotten treasure trove of storytelling. As a millennial with no prior exposure to this vintage art form, I was both intrigued and excited by the prospect of experiencing a performance that relied solely on the power of sound to ignite the imagination. Originating in the 1920s, radio plays swiftly rose to prominence as a leading form of international entertainment by the 1940-50s, captivating audiences at home with their immersive storytelling. Presented by New Farm Nash Theatre, "The War of the Worlds - The Lux Radio Play" offered an immersive journey into the world of science fiction. The cast was brilliantly chosen, showcasing versatile talent that transported viewers back to 1955 from the moment they stepped on stage. Each cast member embodied their multiple roles with aplomb. The flawless execution of Hollywood's transatlantic accent, particularly from Ella Bromback, added an authentic touch, complemented by exquisite emerald green period costumes that evoked the glamour of the era. The evening began with "The Day the Earth Stepped Sideways," a comedic play exploring the whimsical concept of traversing alternate universes, similar to that of ‘The Midnight Library’, ‘Rick and Morty’, and ‘Loki’ for my younger readers. The comedic banter was sharp and witty, effortlessly eliciting laughter from the audience. The play explored themes of mother-son dynamics, the pursuit of knowledge, and the unpredictable nature of choice. Each moment presented an opportunity for characters to venture down new paths, continually stepping sideways into a myriad of bizarre and amusing realities, from a whimsical land where communication with birds reigns supreme, to a world where rhyming is the language of the day, to a chase scene through a tap-dancing society. Interspersed with real radio advertisements for 'Lux' products from 1955, we transitioned smoothly into "The War of the Worlds," based on the classic 1953 film, where the audience found themselves thrust into the midst of a Martian invasion. For me, some standout performances were John Mann's commanding presence, Petra Donnison's flawless execution of multiple accents, and Lara Latham's embodiment of every character they portrayed. One of the production's most impressive features was its use of sound effects, masterfully crafted by the skilled foley artists stationed at the back of the stage: Rob Crook, Hazel Newman, and Mark Corben. With a myriad of physical objects at their disposal, from metal sheets and fake doors to balloons and rubber gloves, they brought the auditory landscape to life with remarkable precision. Personally, I momentarily closed my eyes to immerse myself fully in the auditory journey, vividly envisioning each scene with remarkable clarity, despite never having seen the 1953 film. “The Lux Radio Play" is a captivating homage to the golden age of radio drama, skilfully brought to life by New Farm Nash Theatre. With its impeccable performances, ingenious sound effects, and nostalgic charm, this production is a must-see for aficionados of timeless storytelling. NOW PLAYING UNTIL MARCH 23, 2024 TICKET LINK

A Millennial Reflection on the Turbulent Transition to Adulthood Millennials and Gen Z assemble because this is the show for us! ‘Big Yikes,’ presented by Playlab Theatre at the Brisbane Powerhouse and penned by the insightful Madeleine Border, delved into the chaotic realm of post-high school existence with unfiltered honesty. The audience was mix of young adults, and as the show began, a sense familiarity immediately washed over me. Juliette Milne's portrayal of Loxie, the protagonist navigating the daunting journey from adolescence to adulthood, was anchored by her unwavering commitment to the character. Despite initially feeling intimidated by the prospect of remaining onstage throughout the entire production, Milne expressed much excitement at the opportunity to originate a character in an new Australian production. The laughter that constantly rippled through the theatre was both cathartic and validating. As Loxie stumbles through her first job as a kitchen hand at a café – also my first job – her mishaps, from spilled drinks to burnt coffee and panic attacks, left me nodding in recognition. Even if those specific incidents don't resonate with you, fear not. Loxie's journey also encompasses struggles with navigating social interactions, dealing with demanding customers, complexities of divorced parents, encountering fake friends, coping with stressed-out supervisors, anxiety from university decisions, getting drunk on $5 wine, late-night calls to mum for a ride home, enduring conversations with overly talkative strangers on public transport, and the awkward apologies following romantic rejections – a collective "YIKES!" moment indeed. Amid Loxie's tumultuous journey, 'Big Yikes' masterfully weaves relatable moments and profound insights. From the realisation that “not everyone is gonna like you, and vice versa,” to the humorous musings of “I don’t have time for domestic duties anymore, I’m a working girl!” — each line serves as an illustration reflecting the nuances of modern life, including the cost-of-living struggles. But as Loxie grapples with the complexities of adulting, she encounters wisdom in unexpected places too — “I’m going to find my calling, by not finding my calling,” a reflective reminder that growth often arises from discomfort. The versatile trio of Billy Fogarty, Tenielle Plunkett, and Christopher Paton, comprising the supporting cast, seamlessly shifted between roles, bringing a kaleidoscope of characters to life. Their interactions with Loxie underscored the multifaceted nature of young adulthood, where every encounter can shape our journey of self-discovery. The uncomplicated set design, paired with innovative projections and lighting techniques, provided a dynamic backdrop for Loxie's story. Scenes transitioned smoothly; enhanced by witty lines projected onto the set, such as 'If you can’t afford medication… try meditation.’ The Q&A session following the performance offered insight into the creative genesis of the production. Playwright Madeleine Border shared her inspiration behind the play, citing the noticeable absence of representation for the daunting transition from high school to university within the realm of theatre. Notably, 'Big Yikes' demonstrated a commendable commitment to inclusivity. Gender-neutral characters, names, and pronouns were intentionally integrated into the storyline. This approach ensured that the production resonated with a diverse audience, amplifying its impact and relevance. In essence, ‘Big Yikes’ serves as a mirror reflecting the joys and tribulations of modern youth. With its blend of humour, heart, and authenticity, it invites audiences to laugh, reflect, and empathise with the universal journey of growing up. NOW PLAYING UNTIL 23rd MARCH, 2024 BOOK NOW: Ticket Link

Audition Notice: The Drowsy Chaperone by Swich Up Productions Are you ready to step into the spotlight and unleash your comedic talents? Swich Up Productions invites you to audition for their uproarious musical comedy, "The Drowsy Chaperone"! If you're a talented singer and a master of comedy, this is your chance to shine! Join us as we bring to life a side-splitting production filled with unforgettable characters and show-stopping tunes. Audition Date: Saturday, April 13th (choose AM or PM) Location: Firestation 101, 101 Limestone St, Ipswich Callbacks: Sunday, April 14th at 2:00 PM (by invitation) Audition Schedule: Individual Auditions: Saturday, April 13th (as per your allocated audition time) Group Choreography Audition: Saturday, April 13th (10:30 AM or 2:30 PM) How to Apply: Apply online: Audition Form Choose your preferred audition slot (AM or PM) Research the show and select two songs in the show's style (one can be from the show itself!) Email us at swichupproductions@gmail.com for assistance. What to Expect: Arrive 10-20 minutes early to sign in and get settled. You'll perform for the audition panel (Director, Musical Director, and Choreographer). Prepare to read scenes for your chosen characters and showcase your singing talent (up to 32 bars of each chosen song). Bring sheet music – an accompanist will be provided. All auditionees will participate in a group choreography session, so wear comfortable clothes and shoes. Callbacks are by invitation only. If selected, you'll perform specific song selections and readings related to your designated character(s) on Sunday, April 14th. Important Notes: Show Fee: $40 (includes membership, insurance, and a free ticket to any performance) Libretto Deposit: $50 (refundable upon return of the script) Rehearsal Period: 28th April - 25th July. Rehearsing on Sundays 2-5pm, Tuesdays & Thursdays 7-10pm at Firestation 101. Schedule subject to change after casting Tech Week: 21st - 25th July Performances: 26th July - 4th August, 2024. Additional performances may be scheduled based on ticket sales. About Swich Up Productions: Established in 2023, Swich Up Productions is dedicated to delivering top-notch theatre experiences in Ipswich. The debut performance of "It's a Wonderful Life" last year was met with widespread acclaim, setting the stage for our commitment to excellence. Join us as we continue to raise the bar and contribute to the vibrant artistic community of Ipswich! This is your chance to be part of an unforgettable theatrical experience. Join us for auditions and let your comedic talent shine bright.

Act1 Theatre invites you to audition for their upcoming production, promising an blend of entertainment and Aussie charm. AUDITION DATES: Saturday, 23rd March - 2pm Sunday, 24th March - 2pm Monday, 25th March - 7pm LOCATION: Pine Shire Hall, 238 Gympie Road, Strathpine, 4500 CAST NEEDED: Peter - Middle-aged man Dad - Older man Dave - Aged 30-50 Mabel - Aged 30-50 Old Codger - Older man Gina the Gypsy - Around 30 Harry the Hippie - Any age Grace - Around 30 Herb - Middle-aged man Guisseppe - Strong Italian accent, any age Vera, Millie, and Carmel - Minor female roles, any age Waiter - Any age Waltzing Matilda - Walk-on role AUDITION REQUIREMENT: Prepare to sing in a chorus, and some characters may require solos. Bring your own backing song on a USB as an MP3 file or on your phone. NOTE: Some roles can be doubled amongst smaller roles. Smaller roles will only need to attend Sunday rehearsals in the early weeks. PERFORMANCE DATES: 12th - 27th July, 2024 CONTACT: For inquiries, please reach out to Terry at 54330655 or 0488222596.

Can you tell us a bit about yourself and how you got started in theatre? Rhea: Of course! I am Rhea, I have an adorable dog, and I just finished my Masters of Clinical Psychology. I actually fell into musical theatre by accident. My first show was in 2022, after I spontaneously auditioned for 'Little Shop of Horrors' with the Savoyards. I had no real musical theatre experience before (excluding a school musical or two in primary school), and the main reason I auditioned was because I was procrastinating writing a thesis. After scrolling through FaceBook, I saw this random audition opportunity, decided to audition for one of the urchins, and I was lucky enough to get in--from there, it's been impossible to stop! Did you undergo any formal or informal training? If so, where and how did it shape your skills? Rhea: I did take singing lessons in high school, which was super valuable for both learning about my voice and also helping me grow in terms of confidence. However, there were two other things that were pivotal in shaping my skills: The Queensland Theatre Company's Youth Ensemble. I was very blessed to be part of their production of 'Hamlet', and it was simply amazing to work with these directors who were so passionate and knowledgeable. They provided us with brilliant audition tips, very personalised feedback, and opportunities to explore different roles. School Choirs. At the time, they felt like just a fun activity to do--but really, choirs have taught me so much! Holding a harmony, learning to sight read, blending voices -- these skills are so essential in musicals, and have helped me so much. How do you prepare for a new role? Rhea: It depends on the role, really! A lot of my roles so far have had a strong emphasis on singing very complex harmonies within a very small group -- so my main preparation has always been listening to the songs until I know them to the core. Singing aside, when it comes to my character, I think having a background in psychology has always helped me really try to understand character motivation, character goals, and character dynamics within a show. I try really hard to give any role a little analysis -- also taking into account how I, personally, would like to make it my own. Can you share a particularly memorable project from your theatre career so far? I have one that happened only last month! It was in Footlights Theatrical Inc.'s cabaret, 'She's All That' -- the show itself consisted of nine fabulous ladies singing nostalgic girl power anthems. During one of the beautiful ballads sung by another cast member, the lights of the venue just completely went out -- in fact, the whole suburb lost power. Somehow, through pure willpower and also the generator of a taco truck, the crew managed to power up four microphones and a light to keep the show running. Not only was that, in itself, just so inspiring and incredible to watch -- but I had a really special moment where, during my own rendition of "Girl On Fire", all the power just suddenly returned to the venue. It was so truly memorable, seeing everything just light up suddenly, and seeing all the joy in everyone's faces. I don't think I'll ever forget it. Are you working on any shows at the moment? Rhea: I am actually behind the scenes, this time! I am music directing 'Blood Brothers', with Ghostlight Theatre Co. It is my first time music directing a show, and I was definitely very nervous when I first started. However, the cast and creative team have been nothing short of wonderful -- kind, fun, and so hard-working. I'm having a blast! The creative team was lovely, and let me just go crazy with the music -- they've let me write harmonies, change things up, and add my own little quirks to the songs. I am so grateful for the opportunity, and I am so excited to see all the magic come to life onstage! Are there specific types of roles or theatre genres you find most rewarding or challenging? Rhea: Huge fan of all things musical! If there's singing in it, I'll be there. I am especially sold if there are hints of gospel within the music. I have mostly worked with smaller casts, and I have loved every single one. You do very much become like a family -- and it really gives you the chance to connect with all these amazing people with all sorts of different backgrounds. However, I'm still relatively new to the world of theatre--so I am so incredibly excited to continue to explore and try out new things. How do you approach collaboration with directors, fellow actors, and the production team? Can you share a positive collaboration experience that stood out to you? Rhea: For me, it's all about learning. I have a lot to learn, and so approaching directors, actors, and production teams with an open mind and enthusiasm has always been the way to go for me. An experience that really stood out for me was actually in my first musical, 'Little Shop of Horrors' with the Savoyards. The musical director, Hayley Marsh, is genuinely one of my role models. She just has this amazing ear for music, and her vision for the music was always so much fun to work with. Even though being an urchin and learning tricky harmonies was a challenge, she always made it fun, and had so much patience and wisdom to give. While I'm teaching music for 'Blood Brothers,' I often think about some of her techniques and tips. She really is amazing! What are some highlights throughout your stage journey that you are particularly proud of? Rhea: I think a particular highlight for me was playing Olive in 'The 25th Annual Putnam County Spelling Bee' by Brisbane Arts Theatre. This was particularly rewarding, because it was the first time I had to perform for so many nights -- the show ran for six weekends, and I was really proud of the stamina and determination that I had to perform each weekend while completing my masters degree. It was also very rewarding to be a finalist in the 'Best Lead Actress in a Community Musical' in the Golden Palm Awards for that role. That role and that show was so incredibly close to my heart, and it was so nice to receive feedback that the love I had for that role was present onstage as well. Are there specific goals or roles you aspire to achieve in the future? Rhea: I want to explore more! I want to work with different companies, I want to try different genres and styles, I want to work with bigger casts, and I want to music direct more! It is so exciting to me that there are so many different opportunities out there, and I don't want to miss any of them. I don't have any dream roles just yet -- but I will let you know when something snatches my heart! What advice do you have for individuals hoping to gain a role in a stage show? Rhea: Just give it a go. Because, really, what is the worst that happens? Sure, you don't get in, and it stings for a little while -- but there's always opportunities to get feedback and grow, and then nail the next audition. All panels are always looking for something different, and you may just be that person they are looking for! And always ask for help. You're never on your own -- not in theatre. There are always people who are happy to give you tips, feedback, and support.

Calling All Young Performers for "A Chorus Line - Teen Edition" Auditions! Showcase your skills in a full-length version adapted for family audiences. Production Details: Title: A Chorus Line - Teen Edition Company: On the Boards Theatre Company, Youth Musical Theatre Collective, and Academy of Dance and Musical Theatre Auditions: By arrangement, until 28th March, 2024 (Dancers, singers, actors aged 14-26) Location: On the Boards Theatre Company Studios - 1/433 Wondall Road, Tingalpa Performance Dates: July 27th - 28th, 2024 Rehearsals Begin: April 16th, 2024 About the Musical: Experience the magic of "A Chorus Line - Teen Edition," a ground-breaking, Pulitzer Prize-winning concept musical that set a new standard for Broadway. This adaptation captures the spirit and tension of a Broadway chorus audition, delving into the inner lives and ambitions of professional performers. With memorable musical numbers like "What I Did For Love," "One," "I Can Do That," "At The Ballet," "The Music And The Mirror," and "I Hope I Get It," it's a brilliantly complex fusion of song, dance, and authentic drama. Production Team: Director: Lyn Pelgrave Musical Director: Robert Clark Choreography: Sarah Cooper How to Audition: If you're aged 14-26 and have a passion for performing, register your interest for auditions using this form or contact Lyn at lyn@ontheboards.com.au or 0416247220 Don't miss the chance to be part of this sensational production that celebrates the world of Broadway and the dreams of aspiring performers. Break a leg!