Search Results

Prepare to be captivated by the enchanting world of Shrek The Musical, presented by Savoyards Musical Comedy Society! This production will immerse you in the whimsical fairy tale, brought to life with exceptional artistry and detail. Under the dedicated direction of David Harrison, this show doesn't just mimic the essence and hilarity of the beloved DreamWorks film, it adds its own theatrical charm! Once upon a time, there lived a grumpy green ogre... Add in a chatty Donkey, a spirited princess, a short-tempered villain, a cookie with an attitude, and a bunch of other misfit fairy tale characters, and you've got a recipe for chaos that requires a true hero. Fortunately, one rises to the occasion... and his name is Shrek. From the moment Nathaniel Currie bursts onto the stage as Shrek, he commands attention. His accent is impeccable, and even with the elaborate makeup and costume, his vocal prowess and energy shine through. His interactions with the other characters feels genuine, making his character's evolution both believable and heartfelt. His rendition of "Who I'd Be" highlights his exceptional vocal range and projection. The Act 1 finale, with the trio harmonising under the moonlight, was a personal highlight that beautifully captured the show's emotional core. Witnessing Shrek's more vulnerable side in Act 2, particularly in "When Words Fail", peels back the layers (pun totally intended) of his character while maintaining a delightful comedic element. When Kate Retzki took to the stage (on a beautifully-crafted tower) as Princess Fiona, the crowd burst into applause. During the iconic performance of "I Know It's Today," Darci Allen as Young Fiona delivered a crystal-clear performance, while Jamie Burstow as Teen Fiona was exceptional. And when all three Fionas belted out "It won't be long now I guarantee", I sprouted goosebumps all over. Kate Retzki's portrayal of Fiona is simply enchanting, combining the poise of a princess with the feistiness of the beloved film character, plus adding her own goofiness to the role. Her beautiful vocals and comedic timing bring the character to life. The performance of “Morning Person,” featuring tap-dancing rats and dazzling choreography, is basically a Broadway show in itself. And her duet with Shrek, “I Think I Got You Beat,” is a comedic gem, proving that true love can be found through burping contests and trauma bonding. Even when faced with a costume mishap, Retzki didn't miss a beat, incorporating the glitch into the scene. Her improvisation and professionalism shone through, solidifying her as the perfect choice for Princess Fiona. Oscar Lowe as Donkey is a bundle of energy and charisma. His funky solo “Don’t Let Me Go” is a burst of musical sunshine, brimming with infectious enthusiasm and compelling character portrayal. Not to mention, how well he handles the challenging vocal and physical demands while adorned in all that makeup and fur! His dynamic interactions with Shrek injects his signature zaniness into the story. And his jam session with the three blind mice as he urges Shrek to “Make a Move”, is incredibly funky and entertaining, enhanced by Julianne Burke's inventive choreography. Portraying Lord Farquaad, Josh Moore steals every scene with finesse, commanding both the role and the stage. His performance, executed entirely on his knees, is a physical feat that keeps the audience roaring with laughter. Through a combination of showmanship and impressive untiring vocals, he excels in numbers “What's Up Duloc" and "The Ballad of Lord Farquaad,” cementing his status as a crowd favourite. His absurdly comical segues add to the hilarity; a testament to the director’s attention to comedic nuances. The ensemble of fairy tale creatures is vibrant and full of life, with each member bringing their character to the forefront during numbers “Story of My Life” and “Freak Flag.” Their strong vocal performances are a tribute to Nicky Griffith’s musical direction, complemented by the outstanding orchestra. Special mention goes to Nick Ferguson’s Pinocchio, whose comedic relief and nose-growing illusion are delightful, and Kat Suschinsky’s Gingy, whose voice acting in the iconic 'Muffin Man' scene had me in tears of laughter. Joanna Nash's portrayal of Dragon is a force to be reckoned with, her striking red gown, commanding presence, and powerhouse vocals bringing a fiery intensity to the stage. The backup singers, portraying knights in pillories during "Forever", and the skeleton dancers during "This Is How A Dream Comes True" is like a whimsical scene straight out of a Monty Python sketch! The dragon puppet, a marvel of design by the props team led by Stephanie Bateman, adds a spectacular visual element, complete with smoke and pyrotechnics. Since there are no photos to capture the magic of the dragon, make sure to secure a seat and witness it live! The visually stunning Iona Performing Arts Centre serves as the perfect playground for this fantastical adventure. The versatile set pieces, designed as triangular prisms, faciliate smooth transitions between scenes, transporting us from swamp to wilderness to castle in seconds.  Notable features like the vibrant green curtain, lush scenic design, mesmerising lighting, and captivating projections enrich the narrative as our beloved characters traverse Wynnum and beyond. Julianne Burke's choreography is full of energy, particularly evident in "What's Up Duloc," where the Duloc dancers radiate joy with plastered (definitely-not-forced) smiles. Kim Heslewood's wonderful costume creations, along with the dedicated team handling wigs, makeup, hair, and special effects, work together to craft an enchanting atmosphere that immerses the audience in Shrek's magical realm. The director and his talented team and cast have crafted a show that not only entertains but also touches the heart; a delightful mix of family-friendly fun and subtle adult humour, just like the film. Despite the show’s long duration, the audience remained engaged, laughing and cheering throughout. The nostalgic grand finale, "I'm a Believer" had the crowd grooving in their seats, itching to join in on lively fun. While a late night may not be ideal for younger viewers, an afternoon performance is a must-see for families and early bedtime enthusiasts alike. So, grab your tickets, bring the whole family, and get ready for a magical journey that'll lift your spirits and maybe even squeeze out a tear or two (of laughter, of course)! Tickets Available Here

My Fair Lady holds a special place in the history of Queensland Musical Theatre, being the first show ever staged by the company 40 years ago. Deian Ping, the original Eliza Doolittle, now leads as the director of this sparkling revival. This heartfelt nod to the company's history is rich in nostalgia, with two of the original costumes making a reappearance on our new, dazzling Eliza. One thing is clear—My Fair Lady continues to captivate audiences with its timeless story, unforgettable characters, and enduring charm that transcends generations. This classic musical from 1956 was cooked up by the lyrical genius Alan Jay Lerner and maestro Frederick Loewe. Set in 1912, it follows Eliza Doolittle, a Cockney flower girl, who takes phonetics lessons from snooty Professor Henry Higgins to refine her speech and manners. As Higgins attempts to transform her into a proper lady, his cynicism and difficulty understanding women give way to an unexpected attachment to Eliza. Kirra Lang as Eliza Doolittle is nothing short of outstanding. From her thick Cockney accent to her refined upper-class speech, Lang's transformation is mesmerising. As Higgins describes, she is a truly 'captivating creature,' especially in that blinged-out ballgown. Lang embodies this role as if she were born for it; her Cockney accent is so authentically thick at the beginning that I almost needed a translator. In "Just You Wait," Lang's ability to maintain her rough accent while delivering flawless vocals is seriously impressive. Her emotional range is also off the charts—from gritty and grating, to desperate and distraught, to fierce and self-assured. The Eliza-Higgins showdowns are like watching a tennis match, intense yet oh-so natural. The scenes of Higgins schooling Eliza are pure gold, culminating with "The Rain in Spain" as Lang's operatic pipes finally get their moment to shine and Higgins cracks a smile for once. Lang's solos "Without You" and "Show Me" exude strength and independence, embodying a modern feminist spirit. And of course, she sings "I Could Have Danced All Night" with a dreamy, classical, and just plain beautiful tone. James Lennox portrays Henry Higgins with a perfectly disdainful 'sourpuss' demeanour from start to finish. His delivery of each line is so precise and purposeful, that I'd bet my bottom dollar he was an actual haughty English gent. His portrayal carries a charming comedic flair that continuously garners laughter, helping the audience to overlook his less savoury traits. "I'm an Ordinary Man" and "A Hymn to Him" are vocal gems, full of scorn and sass, delivered with such finesse that you almost forget the misogyny. His constant tailcoat flourish during "You Did It," as he discusses Eliza as if she were a doll, is a delightful character choice. Lennox's final solo, "I've Grown Accustomed to Her Face," is the cherry on top of his beautiful vocal sundae. David McLaughlin’s Colonel Pickering is the epitome of a perfect gentleman, providing a stark contrast to Higgins' brusqueness. Lachlan Dodd as Freddy is both charming and endearing; his rendition of "On the Street Where You Live" (my favourite number) serenades the audience with boyish enthusiasm and magnetic stage presence. Jordan Ross as Alfred P. Doolittle brings robust energy to his role. His performance of "With a Little Bit of Luck" is a crowd favourite, oozing charisma and vocal prowess. All his character choices—pacing of dialogue, rough accent, staggering movement, and even grunting— adds to the portrayal of the unsightly yet likeable rogue. Reece Ratcliffe makes a memorable impact in his short lead performance as Zolton and shines throughout his multiple ensemble tracks. Fiona Buchanan as Mrs. Higgins brings sharp wit to her character, garnering laughter and applause with her well-delivered lines. The large ensemble cast contributes significantly to the show's dynamic energy and entertainment value. The quartet and Eliza crooning "Wouldn’t It Be Loverly" is a vocal feast with stunning harmonies, a true testament to the musical direction by Julie Whiting. The lighting design during this number adds to the whimsy, including a delightful dance break thrown in with choreography by Bec Swain. Skye Schultz and Jackson Muir, as Harry and Jamie respectively, provide comedic relief in all their Covent Garden scenes with gorgeous harmonious singing and lively performances. "Get Me to the Church on Time" is a vibrant ensemble number, featuring plenty of inventive choreography and a high-energy performance from the entire cast. The "Ascot Gavotte" scene is perfection, with its precise lack of enthusiasm and stunning costumes. Eliza’s awkward attempt at high society behaviour while wearing a dress she can't move in is both hilarious and endearing with Lang's blend of posh and cheek. The elegant waltz choreography at the ball is a sight to behold, with full skirts and lush music filling the theatre. The guests entering the ball through the audience is a nice touch. Despite a few oddly placed costumes, the focus remains on Eliza's transformation. The orchestra, under the baton of Julie Whiting, delivers an extraordinary musical accompaniment, captivating the audience with enchanting melodies. The blocking is occasionally cluttered and awkward, but that's understandable with such a large cast. While the dance numbers sometimes lacked energy and performers were often looking down—likely an acting choice to reflect societal demureness—any fatigue can also be attributed to the length of the show. Act 1 runs nearly two hours, so I applaud the entire team for their concentration and remind the audience to be prepared with plenty of refreshments and snacks. I knew this show was a marathon, not a sprint, so as Freddy wisely says, "let the time go by…" Regarding the production elements, the set design features versatile white arches that seamlessly transform into various settings like Covent Garden, Higgins' study, and the grand ballroom. The staging of Higgins' study, with its intricate details and elegant furnishings, is particularly noteworthy. The costumes transported the audience back to Edwardian London, with Eliza’s six stunning costumes standing out as visual highlights. Each costume change signified her transformation, culminating in the glittering ball gown that left the audience in awe. Every aspect of the production reflects the hard work and creativity poured into bringing My Fair Lady to life once again. Queensland Musical Theatre has produced a delightful production filled with heart, humour, and impressive performances. With two performances remaining, visit the Twelfth Night Theatre and let the cast transport you to a bygone era of elegance, wit, and musical brilliance. Tickets Available Here

Nativity Lobsters for Christmas Actually Presented By: The Little Red Company Genre: Festive Musical Theatre Synopsis: Join the cast of Christmas Actually in the iconic role of Tenor 2, affectionately known as the Nativity Lobster. This festive hit by The Little Red Company combines humour, audience interaction, and pop tenor vocals in a lively and unscripted show. Audition Self-Tape Due: Applications close Friday, 21 June 2024 Audition Requirements: Professional CV Headshot Self-tape: Singing an audition cut of "White Christmas" by Otis Redding Note: The demo track has a 2 Bar intro instead of the 4 bars indicated on the score. Applicants must have a pop tenor voice within the vocal range of B♭2 – A4. Available Roles: We are casting one Queensland-based lobster and one Victoria-based lobster. We invite applications from male-identifying performers aged 20-35 with pop tenor voices of all cultural backgrounds and access requirements.  Successful applicants will be excellent singers and performers no taller than 178 cm with a ‘primary school’ playing age (a pivotal plot point in an otherwise completely unscripted show!). We are looking for youthful, comical performers with a passion for backing vocals who aren’t afraid to parade around in a papier-maché lobster head during our confetti-filled finale! Audition Registration: Submit your application here Audition Pack: Download audition materials here Performance Dates: Queensland Dates: Thursday, 28 November - Sunday, 22 December 2024 Victoria Dates: Thursday, 12 December - Sunday, 22 December 2024 Rehearsal Dates: Wednesday, 13 November - Thursday, 14 November 2024 Warnings: The role involves performing in a papier-maché lobster head during the confetti-filled finale. Applicants should be comfortable with this aspect of the performance. Other Information: This is a paid role following standard LPA fees. The production values showmanship, cheekiness, and lively interaction with the audience and band.

Title: Mephisto & Pheles Presented By: Centenary Theatre Group Genre: Comedy with music Synopsis: Three devils, two male and one female, form a team of Hell’s trouble-shooters using modern marketing methods. The comedy revolves around their interactions and schemes, intertwined with music. Audition Date: Saturday, 06 July 2024 Audition Time: 1:00 PM Audition Location and Address: Centenary Theatre, Halsbury St & Community Centre, Queenscroft St, Chelmer QLD Audition Requirements: Cold reads from the script provided. Available Roles: Mephisto: A devil aspiring to become a poet. Pheles: Mephisto's twin brother, a compulsive computer games player. The Boss: Head of Hell’s public relations department (transforms into Faust). The Secretary: The Boss’ submissive PA (transforms into Siebel). Faust: An impoverished 16th-century would-be magician, ambitious but struggling with modern technology and political correctness. Catherine Siebel: Innocent young girl in service to Faust, object of Mephisto’s desires. Brigitte: Former courtesan turned probationary she-devil (transforms into Meg). Meg: A lesbian sent to Faust to challenge him. Performance Dates: Season Run: 14 September – 06 October 2024 Fridays/Saturdays: 14, 20, 21, 27 September; 4, 5 October at 7:30 PM Saturday Matinee: 28 September at 2:00 PM Sunday Matinees: 22, 29 September; 06 October at 2:00 PM Performance Location: Chelmer Community Hall, Centenary Theatre, Halsbury St & Community Centre, Queenscroft St, Chelmer QLD Production Website: Centenary Theatre Group

Title: Ladies in Black Presented By: Noosa Arts Theatre Genre: Musical Theatre Synopsis: Set in Sydney in the 1950s, "Ladies in Black" tells the story of bookish school leaver Lisa who joins the sales staff in the fashionable department store, F.G. Goode’s. Over a life-changing summer, she befriends the colourful denizens of the women’s clothing department. Each character is on the precipice of change – facing independence, working for a living, and discovering what it means to be a woman. Audition Dates: Monday, 8th July 2019 (for the role of LISA) Tuesday, 9th July 2019 (All other roles) Wednesday, 10th July 2019 (All other roles) Audition Time: 5:00 PM - 8:30 PM Callbacks: Monday, 15th July at 6:00pm Audition Location and Address: Noosa Arts Theatre, 163 Weyba Road, Noosaville, 4566 Audition Requirements: Prepare a musical theatre song (provide a music backing track on USB or mobile device) or sing a cappella. Audition Registration: Contact: Margaret Courtney Phone: 0407 450 621 Email: theperegianpair@hotmail.com Audition Pack: Available Here Available Roles: Lisa: 16-year-old bookworm, highly intelligent. Star vehicle role. Involved in 17 songs and 18 scenes. Myra/Dawn: Mid to late 20s. Myra is cheerful, out for a good time. Dawn is cynical and rough around the edges. Patty: 32-year-old unhappily married shop assistant. Involved in 11 songs and 13 scenes. Frank: Patty’s 35-40-year-old husband, tile salesman. Magda: Exotic Hungarian, 40. In charge of Model Gowns at Goodes. Involved in 9 songs and 13 scenes. Rudi/Lloyd/Fred: Mid to late 30s. Lloyd and Fred are Australian men looking for a good time. Rudi is a Hungarian refugee. Mrs Miles: Lisa’s mother, late 30s or 40s. Miss Cartright/Joy: About 40. Miss Cartright is the authoritative manager of the Ladies Department. Joy is Patty’s older sister. Miss Jacobs/Mrs Crown: 60s. Miss Jacobs has worked in Goodes her whole life. Mrs Crown is Patty’s mother. Fay: 29-year-old shop assistant at Goodes. Mr Miles/Stefan: 40s. Mr Miles is Lisa’s conservative father. Stefan is a Hungarian intellectual and bon vivant. Additional Ensemble Roles: Solo singers, customers in Goodes, "The Voices," barmaid, staff at Goodes, guests at Magda’s party, Fred, Lloyd, Joe, Vronsky, young WW1 soldier, doorman, husbands at Goodes sales. Performance Dates: Preview: November 14 at 7:30 PM Opening Night: November 15 at 7:30 PM Evenings: November 21, 22, 27, 28 & 29 at 7:30 PM Matinees: November 16, 17, 23, 24, 30 & December 1 at 2:00 PM Performance Location: Noosa Arts Theatre, 163 Weyba Road, Noosaville, 4566 Rehearsal Dates: From Tuesday, 24th September Rehearsal Times: Tuesdays from 6:00 PM to 9:00 PM Thursdays from 6:00 PM to 9:00 PM Saturdays from 1:00 PM to 5:00 PM (as required) Production Website: Noosa Arts Theatre Other Information: Full commitment to all show dates is required. Missing more than three rehearsals may lead to re-evaluation of participation. All cast are to be active members of Noosa Arts Theatre. Please note – You may not be required to attend every rehearsal, and this will be covered in rehearsal schedule. Please don’t audition if you are doing another show that will impact on your ability to attend our rehearsals OR if you are not available for all scheduled performance dates.

Workshop Dates: Monday, 25th June - Saturday, 29th June, 2024 Performance Date and Time: Saturday, 29th June, 2:00 PM Workshop Location: Riverside Conference Centre, Chelmer Ages: 6 - 18 Workshop Times: Weekdays: 9:00 AM - 4:30 PM Saturday: 8:00 AM - 12:30 PM Synopsis: Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the Hippo, and the hilarious penguins in "Madagascar – A Musical Adventure JR." This musical, based on the DreamWorks animated motion picture, follows the friends as they escape New York’s Central Park Zoo and embark on an unexpected journey to Madagascar. Expect an adventure full of comedy, music, and excitement. In just 6 days, students will transform a show from the first read to a full-scale production! Throughout the week, participants will: Learn songs Rehearse dance choreography Memorise scripts Work with a vocal coach Explore character development The workshop aims to help students build confidence, forge new friendships, and have a fun, enriching experience. The Riverside Conference Centre offers various breakout spaces to accommodate different age groups and skill levels, ensuring an optimal learning environment. Auditions Submission Deadline: 18th June 2024 Format: Video submission Roles Available: Solo Singing & Acting: ALEX, MARTY, MELMAN, GLORIA, THE ZOOKEEPERS, THE LEMURS (including KING JULIEN), SERVERS, THE PENGUINS Ensemble Singing & Acting: MASON, THE FOOSA Audition Requirements: Song: A 1-minute audition cut of any Disney, DreamWorks, or contemporary song. You may sing a song from the show if preferred. Select a section that showcases your vocal and acting abilities. A verse and chorus or the last minute of the song are usually effective. Script: Prepare an audition side (short script) from the provided link. Memorisation is preferred. For characters without specific sides, choose any favourite script. Multiple auditions are allowed. Send Audition Video: Admin@bexdcreate.com Audition Sides and Blog Post: Access Audition Sides Navigating the Audition Journey Recording Guidelines: Introduce yourself at the beginning of the video. Combine introduction, song, and script into one video if possible, although separate videos are acceptable. Have someone off-camera read other characters’ lines. Face the camera front-on and deliver lines looking at the reader, not directly into the lens. Character Breakdown Alex: Main attraction at Central Park Zoo, "The King of New York City." Fun-loving, devoted to steak and friends. Requires singing and acting. Vocal range: A3 - Eb5. Marty: A zebra with dreams beyond the zoo. Sweet disposition. Requires singing and acting. Vocal range: A3 - D5. Gloria: A bold, maternal hippo. Requires singing and acting. Vocal range: Eb4 - E5. Melman: Kind-hearted, hypochondriac giraffe. Requires singing and comedic acting. Vocal range: E3 - Db5. The Penguins: Skipper (captain), Kowalski (second-in-command), Rico (brute), and Private (cute and fuzzy). Requires acting. The Zookeepers: Introduce zoo attractions. Zookeeper Zelda requires singing and acting. Zookeeper Zeke and Zoe require acting. Vocal range (Zelda): B3 - G4. Mason: Intelligent chimpanzee. Requires acting. The Lemurs: Native to Madagascar, avoiding Foosa. King Julien (comedic leader) requires singing, acting, movement. Maurice (assistant) requires acting. Mort (sweet performer). Lynn, Lew, Lee, Lars (bold personalities). Vocal range (Julien): A3 - B4. The Foosa: Cat-like predators. Leader is the biggest and baddest. Requires acting. Servers: Imagined servers in Alex’s dream. Requires dancing and singing. Vocal range: D4 - D5. The Lionesses: Alex’s background singers and dancers. Featured Ensemble Roles: Cameraman, Candy Hammernose, New Yorkers, Old Lady, Police Officers, Animal Control Officers, Newspaper Man, Ship's Captain. Contact Information Email: Admin@bexdcreate.com Julie: 0459 058 721 Katie: 0408 149 443 Website: Bexdcreate

Title: Chess, The Musical Presented By: Beenleigh Theatre Group Genre: Musical Theatre Synopsis: Set against the backdrop of the Cold War, "Chess, The Musical" tells the story of two chess masters, an American and a Russian, competing for the world championship in Bangkok. Their intense rivalry becomes entangled with political intrigue and a complex love triangle involving a Hungarian refugee, exploring themes of love, ambition, and betrayal amidst the pressures of global politics. Audition Dates: 29th and 30th June 2024 Audition Times: Dance Call: Saturday, 29th June: 9:00am - 11:00am Sunday, 30th June: 10:00am - 12:00pm Booth Singer Auditions: Sunday, 30th June, 11:00am - 12:00pm Callbacks: Tuesday, 2nd July 2024, 7:00pm Audition Location and Address: Crete Street Theatre Cnr of Kent, Crete St, Beenleigh QLD Audition Requirements: Prepare 2 contrasting songs (1-1.5 minutes each) demonstrating vocal range and style. Bring own backing tracks (phone attachments available). Attend dance call and booth singer auditions as applicable. See audition pack for sides. Available Roles: Frederick Trumper (American Grandmaster): Vocal Range: B♭2 to D♭5 (Tenor) Age: Early 30s Accent: American Dance Ability: Beginner Florence Vassy (Frederick's Lover/Second): Vocal Range: E♭3 to E5 (Mezzo-Soprano) Age: Late 20s/Early 30s Accent: English (with a hint of American) Dance Ability: Beginner Anatoly Sergievsky (Russian Grandmaster): Vocal Range: F2 to B♭4 (High Baritone) Age: 35 - 40 Accent: Russian Dance Ability: Mover Walter de Courcey (Head of the American delegation): Vocal Range: A♭2 to F4 (Baritone) Age: 35 - 50 Accent: American Dance Ability: Mover Alexander Molokov (Head of the Russian delegation/Anatoly's Second): Vocal Range: F2 to A4 (Bass/Baritone) Age: 30 - 50 Accent: Russian Dance Ability: Mover/Beginner Arbiter (President of the International Chess Federation): Vocal Range: B2 to A4 (Tenor range) Age: 35 - 50 Accent: English Dance Ability: Mover/Beginner Svetlana Sergievskaya (Anatoly's wife): Vocal Range: F3 to E5 (Mezzo-Soprano) Age: 25 - 35 Accent: Russian Dance Ability: Mover/Beginner Additional Roles: Mayor of Merano, Reporters, Delegates/Cronies, Merchandisers, Civil Servants, Leonid Viigand Audition Registration: Apply online at Beenleigh Theatre Group Audition Page Audition Pack: Download Chess Audition Pack for detailed character descriptions and audition sides. Performance Dates: 27th September - 12th October 2024 Performance Times: Friday and Saturday evenings: 7:30pm Saturday matinees: 2:00pm Performance Location: Crete Street Theatre, Beenleigh Rehearsal Dates: Starting Sunday, 7th July 2024 Rehearsal Times: Tuesdays and Thursdays: 7:00pm - 10:00pm Sundays: 10:00am - 5:00pm Crew: Director/Choreographer: Trinette Avery Musical Director: Jacqueline Atherton Production Website: Beenleigh Theatre Group Other information: Each auditionee must become a member of BTG ($10 fee) before the first rehearsal. Eligibility: Must be 16+ at the time of auditions

The 24-Hour Play Challenge hosted by the Beenleigh Theatre Group (BTG) at Crete St Theatre promises an exhilarating experience for actors, writers, and directors alike. Performance Date and Time: July 26-27, 2024 Social Event: Starts at 6:00 PM on Friday, July 26 Challenge Start: Officially begins at 7:00 PM on Friday, July 26 Public Performance: Saturday, July 27 Performance Location: Crete Street Theatre, Cnr of Kent, Crete St, Beenleigh, QLD Challenge Overview: Objective: Create a brand new short play within 24 hours in response to a surprise stimulus. Teams: Participants will form small teams to write and rehearse their plays. Categories: Open to actors, writers, and directors. You can express interest in any of these roles when applying. Age Limit: Participants must be over 16 years old by July 26, 2024. Cost: A flat fee of $10 per participant covers challenge expenses and includes benefits like challenge prizes, supper on Saturday, greenroom snacks, and mandatory membership for non-members of the 2024 Beenleigh Theatre Group. Application Deadline: Expressions of interest close on July 6, 2024. Play Guidelines: Plays should not exceed 25 minutes in length. Participants are encouraged to bring their own costumes and props; BTG cannot guarantee availability. Keep sound and lighting requirements simple. No overnight stays at the theatre from 12-6 AM on Saturday. Plays can be of any style or genre. BTG does not retain rights to any works created. Judging and Awards: Adjudication: A guest adjudicator will evaluate each play. Audience Choice: Audience members will have the opportunity to vote for their favourite play. Awards: Prizes will be presented for various categories at the conclusion of the challenge. How to Apply: Visit the BTG website to submit your Expression of Interest (EOI). Select your preferred role (writer, actor, director) and indicate any team preferences. Each participant must fill out their own EOI form. Contact Information: For further inquiries, contact BTG via email at info@beenleightheatregroup.com or call (07) 3807 3922

Title: TWISTED: The Untold Story of a Royal Vizier Presented By: Phoenix Ensemble Genre: Parody Musical Theatre Synopsis: Dive into the hilarious parody of the classic tale of Aladdin from the perspective of the misunderstood villain, Ja’far. TWISTED celebrates and satirises beloved animated films, offering a fresh comedic twist on a familiar story. Audition Dates: Friday, July 5th: Phoenix Ensemble, Beenleigh Showgrounds Saturday, July 6th: Phoenix Ensemble, Beenleigh Showgrounds Sunday, July 7th: Queensland Show Choir Audition Time: Varies by selected audition slot Audition Location and Address: Phoenix Ensemble: Beenleigh Showgrounds, James St, Beenleigh QLD Queensland Show Choir: 480 Gregory Terrace, Bowen Hills Audition Self-Tape Due: Email us your video auditions to auditions@phoenixensemble.com.au by COB Saturday 6th July. Audition Requirements: Prepare two vocal excerpts from contrasting songs (1 minute each, one comedic). Provide digital backing tracks (Bluetooth, USB, AUX, or pre-loaded YouTube link). Cold read provided in the audition room. Submit a colour headshot (minimum size 10cm x 15cm) and CV. Complete audition form listing all conflicts with the rehearsal schedule. Available Roles: Ja’far (Male, Vocal Range: B2-A4) Princess (Female, Vocal Range: G3-E5) Aladdin (Male, Vocal Range: A2 - G#4) Prince Achmed/Vizier (Male, Vocal Range: C3 - A4) Sultan/Djinn (Male, Dual Speaking Role) Captain (Male, Speaking Role) Sherrezade (Female, Vocal Range: G3 - D5) Ensemble (5 roles) Requires strong singers, dancers, and comedic actors to play various roles including townspeople, guards, and iconic characters like Belle and Maleficent. Audition Registration: Book audition slot via Phoenix Ensemble's audition page. Audition Pack: Download TWISTED Audition Pack for detailed instructions and materials. Performance Dates: November 1st – 9th, 2024 Performance Location: The Tin Shed, Beenleigh Showgrounds Rehearsal Dates: Mondays and Wednesdays, 7:00-10:00pm Sundays, 1:00-6:00pm From August 5th at The Tin Shed, Beenleigh Showgrounds Technical Rehearsals: From October 13th, 2024 Bump Out: November 10th, 2024 Warnings: Contains mature themes. Performers must be aged 18 and over. Crew: Director: Kristen Barros Musical Director: Hayley Marsh Choreographer: Hannah Crowther Assistant Director: Julie Eisentrager Production Website: Phoenix Ensemble - TWISTED Other information: Participation encourages performers from diverse backgrounds. MD Hayley Marsh invites cast members to participate in a study on Accent Method Breathing, offering free training and a singing lesson. More details available at the first rehearsal.

Title: The Wizard of Oz Presented By: Stage School Australia Genre: Musical Theatre Synopsis: Join Stage School Australia for their Brisbane production of the beloved musical, "The Wizard of Oz." Follow Dorothy and her friends as they journey through the magical land of Oz to find their hearts' desires while learning valuable lessons along the way. Audition Date: Submission Deadline: Friday, 5 July 2024 Audition Requirements: Prepare a 16-bar Musical Theatre song from the provided selections using a General American accent. Record in a mid-shot (waist up), well-lit and framed, with clear visibility and audibility. Upload as ‘Unlisted’ on YouTube or Vimeo, including full name in the description. See audition pack for detailed instructions. Available Roles: Various roles for performers aged 10-19 including Dorothy, Scarecrow, Tin Man, Lion, Glinda, Wicked Witch, Wizard, and ensemble roles. Audition Registration: Submit audition video via email to casting@stageschool.com.au. Include name, date of birth, current Stage School Australia group (if applicable), performing experience summary, and link to audition video. Audition Pack: Download Wizard of Oz Audition Pack Performance Dates: 25th - 28th September 2024 Performance Times: Wed 25 Sep 11:00am and 2:00pm Thu 26 Sep 2:00pm and 7:00pm Fri 27 Sep 2:00pm and 7:00pm Sat 28 Sep 2:00pm and 7:00pm Performance Location: Draney Theatre, Marist College, 112 Glenlyon Dr, Ashgrove Rehearsal Dates: 9th August 2024: 6:00pm - 9:00pm (South Bank, Principal cast only) 16th - 20th September 2024: 9:00am - 5:00pm (South Bank, Full Company) 23rd September 2024: 9:00am - 5:00pm (South Bank, Full Company) 24th September 2024: 9:00am - 7:00pm (Ashgrove, Full Company) Rehearsal Locations: South Bank: Brisbane State High School, Gate M5 on Ernest Street Ashgrove: Marist College, 112 Glenlyon Dr, Ashgrove Production Website: Stage School Australia - The Wizard of Oz Other information: Participation fee of $120 includes tuition, production costs, costume, set, props, and venue hire. Additional $30 for souvenir cast T-shirt. Each performer must sell a minimum of 20 tickets. Ticket prices: $30 (Weekday Matinees), $35 (Evenings & Saturday Matinee). For more details, visit the production website or contact casting@stageschool.com.au

Title: Disney's Newsies Jr. Presented By: ROAR Academy Genre: Musical Theatre Synopsis: "Now is the time to seize the day! Answer the call and don’t delay!" Join ROAR Academy for Disney’s energetic musical adaptation of Newsies Jr., inspired by the true story of newsboys in 1899 New York City. This high-energy production features a Tony Award-winning score by Alan Menken and Jack Feldman, with a book by Harvey Fierstein. Audition Date: Saturday, 22nd June Audition Time: 12:00 PM - 4:00 PM Audition Location and Address: North Lakes Community Centre, 10 The Corso, North Lakes QLD Available Roles: Jack Kelly: Male identifying, Vocal Range: Top F5 / Bottom B3 Katherine Plumber: Female identifying, Vocal Range: Top D5 / Bottom A3 Crutchie (Casey): Male identifying, Vocal Range: Top F5 / Bottom A3 Davey: Male identifying, Vocal Range: Top D5 / Bottom B3 Les: Non-specific, Vocal Range: Top F4 / Bottom B3 Medda Larkin: Female identifying, Vocal Range: Top D5 / Bottom G3 Joseph Pulitzer, Wiesel, Spot Conlon, Oscar and Morris Delancey, Seitz, Bunsen, Hannah, Snyder, Governor Teddy Roosevelt, Bowery Brigade: Various roles Ensemble Roles: Scabs, Darcy, Dorothy, Bill, Police Officers, Working Children, Brooklyn Newsies, etc. Audition Registration: Register for auditions here. Audition Pack: Download the audition pack here. Performance Dates: Friday, 27th September 2024: 7:00 PM Saturday, 28th September 2024: 2:00 PM and 7:00 PM Sunday, 29th September 2024: 2:00 PM Performance Location: Redcliffe Entertainment Centre Rehearsal Dates: Workshop Days: September 18th to 20th, 9:00 AM - 5:00 PM Workshop Days: September 23rd to 25th, 9:00 AM - 5:00 PM Rehearsals: September 26th to 27th, 11:00 AM - 5:00 PM at the Redcliffe Entertainment Centre Additional Weekend Half Days: As required, confirmed upon role offers Fees: All Students: $395 (includes workshop rehearsals, additional preparatory classes, T-shirt, programme, headshot, and all costumes except shoes) ROAR JTF Team Members: $295 Production Team: Executive Producer / Director: Madeleine Johns Musical Director: Rhonda Davidson-Irwin Choreographer: Meredith Johns Vocal Coach: Josie Ross Associate Choreographer: Kayla Pehi Production Website: Visit ROAR Academy's website for more information and updates. Contact: info@roaracademy.com

Title: Breaking Up Is Hard To Do Presented By: BAMS Theatre Inc. Genre: Musical Comedy Synopsis: Set at a Catskills resort in 1960, Breaking Up Is Hard To Do is a sweetly comic story of Lois and Marge, two friends from Brooklyn searching for good times and romance over a wild Labour Day weekend. The score features 18 Neil Sedaka classics, including “Where the Boys Are”, “Sweet Sixteen”, “Calendar Girl”, “Love Will Keep Us Together”, and the chart-topping title song. Audition Date: Sunday, 16th June and Sunday, 23rd June Audition Time: 2:00 PM - 5:00 PM Audition Location and Address: The Centre, Beaudesert, 82 Brisbane St, Beaudesert QLD Audition Requirements: A prepared song and own accompaniment (60s style or song that shows your range). Cold read from script (you will be given a short time to prepare) Wear comfortable clothes and shoes. You will be asked to do a few steps. Brooklyn accent required (not necessarily for audition). Available Roles: Marge Gelman (Mid to Late 20s; Mezzo-Soprano): Abandoned at the altar, Marge is an aspiring dentist from Brooklyn who finds herself in the Catskills on what would have been her honeymoon weekend. She ultimately finds self-esteem, the value of honesty and friendship, and love where she least expected it. Lois Warner (Mid to Late 20s; Alto with Mezzo-Soprano ability): An aspiring nightclub singer who lives life as if in a Betty Grable movie. She inadvertently puts her friend Marge in the line of fire with Del, the manipulative bandleader. Lois is sweet and naive, with more heart than brainpower. Del Delmonaco (Late 20s to 30s; Tenor): An Elvis wannabe and not the brightest bulb. He misleads Marge into thinking he loves her and steals his cousin Gabe’s songs. Del is reminiscent of Conrad Birdie or Joey from Friends. Gabe (Mid to Late 20s; Tenor): The shy, brainy, clumsy assistant at the hotel, destined to join his father’s orthodontia practice. Secretly the genius behind Del’s claimed songs, Gabe musters the courage to reveal his true self and win Marge’s heart. Esther (50s to 60s; Alto): The fiercely independent owner of Esther’s Paradise, a mid-size hotel. A survivor using creative solutions to keep the hotel afloat. She’s always ready with a quip or smart remark. Harvey (50s to 60s; Baritone): The resident comedian/social director at Esther’s Paradise. He’s all about the punchline and avoids genuine emotion. Inspired by Marge, he takes a leap of faith with Esther, the one who truly appreciates him. Ensemble: Singers at Esther’s Paradise Resort, required to sing harmonies. Audition Registration: For more information and to access audition forms, visit: BAMS' Membership Form BAMS' Audition Form Performance Dates: Fridays and Saturdays from 27th September to 12th October, 2024 Rehearsal Dates: Tuesday evenings and Sunday afternoons. Production Website: www.bamstheatre.com.au Contact Email: info@bamstheatre.com.au Other Information: All cast members must become financial members of BAMS Theatre Inc. This ensures that you are covered under our insurance policy in the event of an accident during rehearsals and/or performances.