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- AUDITION NOTICE: Grand Horizons - Nash Theatre
Title: Grand Horizons Presented By: Nash Theatre Genre: Contemporary Comedy Synopsis: Fifty years into her marriage to Bill, Nancy unexpectedly announces that she wants a divorce. While Bill appears unfazed, their two adult sons are shaken to their core, forced to confront everything they believed about their parents' seemingly happy lives. As the family navigates this seismic shift, each member must reckon with their own imperfect past and discover new, unexpected ways to express love. Audition Date: Sunday, 23 February 2025 Audition Time: 2:00 PM Audition Location and Address: New Farm Nash Theatre Play Shed, 4 Amity Street, New Farm Audition Requirements: Cold read of excerpts from the script Good comedic timing Must be capable of playing above your age Available Roles: Nancy (70+ years) Bill (70+ years) Ben (Son, 40-45 years) Brian (Son, 35-40 years) Jess (Daughter-in-law, 30-35 years) Tommy (One-night stand, 25-30 years) Carla (Girlfriend, 65-70 years) Performance Dates: 9-31 May 2025 Performance Location: The Brunswick Room, Merthyr Road Uniting Church, 52 Merthyr Road, New Farm Production Website: Nash Theatre Website Other Information: For additional enquiries, contact Director Phil Carney at 0418 719 300.
- AUDITION NOTICE: The Trail to Oregon! - Hanson Creative, Backdock Arts
Title: The Trail to Oregon! Presented By: Emma Hanson Genre: Musical Comedy Synopsis: Join an all-American family as they embark on a journey down The Oregon Trail. Full of hilarity, historical figures, and unexpected twists, The Trail to Oregon! is a delightfully irreverent musical featuring educational songs and a historically accurate portrayal of the iconic trail adventure. Audition Dates: 27 March 2025 (Individual Auditions) 28 March 2025 (Individual Auditions & Dance Call at 3:30pm) 29 March 2025 (Individual Auditions & Dance Call at 3:30pm) 31 March 2025 (Callbacks) Audition Time: 15-minute individual sessions and a group dance call from 3:30 pm to 5:00 pm Audition Location and Address: Backbone, 28 Tallowwood Street, Seven Hills, QLD Audition Registration: Click Here to Book Audition Audition Pack: Monologues & Resources Audition Requirements: Individual Auditions: Prepare two songs (one musical theatre piece, preferably contemporary/modern, and one that highlights your comedic ability). Bring a CV and headshot. Participate in cold reads and improv exercises. Bring a backing track on a device compatible with Bluetooth or AUX. If your phone requires an adapter, please bring it along. Group Dance Call: Learn choreography for " Gone to Oregon " (mandatory) and " Speedrun " (optional but encouraged) from the provided video resources. Wear appropriate dance attire and shoes. Monologue Requirement: Select one from the provided document for acting. Available Roles: Father: Tenor, presenting as male. Overconfident and cheerful leader. Mother: Alto, presenting as female. Nurturing figure with a sassy side. Daughter: Mezzo-Soprano, presenting as female. Rebellious teenager. Son: Mezzo-Soprano, presenting as any gender. Ditzy 7-year-old with a curious spirit. Grandpa/Cletus Jones: Baritone with strong falsetto and country twang, presenting as male. Unhinged old man and dedicated bandit accomplice. The Bandit King ‘McDoon’: Baritone, presenting as any gender. Obliviously evil, gruff, and open about his sexuality. Ensemble Track (GENERAL STORE GUY, HORNY OX, LOBSTER): Baritone, presenting as any gender. Versatile performer for comedic roles. Performance Dates: Preview: 26 June 2025 (Matinee - Relaxed Performance) Show Dates: 26-28 June 2025 Performance Times: Thursday: 7:00 pm Friday/Saturday: 1:00 pm & 7:00 pm Performance Location: BackDock Arts, 103 Brunswick St, Fortitude Valley, QLD 4006 Rehearsal Dates: From 5 May 2025 Rehearsal Times: Mondays & Thursdays 4:00 pm - 9:00 pm Sat 14 June (Rehearsal & Headshots) Recommended Age: Open to 16+ Creative Team: Directed by Emma Hanson Production Website: Emma Hanson Website Other Information: Not all performers will be required at every rehearsal. Schedules will be designed to minimise time commitment. Please provide any personal or work-related conflicts in your audition application. If you have any questions or concerns about dates or requirements, please get in touch via Emma Hanson's website.
- AUDITION NOTICE: Elvis Has Left the Building - Village Green Theatre Group
Title: Elvis Has Left the Building Presented By: Village Green Theatre Group Genre: Comedy Synopsis: It's December 20th, 1970, and Elvis Presley has vanished. Even his wily manager, "The Colonel," has no clue where he is. Desperate to pay off a secret debt, the Colonel embarks on a frantic quest to find an Elvis impersonator within 24 hours. Chaos, comedy, and mistaken identities ensue as the Colonel tries to pull off the impossible while dodging a nosy reporter and figuring out what happened to the real King of Rock and Roll. Audition Details: Audition Date: Sunday 6th April 2025 Audition Time: 12:00 pm - 3:00 pm (all auditionees must remain for the full 3 hours) Audition Location and Address: Performing Arts Centre (PAC) of Yarrabilba State Secondary College Audition Requirements: Group auditions with script excerpts provided for character interactions. Roscoe must prepare and perform an upbeat Elvis song of their choosing. Register for Your Audition Download Audition Pack Available Roles: The Colonel (Male, 40 - 60) – Elvis’ Manager: An older gentleman with a big personality who is charming and cunning. American southern accent required. Lead role on stage for most of the play. Trudy (Female, 30 - 45) – The Colonel's German Secretary: Highly capable, speaks with a German accent, and requires great comic timing. Roscoe / Elvis (Male, 20 - 25): A nerdish office worker hypnotised by the Colonel into believing he is Elvis and occasionally a dog. Requires excellent comic timing and the ability to switch between multiple personas. Must lip-sync a medley of Elvis songs. Candy / Elvis (Male, 30 - 45): A friend of the Colonel hypnotised into believing he is Elvis. Must switch between characters quickly. Opens the play dressed as Elvis. Jill Tanner (Female, 20 - 30): A determined, nosy newspaper reporter seeking a big "Elvis" scoop. Performance Dates and Times: Friday 4th July at 7:30 pm Saturday 5th July at 2:00 pm & 7:30 pm Friday 11th July at 7:30 pm Saturday 12th July at 2:00 pm & 7:30 pm Performance Location: Performing Arts Centre, Yarrabilba State Secondary College Rehearsal Dates: Tuesday and Thursday evenings: 7:30 pm - 9:30 pm Sundays: 12:00 pm - 4:00 pm Creative Team: Director: Nicolette McMahon Stage Manager: Stephen Morris Set/Technical Design: Stephen Morris Lighting: Andrew Swansson Production Website: VGTG Auditions Page Other Information: Successful cast members must become members of Village Green Theatre Group at a cost of $25 per adult. Membership includes Public Liability Insurance. Parking available near the Sports Hall.
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- MUSICAL THEATRE: Evil Dead the Musical - Ghostlight Theatre Co. | Stage Buzz Brisbane
< Back MUSICAL THEATRE: Evil Dead the Musical - Ghostlight Theatre Co. 31 Jan 2025 Season: January 31st - March 9th, 2025 Title: Evil Dead: The Musical Presented By: Ghostlight Theatre Co. Genre: Rock Musical, Horror, Comedy Synopsis: The bloodiest musical of all time has made its way to Brisbane! Evil Dead: The Musical is an immersive experience presented in the spine-chilling EvilCorp Horror Maze. The show follows five college students who venture into an abandoned cabin in the woods and unwittingly unleash an evil force, transforming them into demons. Based on the Evil Dead franchise, this rock musical by George Reinblatt, Frank Cipolla, and Christopher Bond brings a comedic spin to this cult classic. Prepare for a gory, hilarious, and terrifying night, where audience members in the designated splatter zone will be drenched in fake blood! Performance Dates: 31st January to 9th March, 2025 Performance Location and Address: EvilCorp Horror Maze, 226 Brunswick St, Fortitude Valley, QLD, 4006, Australia Ticket Link: Buy Tickets Warnings: Fake weapons Sexual references Violence Strobe lighting Haze machines Dark spaces Lots of fake blood Recommended Age: 18+ (Due to mature content) Duration: Approximately 2 hours, including interval Production Website: Ghostlight Theatre Co. Website Other Information: Audience members in the splatter zone should expect to get covered in fake blood. No wheelchair access available. Previous Next
- News (List) | Stage Buzz Brisbane
Upcoming Performances 28 Feb 2025 COMEDIC THEATRE: Disney Off Ice - Observatory Theatre Season: February 28th - March 9th, 2025 Read More 28 Feb 2025 CABARET: Absolute Trash - Glitter Martini, Arcana Season: February 28th, 2025 Read More 28 Feb 2025 THEATRE: The Birthday Party - Sunnybank Theatre Group Season: February 28th - March 15th, 2025 Read More 27 Feb 2025 REVUE: The Lloyd Webber Evolution - Empire Theatre Season: February 27th, 2025 Read More 26 Feb 2025 THEATRE: Popcorn - Ipswich Little Theatre Season: February 26th - March 15th, 2025 Read More 22 Feb 2025 RADIO PLAY: Gunsmoke - Nash Theatre Season: February 22nd - March 15th, 2025 Read More 22 Feb 2025 REVUE: Jersey Guys - Metropolis Touring, Princess Theatre Season: February 22nd, 2025 Read More 21 Feb 2025 DRAMATIC THEATRE: Night Must Fall - Toowoomba Repertory Theatre Season: February 21st - March 1st, 2025 Read More 21 Feb 2025 DRAMATIC THEATRE: Ode to Women - The Curators Artists Studio Season: February 21st - March 15th, 2025 Read More 19 Feb 2025 CHILDREN'S THEATRE: The Very Hungry Caterpillar - CDP Kids, Empire Theatre Season: February 19th - 20th, 2025 Read More 19 Feb 2025 REVUE: Morning at the Musicals - Redcliffe Entertainment Centre Season: February 19th, 2025 Read More 19 Feb 2025 CABARET: Postmodern Jukebox - TEG Dainty Season: February 19th - 20th, 2025 Read More 18 Feb 2025 CHILDREN'S THEATRE: Proudfoot and Friends - HOTA Season: February 18th, 2025 Read More 15 Feb 2025 DRAMATIC THEATRE: Veronica's Room - Centenary Theatre Group Season: February 15th - March 9th, 2025 Read More 14 Feb 2025 CABARET: The Vintage Belles - Ipswich Civic Centre Season: February 14th, 2025 Read More 14 Feb 2025 DRAMATIC THEATRE: Mary Shelley - The Lind Theatre Season: February 14th - 22nd, 2025 Read More 14 Feb 2025 REVUE: Broadway Your Way - VOX Theatre Arts Season: February 14th - 21st, 2025 Read More 14 Feb 2025 MUSICAL THEATRE: Credulous - Verum Arts Season: February 14th - 22nd, 2025 Read More 14 Feb 2025 CABARET: Sip, Sparkle, Skull - Redland Performing Arts Centre Season: February 14th, 2025 Read More 13 Feb 2025 THEATRE: Jane Austen's Pride & Prejudice - Queensland Theatre Season: February 13th - March 9th, 2025 Read More 13 Feb 2025 CABARET: Millennial Romeo - Charli Burrowes, PM Collab Operations Season: February 13th, 2025 Read More 11 Feb 2025 COMEDIC THEATRE: The End Of The Wharf As We Know It - The Wharf Revue, Soft Tread, QPAC Season: February 11th - 16th, 2025 Read More 8 Feb 2025 MUSICAL THEATRE: Sister Act - Crossroads Live, Shake & Stir, QPAC Season: February 8th - March 2nd, 2025 Read More 8 Feb 2025 MUSICAL THEATRE: The Guy Who Didn’t Like Musicals - Javeenbah Theatre Season: February 8th - 22nd, 2025 Read More 7 Feb 2025 MUSICAL THEATRE: Falsettos - Phoenix Ensemble Season: February 7th - March 1st, 2025 Read More 7 Feb 2025 CABARET: A Naughty Little Cabaret - Toowoomba Choral Society Season: February 7th - 8th, 2025 Read More 7 Feb 2025 MUSICAL THEATRE: The Boy From Oz - Beenleigh Theatre Group Season: February 7th - 22nd, 2025 Read More 7 Feb 2025 MUSICAL THEATRE: Fame the Musical - Spotlight Theatrical Co. Season: February 7th - March 1st, 2025 Read More 7 Feb 2025 THEATRE: Checkmate - Tugun Theatre Company Season: February 7th - March 1st, 2025 Read More 7 Feb 2025 COMEDIC THEATRE: Alexa Turn on the Lights - Cluster Arts, Redland Performing Arts Centre Season: February 7th, 2025 Read More 7 Feb 2025 MUSICAL THEATRE: Long Gone Lonesome Cowgirls - 3bCreative Season: February 7th - 16th, 2025 Read More 5 Feb 2025 BALLET: Sleeping Beauty - Fever, Princess Theatre Season: February 5th - 6th, 2025 Read More 2 Feb 2025 MUSICAL THEATRE: A Little Night Music - Ipswich Musical Theatre Company Season: February 2nd - 15th, 2025 Read More 1 Feb 2025 CHILDREN'S THEATRE: Mary Poppins Jr. - Roar Academy, Redcliffe Musical Theatre Season: February 1st - 2nd, 2025 Read More 1 Feb 2025 DRAMATIC THEATRE: The Crucible - Gold Coast Little Theatre Season: February 1st - 22nd, 2025 Read More 1 Feb 2025 MUSICAL THEATRE: Macbeth - The Barden Party, Backdock Arts Season: February 1st - 15th, 2025 Read More 31 Jan 2025 BURLESQUE: Sinner - LDC Productions Season: January 31st, 2025 Read More 31 Jan 2025 MUSICAL THEATRE: Evil Dead the Musical - Ghostlight Theatre Co. Season: January 31st - March 9th, 2025 Read More 31 Jan 2025 BURLESQUE: Headliners - BTM Productions, Princess Theatre Season: January 31st, 2025 Read More 29 Jan 2025 MAGIC: Penn & Teller - QPAC Season: January 29th - February 7th, 2025 Read More 24 Jan 2025 COMEDIC THEATRE: The Appleton Ladies' Potato Race - Mates Theatre Genesis Season: January 24th - February 1st, 2025 Read More 18 Jan 2025 MAGIC: Theatre of Magic - Empire Theatre Season: January 18th - June 28th, 2025 Read More 3 Jan 2025 MUSICAL THEATRE: Grease - QPAC Season: January 3rd - February 1st, 2025 Read More 2 Jan 2025 MUSICAL THEATRE: Six - QPAC Season: January 2nd - February 9th, 2025 Read More 28 Dec 2024 CIRCUS: Blush Circus for Grown Ups - QPAC Season: December 28th 2024 - February 1st, 2025 Read More 14 Nov 2024 CABARET: Blanc de Blanc Encore - Strut and Fret, West End Electric Season: November 14th, 2024 - February 16th, 2025 Read More
- CABARET: Absolute Trash - Glitter Martini, Arcana | Stage Buzz Brisbane
< Back CABARET: Absolute Trash - Glitter Martini, Arcana 28 Feb 2025 Season: February 28th, 2025 Title: Absolute Trash Presented By: Glitter Martini Genre: Circus, Comedy, Cabaret Synopsis: Absolute Trash is an iconic celebration of all things garbage, blending circus, comedy, and the sparkling world of up-cycled art. Watch a "bin chicken" with big dreams, and performers more flexible than any political stance on climate policy. Hosted by Natrasha Binit, the Queen of Trash, this hilarious and thought-provoking performance will leave you laughing and pondering all things waste. Expect aerial silks, acrobatics, and comedic skits that balance skill and humour. Performance Dates: Friday, 28 February 2025 Performance Times: 7:30 PM – 8:30 PM Performance Location and Address: Arcana Theatre, 46 Evesham St, Moorooka QLD 4105 Ticket Link: Eventbrite - Absolute Trash Ticket Costs: B Reserve Tiered Seating: $49 A Reserve Floor Seating: $54 Table 1 - Bar Table w/ Stools (6 Stools): $354 Table 2 - Bar Table w/ Stools (6 Stools): $354 Table 3 - Bar Table w/ Stools (6 Stools): $354 Table 4 - Cafe Table w/ Chairs (4 Chairs): $236 Table 5 - Bar Table w/ Stools (6 Stools): $354 Table 6 - Bar Table w/ Stools (6 Stools): $354 Table 7 - Cafe Table w/ Chairs (4 Chairs): $236 Add-ons: Bottle of Wine (Multiple Varieties): $65 - $68.96 Antipasto Platter: $139 Hot Platter: $149 Fruit Platter: $89 Warnings: Course language, sexual references Recommended Age: 15+ Duration: 1 hour Production Website: Glitter Martini - Absolute Trash Previous Next
Forum Posts (88)
- SOCIAL EVENT: Micdrop! - Passion ProductionsIn Social Events·21 January 2025Title: MicDrop! Open Mic Nights Presented By: Passion Productions & PIP Theatre Genre: Open Mic – Musical Theatre About: Unleash your inner Broadway star at MicDrop!, Passion Productions’ Open Mic Night. Whether you're a seasoned performer or simply love belting show tunes in the shower, this is your chance to step into the spotlight. Share your favourite musical moments, connect with fellow theatre enthusiasts, and celebrate the joy of live performance in a supportive, welcoming atmosphere. With a focus on learning, growth, and community, MicDrop! is perfect for dusting off the cobwebs, keeping those performing muscles in shape, or simply having a go for the first time. EVENT DETAILS: Upcoming Dates: • Brisbane: Tuesday, 21 January 2025, 6 PM (Doors & Bar Open), 7 PM (First Act), Location: PIP Theatre, 20 Park Rd, Milton QLD 4064 • Moreton Bay: Saturday, 25 January 2025, 7 PM, Location: Petrie School of Arts Community Centre, 1018 Anzac Ave, Petrie QLD 4502 Tickets: • Audience Ticket: $5 • Performer Ticket: $5 Ticket Links: • Brisbane Tickets • Moreton Bay Tickets MICDROP! RULES: • Be Supportive: Cheer for everyone as if they’re your BFF! • Do Your Best: Mistakes are welcome – we celebrate growth! • Have Fun: Community theatre is all about enjoyment and learning. Accessibility: • PIP Theatre is fully accessible via a foyer lift, with wheelchair-accessible spaces and amenities. • For accessibility inquiries or companion card tickets, email: info@piptheatre.org. Website: Passion Productions (MORE DATES LISTED) Email: info@piptheatre.org002
- Groundhog Day @ Princess Theatre, MelbourneIn Showtime Buzz·19 February 2024Writers: Tim Minchin (Music and Lyrics), Danny Rubin (Book) Synopsis: "Groundhog Day: The Musical" is a whimsical adaptation of the classic film, where Phil Connors, a disgruntled weatherman, finds himself stuck in a time loop, reliving the same day over and over. As he navigates this surreal predicament, he discovers the true essence of life and love. My Review: I recently embarked on a theatrical odyssey by attending "Groundhog Day: The Musical," and what an exhilarating journey it turned out to be! Tim Minchin's brilliant composition and Danny Rubin's witty book seamlessly transported the audience into the peculiar world of Punxsutawney, where time stands still, and every day is Groundhog Day. The musical opens with an infectious energy that sets the tone for the entire show. The ensemble, synchronised in their movements and voices, immediately grabs your attention. The vibrant, dynamic set design, complete with a quaint town square and a charming bed-and-breakfast, and even a wonderful carnival ride, enhances the visual appeal, immersing the audience in the small-town charm of Punxsutawney. Andy Karl, in the role of Phil Connors, is a revelation (the original Broadway lead). His portrayal captures the essence of the iconic character, blending the perfect amount of sarcasm, frustration, and eventual transformation. Karl's vocal prowess adds another layer to the character, making each song a powerful expression of Phil's evolving emotions. The standout aspect of the musical lies in Tim Minchin's music and lyrics. The songs are not just catchy tunes but integral parts of the storytelling process. From the upbeat and whimsical "Punxsutawney Phil" to the introspective "Hope," each number contributes to the narrative, creating a musical tapestry that engages and entertains. The comedic timing, a crucial element in any production of this nature, is impeccable. The humour is not just about the repetitive nature of the day but delves into the nuances of human behaviour and the absurdity of life itself. The ensemble's chemistry and comedic delivery contribute significantly to the overall hilarity of the production. The audience was absolutely riveted by the fast-paced plot and the brilliant dialogue delivery and phyical acting. As the story unfolds, the musical takes unexpected emotional turns, exploring themes of self-discovery, redemption, and the importance of human connections. The heartfelt moments are as impactful as the comedic ones, creating a well-balanced experience that resonates with the audience. In conclusion, "Groundhog Day: The Musical" is a masterclass in musical theatre. Tim Minchin's genius, combined with Danny Rubin's clever adaptation, delivers a production that is both entertaining and thought-provoking. The impeccable performances, dynamic set pieces, and emotionally resonant soundtrack make this musical a must-see. Whether you're a fan of the film or experiencing the story for the first time, "Groundhog Day: The Musical" promises an enchanting theatrical experience that will leave you singing its praises long after the curtain falls.1020
- RENT @ QPAC Playhouse Theatre 2024In Showtime Buzz·8 February 2024Writer: Jonathan Larson Synopsis: "RENT" is a groundbreaking rock musical that follows the lives of a group of young artists struggling with love, addiction, poverty, and the AIDS epidemic in New York City's East Village. Review: My anticipation soared as I secured extraordinary sixth-row seats for "RENT" at the Playhouse Theatre. What made the experience even sweeter was the flash sale pricing – a mere $67, a steal compared to the usual $140 cost. Remember to always check Today Tix for price drops! The theatre buzzed with excitement as the captivating set masterfully transported us to the heart of the East Village before the show had even begun. The immersive and movable design complemented the raw and visceral nature of Larson's narrative, creating an atmosphere that resonated with the audience. The cast, a brilliant assembly of talent, brought the characters to life with authenticity and emotion. Maureen, played by Calista Nelmes who undoubtedly stole the spotlight with "Over the Moon", delivered a performance that was not just memorable but transformative. Her stage presence was magnetic, commanding attention and applause with each appearance. Yet, it would be unjust to overlook the stellar performances from the rest of the main cast. Mark's poignant delivery of "Rent," Roger's soul-stirring "One Song Glory," Angel's exuberant "Today 4 U," Mimi's sultry "Out Tonight," Collins' heartfelt "I'll Cover You", and the fiety duet between Joanne and Maureen "Take Me or Leave Me" each contributed to the tapestry of emotions woven throughout the show. Their chemistry on stage was palpable, creating a synergy that elevated the overall impact of the narrative. The ensemble, an unsung hero in many productions, was a revelation in RENT. Their collective energy, precise choreography, and seamless transitions added an extra layer of depth, turning scenes into a visual and auditory feast. Songs like "La Vie Bohème" and "Seasons of Love" showcased their prowess, turning the stage into a vibrant canvas. However, amidst the applause and cheers, a curious incident unfolded. The couple seated behind us, initially expressing admiration for the cast and acknowledging the immense talent on display, surprisingly chose to depart during intermission, as I eavesdropped that they were leaving because they were too confused. This incident highlighted the challenge of translating theatrical nuances to those less versed in the world of live performance. Nevertheless, the remaining audience were wholly immersed in the emotional journey the production offered and gave a much-deserved standing ovation. Jonathan Larson's masterpiece, even decades after its inception, proved its enduring ability to captivate and move audiences. A testament to the power of storytelling and the magic that unfolds on the stage. SHARE YOUR THOUGHTS IN THE COMMENTS BELOW1032